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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

On the Road to Discovery: Tom Jones and Property

Wang, Wen-te 28 January 2008 (has links)
This thesis mainly elaborates on male and female characters¡¦ interaction with and response to property in Henry Fielding¡¦s Tom Jones. I divide property into two possessions: fortune and liberty. Fortune plays a controlling means to reflect the subtle change of human nature on the matter of morality. Also, the deprivation of liberty shows female¡¦s position in marriage and gender¡¦s equality in society. Either morality or gender issue is a challenge to tradition in the eighteenth century. I particularly analyze how Fielding puts these two issues into this novel and the messages he attempts to deliver to us. This thesis consists of three chapters. In chapter one, I focus on the interaction between human nature and property. In chapter two, I deal with male dominance over female autonomy in marriage. In the last chapter, I discuss the reverse positions between men and women as they stand upon in chapter two by the examples of Jones and his three lovers.
2

Tres escolas para meninas

Perosa, Graziela Serroni 28 March 2005 (has links)
Orientador: Leticia Bicalho Canedo / Tese (doutorado) - Universidade Estadual de Campinas. Faculdade de Educação / Made available in DSpace on 2018-08-04T04:08:23Z (GMT). No. of bitstreams: 1 Perosa_GrazielaSerroni_D.pdf: 13179599 bytes, checksum: 3122b3ef80ad4012d3f2209d09775e06 (MD5) Previous issue date: 2005 / Doutorado / Educação, Conhecimento, Linguagem e Arte / Doutor em Educação
3

Amélia é quem era mulher de verdade? : mulheres pobres e a construção de uma "Nova Marília" (1980-2004) /

Berto, Vanessa de Faria. January 2007 (has links)
Orientador: Lídia Maria Vianna Possas / Banca: Andréa Borelli / Banca: Tânia Brabo / Resumo: Sob uma perspectiva de gênero, enquanto categoria de análise histórica, e através de um diálogo interdisciplinar com a Sociologia, a Antropologia e a História, esta pesquisa dedica-se à análise do mundo de significados que emerge do cotidiano do 'Centro Comunitário Nova Marília' e das mulheres que são suas membro-fundadoras. Aprofundando-se no estudo dos discursos e das práticas, observados e registrados através de um trabalho etnográfico livremente inspirado na 'descrição densa' de Geertz, a investigação procura entender como tais mulheres consentem e/ ou reagem frente às representações dominantes da diferença entre os sexos: a incorporação de normas sociais consideradas 'naturais', a 'violência simbólica' conceituada por Bourdieu, suas ações frente à modernização/ modernidade do município de Marília-SP. Nesse sentido, compreende-se também a emergência de um movimento feminino, no qual as mulheres se mostram capazes de articular responsabilidades e privilégios não apenas para si mesmas, mas também para o bem da coletividade. / Abstract: Under a gender's perspective, while a historical category of analysis and through a dialogue with the Soiology, the Anthropology and the History, this search is devoted oneself to analysis of the meaning's world that come up from day in, day out of "Nova Marília's Communitary center" and from women that are its members. Dived in the study of speechs and pratices, observereds and registereds through a etnographyc work inspired in "Geertz' dense description", this invesgation is searching to understand how such women consent/ react façade to dominates representations of the difference between the sexs: the incorporation of socials norms considereds 'naturals'; the 'symbolic violence', respecteds by Bourdieu; their actions façade to modernization of city of Marília (SP). So, this search try to understand the emergency of a feminine movement, which the women show their capacity of to articulate responsability and privileges not just for themselves, but to collective welfare. / Mestre
4

Amélia é quem era mulher de verdade?: mulheres pobres e a construção de uma Nova Marília (1980-2004)

