O presente estudo tem por objeto o processo de tradução e suas dificuldades a partir da análise da obra La Chasse-Galerie, do escritor franco-canadense Marie-Louis-Honoré Beaugrand (1848-1906). Nosso objetivo é mostrar as diferentes marcas culturais e linguísticas presentes na citada obra e os caminhos percorridos para encontrar uma tradução capaz de transpor, a partir da língua alvo, os mesmos significados e os mesmos sentimentos expressados na língua de partida, sem que a obra parecesse estrangeira aos olhos do leitor. Para atingir esse objetivo, tomamos por base os conceitos teóricos de Eco (2007) sobre a tradução que afirma que quando se traduz nunca se diz a mesma coisa, mas quase e Berman (2002), porque o seu posicionamento é o de que, uma tradução só é boa ou bem sucedida quando o tradutor deixa nela as marcas do estrangeiro, isto é, deixa entrar a cultura do estrangeiro (do texto de partida) para dentro da sua cultura (texto de chegada). / The object of study of the present research is the translation processes and their difficulties. Based on La Chasse-Galerie, the piece of the French-Canadian writer Marie-Louis-Honoré Beaugrand (1848-1906), we aim at demonstrating the various cultural and linguistic aspects present in the mentioned work as well as the methods we used to reach a translation capable of transmitting to the target language the same meanings and feelings expressed in the original language of the tale without making the piece strange to the readers eyes. To meet this goal, we used the translation theory by Eco (2007), according to which something translated never says the same thing, but nearly, and by Berman (2002), because he believes an effective translation is the one which allows the reader to recognize traces of the source text, that is, traces of the original culture.

Financial Reporting of public-benefit corporations in Czech Republic was significantly changed during a reform of public accounting standards. This thesis focuses on specifics of new Czech legislation in the field of public sector accounting and its differences from international IPSAS standards and shows basic principles of economy of public-benefit corporations on example of one of the most important cultural institution in Czech Republic - National gallery in Prague.

Les microrésonateurs à modes de galerie en matériaux amorphes sont faciles à produire par des techniques de fusion. Leur facteur de qualité est cependant limité à quelques 108 du fait du phénomène de contamination de surface ou d'une absorption résiduelle plus importante que celle des matériaux cristallins. Nous avons développé deux méthodes utilisant des micro-résonateurs actifs, fabriqués par fusion de poudres de verres ZBLALiP dopés Erbium, permettant de dépasser cette limite. Il est tout d'abord possible de compenser les pertes en introduisant du gain optique dans le micro-résonateur. Des facteurs de qualité chargés de 5×109 correspondant à un facteur de qualité intrinsèque de 1010 ont ainsi pu être mesurés. En plus d'une augmentation du facteur de qualité, le gain interne offre un paramètre supplémentaire de contrôle du couplage, cela nous a permis d'obtenir tous les régimes de couplage d'un résonateur à partir du sous couplage jusqu'au régime d'amplification sélective. Nous avons atteint en particulier le régime de transparence, un micro-résonateur dans un tel régime peut trouver des applications comme ligne à retard variable transparente ayant un retard de groupe qui peut être modifié en jouant sur le taux de couplage entre le résonateur et la ligne d'accès. La deuxième méthode consiste à augmenter très fortement la valeur de l'indice de groupe du milieu par des effets de lumière lente. Un indice de groupe d'environ 4×106 a été obtenu via le phénomène d'Oscillations Cohérentes de Populations (OCP) ce qui caractérise un très fort ralentissement de la lumière. Ceci nous a permis d'augmenter, dans une micro-cavité, le temps de stockage des photons de 200 ps à 2,5 ms ce qui correspond à un facteur Q de 3×1012. / Glass-based whispering gallery mode (WGM) microresonators are easy to produce by melting techniques. However, they suffer from surface contamination or residual absorption which limits their long term quality factor to only about 108. We show that an optical gain provided by erbium ions can compensate for residual losses. Moreover it is possible to control the coupling regime of an ultrahigh Q-factor microresonator from undercoupling to spectral selective amplification by changing the pumping rate. We demonstrate a critically coupled fluoride glass WGM microresonator with a diameter of 220 μm and a loaded Q-factor of 5,3×109. We also show that by introducing slow-light effects in a monolithic WGM microresonator it is possible to enhance the photon lifetime by several orders of magnitude and circumvent fabrication limitations. We experimentally demonstrate Erbium-doped fluoride glass microresonators with a photon lifetime up to 2,5 ms at room temperature, corresponding to a Q-factor of 3×1012 at 1530 nm, by combining WGM resonance effect and population oscillations.

