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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 6 of 6 (0.029 seconds)Spelling suggestions: "subject:"geldes""
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Arent de Gelder sein Leben und seine Kunst.Lilienfeld, Karl, January 1911 (has links)
Inaug.-diss.--Halle-Wittenberg. / Label mounted over imprint reads: Halle a/S. Lebenslauf. "Die vorliegende arbeit erscheint in erweiterter form ... als IV. band der 'Quellenstudien zur holländischen kunstgeschichte.'"
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Arent de Gelder sein Leben und seine Kunst.Lilienfeld, Karl, January 1911 (has links)
Inaug.-diss.--Halle-Wittenberg. / Label mounted over imprint reads: Halle a/S. Lebenslauf. "Die vorliegende arbeit erscheint in erweiterter form ... als IV. band der 'Quellenstudien zur holländischen kunstgeschichte.'"
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Staatliche Immunität und Zugriff auf iranische Konten in der BundesrepublikGramlich, Ludwig 25 November 2008 (has links) (PDF)
Die Zwangsvollstreckung im Wege der Pfändung von Guthaben auf inländischen Bankkonten fremder Staatsunternehmen (am Beispiel der iranischen NIOC) wirft die Frage auf, wie weit die Immunuität ausländischer Staaten von der deutschen Gerichtsbarkeit in personeller und sachlicher Hinsicht reicht. Eine allgemeine Regelung durch einen multilateralen völkerrechtlichen Vertrag wäre wünschenswert.
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Vampires in the sunburnt country : adapting vampire Gothic to the Australian landscapeNahrung, Jason January 2007 (has links)
I first became enamoured with vampire Gothic after reading Bram Stoker's Dracula in high school, but gradually became dissatisfied with the Australian adaptations of the sub-genre. In looking for examples of Australian vampire Gothic, a survey of more than 50 short stories, 23 novels and five movies made by Australians reveals fewer than half were set in an identifiably Australian setting. Even fewer make use of three key, landscape-related tropes of vampire Gothic - darkness, earth and ruins. Why are so few Australian vampire stories set in Australia? In what ways can the metaphorical elements of vampire Gothic be applied to the Sunburnt Country? This paper seeks to answer these questions by examining examples of Australian vampire narratives, including film. Particular attention is given to Mudrooroo's Master of the Ghost Dreaming series which, more than any other Australian novel, succeeds in manipulating and subverting the tropes of vampire Gothic. The process of adaptation of vampire Gothic to the Australian environment, both natural and man-made, is also a core concern of my own novel, Vampires' Bane, which uses earth, darkness and a modern permutation of ruins to explore its metaphorical intentions. Through examining previous works and through my own creative process, Vampires' Bane, I argue that Australia's growing urbanisation can be juxtaposed against the vampire-hostile natural environment to enhance the tropes of vampire Gothic, and make Australia a suitable home for narratives that explore the ongoing evolution of Count Dracula and his many-faceted descendants.
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Staatliche Immunität und Zugriff auf iranische Konten in der BundesrepublikGramlich, Ludwig 25 November 2008 (has links)
Die Zwangsvollstreckung im Wege der Pfändung von Guthaben auf inländischen Bankkonten fremder Staatsunternehmen (am Beispiel der iranischen NIOC) wirft die Frage auf, wie weit die Immunuität ausländischer Staaten von der deutschen Gerichtsbarkeit in personeller und sachlicher Hinsicht reicht. Eine allgemeine Regelung durch einen multilateralen völkerrechtlichen Vertrag wäre wünschenswert.
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Jazz music: the technological mediation of an aural traditionJarvis, Brent 28 September 2021 (has links)
Jazz music is transmitted by aural and oral means. As recording and broadcast mediums became increasingly ubiquitous, starting in the mid twentieth-century, an ever greater proportion of jazz’s aural transmission would be mediated by these developing technologies. Many commentators address sound’s mediation from one state to another by identifying the resulting recording as an object. This object transcends temporal and spacial proximity, possessing inherent authority with implications for authorship, related work-concepts, and even issues of cultural assimilation. From a perspective informed by writings in musicology, philosophy, and sound studies, I examine recorded jazz music from the twentieth-century.
I begin by positioning the history of jazz music in relation to the emergence of recording technologies to establish recordings as authoritative texts. I then translate (by transcription) primarily non-literate jazz recordings into the primarily literate discourse of musicology. In the course of examining music by James Moody, Eddie Jefferson, Bud Powell, Chick Corea, and others, I conclude that they all exemplify musical intertextuality. In some cases, technological mediation connects the texts.
I then turn to an examination of recordings specifically. I begin by questioning musical notation as an adequate description of sound and move to developing a broader analytical framework. This thesis culminates with a comparison of Bud Powell’s 1949 recording of Bouncin’ With Bud and Chick Corea’s 1997 recording. Using the framework mentioned, disparate potentialities afforded by each recording’s mediation are connected to musical characteristics. / Graduate
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