Berto, Vanessa de Faria [UNESP] 06 April 2007 (has links) (PDF)
Made available in DSpace on 2014-06-11T19:24:06Z (GMT). No. of bitstreams: 0 Previous issue date: 2007-04-06Bitstream added on 2014-06-13T19:10:15Z : No. of bitstreams: 1 berto_vf_me_mar.pdf: 2281818 bytes, checksum: 5ce02055b3876a37eedb5150f588637c (MD5) / Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) / Sob uma perspectiva de gênero, enquanto categoria de análise histórica, e através de um diálogo interdisciplinar com a Sociologia, a Antropologia e a História, esta pesquisa dedica-se à análise do mundo de significados que emerge do cotidiano do 'Centro Comunitário Nova Marília' e das mulheres que são suas membro-fundadoras. Aprofundando-se no estudo dos discursos e das práticas, observados e registrados através de um trabalho etnográfico livremente inspirado na 'descrição densa' de Geertz, a investigação procura entender como tais mulheres consentem e/ ou reagem frente às representações dominantes da diferença entre os sexos: a incorporação de normas sociais consideradas 'naturais', a 'violência simbólica' conceituada por Bourdieu, suas ações frente à modernização/ modernidade do município de Marília-SP. Nesse sentido, compreende-se também a emergência de um movimento feminino, no qual as mulheres se mostram capazes de articular responsabilidades e privilégios não apenas para si mesmas, mas também para o bem da coletividade. / Under a gender's perspective, while a historical category of analysis and through a dialogue with the Soiology, the Anthropology and the History, this search is devoted oneself to analysis of the meaning's world that come up from day in, day out of Nova Marília's Communitary center and from women that are its members. Dived in the study of speechs and pratices, observereds and registereds through a etnographyc work inspired in Geertz' dense description, this invesgation is searching to understand how such women consent/ react façade to dominates representations of the difference between the sexs: the incorporation of socials norms considereds 'naturals'; the 'symbolic violence', respecteds by Bourdieu; their actions façade to modernization of city of Marília (SP). So, this search try to understand the emergency of a feminine movement, which the women show their capacity of to articulate responsability and privileges not just for themselves, but to collective welfare.
5

Genre et société à Lima pendant la seconde moitié du XIXe siècle : analyse de l'oeuvre de Mercedes Cabello de Carbonera (1842-1909) / Gender and society in Lima during the second half of the 19th century : analysis of Mercedes Cabello’s works (1842- 1909)

Cárdenas Moreno, Mónica 02 October 2013 (has links)
Pendant la seconde moitié du XIXe siècle, Lima était une ville en train de se moderniser grâce à la richesse du guano. Dans les années 1870 émerge un groupe de femmes de lettres qui s'appuient sur la presse et les institutions littéraires. Elles trouvent des espaces ouverts à leur expression artistique et à leurs idées comme les Veladas Literarias. Après la Guerre du Pacifique (1879-1883), après l'occupation de la ville de Lima par l'armée chilienne, quelques intellectuels ont évolué vers une écriture plus critique de la société. Mercedes Cabello de Carbonera (1842-1909) est la première romancière au Pérou avec une production très importante. Elle construit ses romans à partir d'un regard sociologique sur la condition de la femme, car elle croit que de cela dépend la transformation morale de la société, et par conséquent le progrès.Nous développons notre recherche en trois parties. Dans la première, nous nous occupons du contexte politique, social et culturel et de l'éducation en particulier des femmes de lettres comme Cabello. Dans la deuxième partie, nous analysons les articles et les six romans de Cabello divisés en trois périodes (les romans traditionnels, les romans de la réécriture et les romans de la transgression) ; finalement, dans la dernière partie, nous établissons une comparaison avec d'autres femmes de lettres de l'époque : Soledad Acosta, Colombienne, et Emilia Pardo Bazán, pour distinguer la singularité du réalisme péruvien, et la représentation de la femme, par rapport à la production littéraire d'autres pays hispanophones. / During the second half of the 19th century, Lima was a city in the process of modernization thanks to the wealth proved from the exploitation of the guano. In this context, in the 1870's, emerges a group of women of letters, supported by the press and the principal literary institutions. They find receptive spaces to their ideas and artistic expressions as the Veladas Literarias. Nevertheless, after the War of the Pacific (1879-1883) and especially after the occupation of Lima city by the Chilean army, some intellectuals changed their literary proposal toward one more critical of the society. Among them, one of the most prolific and important was Mercedes Cabello de Carbonera (1842-1909). She constructed her novels with a sociological concern to the condition of women because she believes that they are responsible for the moral transformation of the society and, therefore, its own progress.This dissertation is structured in three parts. The first deals with the political, social and cultural context in which the women of Lima were formed, especially the women of letters such as Cabello. The second part will examine six novels and several articles by the author. With this purpose we have subdivided her work in three parts (traditional novels, novels of the rewriting and novels of the transgression). Finally, we have made a comparison with two contemporaneous female writers of the same period, Soledad Acosta de Samper (Colombian novel) and Emilia Pardo Bazán (Spanish novel), to attempt to distinguish the singularity of Peruvian realism and the representation of women in relation to the literary production of other Spanish-speaking countries.

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