The project deals with the design of the wine gallery and community center in smaller wine-growing village Strachotín, which is situated in the beautiful landscape under the hills, called "Pálavské vrchy", and also is on the edge of the magnificent waterwork - "Novomlýnské nádrže". The construction of the wine gallery and the community center is designed in the historical structure of the village, near the gothic church. The project follows up the analytical part, which dealt with the vision for the future development of the village Strachotín. The vision, which after thorough examination of the village included seventeen interventions of small or larger urban character, which would be beneficial for the development of the village and surroundings.

The matter of the Horečky project is complex called Art in Horečky,which is complex strategy how to get the people interested in arts to the area. Project designs gallery, house for artist, artistic path in nature...

The subject of the diploma thesis was the elaboration of an architectural study of a new synagogue in Opava, which, with other necessary objects, will create a complex used by the jewish community and its members. The result of the design is a new community center. This has the task of restoring existence and supporting the development of the jewish community, which has not found its way back to Opava since world war II. Three separate objects cover the needs of this community for everyday and spiritual life. This includes education taking place in the library, the seat of the jewish community and its leaders, ritual cleansing areas of the mikveh and the commercial space of the kosher food or products store. It is necessary to have a kosher restaurant providing proper eating. An important part is also the space of cultural activities in the form of artistic or other exhibitions and events. The main area of the complex is a synagogue where prayers, festivities and meetings are held.

The conceptual design of the Gallery of Modern Art is created with the aim to build the timeless social and cultural center, situated in urban conservation zone, which is in the connection with the cultural axis of the existing round avenue of Brno. The proposed building is located in the Moravian Square, in the place of the existing park. It is a neoplasm in the historic space, which is adding the uniqueness of surrounding by its concept. This proposed building will reflect the most modern architectural, building and construction elements.

Right in the city center, there is a plot with old factory halls. These halls are fascinating and have great potential. But now, they are more of an obstacle. They form a barrier, they are in poor condition, and it robs the city of its values. In my diploma thesis entitled Creative Center in Kopřivnice, in addition to the design of the creative center, I will also deal with how to use the beauty and potential of these old halls, further, how to create beautiful and modernized buildings with a new value. I want to open the whole area, to create a place where people would like to meet and where various functions will be mixed- a place for fun, relaxation, culture, education or even just a shopping or walk. The work is very diverse - from the urban design of the entire plot, through the revitalization of old industrial halls and the layout of a new building, to the interior design of a new gallery.

Aus dem Text: 'Die Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden (SLUB) bewahrt zahlreiche Nachlässe von Künstlern, Schriftstellern und Musikern, die in Sachsen gewirkt haben. Mit der Schenkung des Archivs der Galerie Nord 1974 bis 1991 wird nun eine weitere interessante Spezialsammlung der Dresdner Kunst- und Kulturgeschichte hinzugefügt, dauerhaft gesichert und für die Öffentlichkeit zugänglich gemacht. ... Die Galerie Nord verjüngte die gründerzeitliche, grau gewordene Häuserzeile in der Leipziger Straße. Die in diesem Band abgedruckten Fotografien – ergänzt durch Erinnerungen von Künstlern, Musikern und Dichtern – verdeutlichen, welchen Zuspruch die insgesamt 117 Ausstellungen und weiteren Veranstaltungen fanden, die weit über den Stadtteil Pieschen hinausstrahlten. Auch heute, nach der städtebaulichen Sanierung, leben und arbeiten zahlreiche Künstler in diesem elbnahen Stadtteil.'

The main task of this thesis was to create an architectural study of The Gallery of Brno Grand Prix based on previous urban study from previous semester works. The proposal is focused on the iconic circuit’s former glory restoration, on providing new content for raceway complex and creating decent and presentable place for the presentation of the rich history of Czech and Czechoslovak motorsport. The result is a study of an object that meets these needs while respecting the historical and morphological values of the place. The building creates new themed attraction and creates the potential for further development of near circuit.