The aim of this thesis is to describe thoroughly the way Czech museums of art are using the principles of marketing communications nowadays. Theoretical part of the thesis presents brief history of modern museums worldwide as well as in the Czech Republic (with special stress on the network of regional galleries being founded in the second half of the 20th century. It also presents bases of museum marketing and the elements of integrated marketing concept applied on galleries. Terms of branding and fundraising are mentioned as well. The research part of the thesis contains the results of questionnaire survey among 10 representatives of Czech regional galleries. Each of the included museums of art is introduced with emphasis on their ways of using marketing communications principles. Their visual identities are also described and media monitoring analysis is added to all of them. We can say that the principles of marketing communications are anchored among Czech galleries; however they struggle with the lack of finance needed to concentrate more on such activities.

The aim of the project was to design a library with a gallery in the cadastral area of Nový Jičín – Horní předměstí of Bohuslava Martinů street. The main idea was to create a comfortable backdrop for students as well as the possibility of cultural education in the form of various exhibitions. The plan will be implemented according to the investor's requirements and will be in line with the land-use plan. This is a basement new building of the library with 2 above-ground floors. This large new building is in the shape of an irregular U. The building is based on a base plate. A combined wall and column construction system is used. The object is designed with a rasterized front lightweight perimeter casing with a front web-shaped facade

The new building of Olomouc Central Europian Forum is concieved as an extension to the existing building of Olomouc Art Museum. It fills the space of existing vacant lot clining to the existing object from the west. The new building contains new spaces for modern art expositions and also creates enough storage capacity for the new and the existing building. The architectural solution results from the division of historic building estates and from the character of surrounging build-up area. The volume of the building rising from the site is created by five tracts oriented perpendiculary to the street boundary, that are of a simple shape of block with pitched roof. In the central part the tracts are transected by a traversing volume of a galery with glass pitched roof, that provides additional daylight for the central part and connects the new and the existing building. The facade of the new building is created as a doubled construction with the interior screen made of pure double glass and the exterion screen made of milk glass, that transmits enough difuse light into the inner spaces. There is a LED screen stretched in between these two transparent planes, thanks to which the facade glows in the dark with interesting light effects.

The aim of the work is to find a suitable way and solution of mediating architecture and its broad themes into the lives of the public. To design an ideal space and suitable conditions for the popularization not only of architecture, but also of related fields such as art, landscape architecture and construction, where all these disciplines will be connected. The main part of the design is to find a suitable way to "transfer" architecture from large cities and those in which it is taught to regional cities or villages. This way of presentation and sharing would be carried out by mobile pavilions, which would create mobile studios. The entire system will be coordinated and managed by the building, where these mobile pavilions will be merged and modularized. The building will create a "center of architecture", where all functions will be combined. This centre serves as a complementary function to the schools of architecture, civil engineering, fine arts and landscape architecture. Thus, there will be cooperation between students across all disciplines with a place for presentation and exhibition to the public.

New building pension with brewery is situadet in town Prostejov. Object has 3 overground floors and flat roof, it has no cellar. On ground floor is situated the brewery, medium large kitchen with storages, sanitary and the restaurant. Kitchen is designed for preparing 150 meals, capacity of restaurant on the ground floor is 81 place and on the galery is 70 . On this floor has been situated room for invalids also. On the further floors are rooms for guests and technical area for air design system.

The subject of this thesis is Centre of Ecological and Educational Activities, Prostějov. The whole complex consists of two buildings, a car park and an area for free-time activities. Building A is wheelchair accessible, detached, and has a flat green roof. This building is thermally insulated with mineral wool and has three floors without the basement. The lift is also designed for this building. This building is designed for educational purposes. On the first floor there is a shop and an assembly hall. The second floor is fully dedicated to education; there is a room for trainers and a kitchenette. A gallery and the director‘s office are situated on the third floor. Building B is detached and wheelchair accessible, and has a flat green roof as well. It is also thermally insulated with mineral wool. It has two floors without the basement. On the first floor there is a restaurant, a kitchenette with facilities, and a room for the disabled. Second floor is fully dedicated to accommodation, and there are bathrooms in the corridor on this floor as well.

This master´s thesis is deal with desing of steel structure of exhibition gallery. According to the task have been design of new structures in accordance with applicable standards. The desing of building came frome several studies.