The main focus of this diploma thesis is Jiří Kotalík, his relationship with the United States of America and projects in which he participated as the director of the National Gallery in Prague. To understand projects, it was necessary to clarify the broader circumstances, especially the relationship of the Czechoslovak Socialist Republic to the United States of America and the cultural policy of both states. Therefore, the time frame was extended, both in the historical introduction and the first exhibition of American art in Czechoslovakia in 1947. It was also necessary to put into context the purpose for which large traveling exhibitions and other US cultural projects were organized and what reception they caused in the Czechoslovak Socialist Republic. The six largest exhibitions of American art, which took place in the Czechoslovak Socialist Republic in the years 1967-1990, were selected as a sample. In the end, other forms of cooperation of the National Gallery, respectively Jiří Kotalík with American institutions were indicated but also other forms of promotion of Czechoslovak art in the United States of America were indicated. Key words: Jiří Kotalík, National Gallery in Prague, Czechoslovak Socialist Republic, USA, Thomas Messer, Solomon R. Guggenheim Museum, propaganda, cultural policy,...

Dans les massifs rocheux fissurés, il est très difficile de réaliser des ouvrages sans avoir fait, au préalable, une étude de sa fracturation et de son comportement mécanique et hydraulique. L'étude d'un massif rocheux fissuré doit comporter les étapes suivantes : - Relevé systématique des discontinuités du massif, - Étude statistique de ses discontinuités pour identifier les différentes familles qui découpent le massif, - Étude du comportement mécanique des discontinuités, - Étude générale de stabilité, - Étude hydraulique. Notre recherche est relative à l'étude générale de stabilité. Les méthodes classiques de calcul de stabilité, basées sur l'analyse des forces en situation d'équilibre limite et ne prenant pas en compte la déformabilité du massif et la répartition des contraintes existantes dans celui-ci, ne donnent pas entière satisfaction. La méthode que nous avons développée est une méthode dite par "éléments distincts". Elle permet de modéliser les massifs rocheux fissurés par un assemblage de blocs définis par le système de discontinuités et de calculer leurs interactions réciproques. L'interaction entre les blocs se transmet à travers leurs contacts (ou joints) suivant les lois de comportement mécanique de ces derniers. On peut exprimer les contraintes au niveau des joints en fonction de leurs rigidités et des déplacements des blocs. La minimisation de l'énergie potentielle totale de la structure étudiée permet de produire un système d'équations où sont exprimés les forces exercées sur le système et les déplacements des blocs par l'intermédiaire d'une matrice de rigidité. Il est souvent nécessaire de considérer des lois de comportement mécanique des joints non-linéaires, ce qui conduit à un système d'équations non-linéaires dont la résolution se fait d'une manière incrémentale itérative. Par cette méthode, on peut alors étudier les déformations causées par la réalisation d'une excavation dans le massif, rendre compte des ruptures locales qui peuvent évoluer suivant des mécanismes de ruptures progressives. Dans cette recherche, nous avons également modélisé les systèmes d'ancrages par boulons ou tirants actifs et par armatures passives scellées dans le massif. Le comportement mécanique des ancrages est considéré comme élasto-plastique avec écrouissage cinématique.

The work is dedicated to the personality Jaromír Neumann as an expert of Venetian painting in our country, whose approach is documented on a number of paintings from several institutions, which autorship determinated. Specifically, the images of the Prague Castle Picture Gallery, National Gallery in Prague, Olomouc Picture Gallery and significant Titian painting of Kroměříž Picture Gallery, which concentrated his interest for a long time. These are the works of painter's family Bassano, Paolo Veronese, Jacopo and Domenico Tintoretto, Bonifazio Veronese, Rocco Marconi, Pordenone and Titian. More generally, the work deals with issues of connoisseurship and restoration, but is not the purpose of extensive analysis, the more necessary as outlined in the context of the theme of the work. The result should be the definition and specification process of Neumann's autorship determination and the pursuit of affect key points that form its determination.