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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 51 to 60 of 728 (0.026 seconds)| 51 |
A FEMALE PERSPECTIVE ON THE MYSTICAL EXPERIENCE: MECHTHILD VON MAGDEBURG'S "EIN VLIESSENDES LIEHT DER GOTHEIT" IN A COMPLETE ENGLISH TRANSLATION, WITH ANNOTATIONS AND INTRODUCTIONGALVANI, CHRISTIANE MESCH January 1987 (has links)
This is a translation of the only complete manuscript of Mechthild von Magdeburg's work, which was discovered in 1861 in Einsiedeln by Carl Greith and transcribed and published by P. Gall Morel in 1869. Mechthild (1212-1298) dictated Books I to VI to her friend and confessor, Heinrich von Halle, who rearranged the sequence of the chapters and translated them into Latin, entitling the work Lux Divinitas in Corda Veritatis. The original Low German version of Books I to VII was translated into High German by Heinrich von Noerdlingen in 1344. Notwithstanding difficulties due to inconsistencies of orthography, ambiguities, illogical use of the negative and confusing diacritical marks made by the editor, this translation remains as faithful in both content and format to the text as possible. Lyrical passages, however, were translated into prose so as not to sacrifice Mechthild's meaning to the pursuit of assonance.
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Artifice or artistry: Calculation and awe in three Kunstmaerchen of Tieck, Hebbel and Huch (Ludwig Tieck, Friedrich Hebbel, Ricarda Huch)Heitzman, Betty January 1992 (has links)
The essential link between Volksmarchen and Kunstmarchen is the consistent theme in the Volksmarchen of restoration of a distorted world harmony. The impulse for the Romantic Kunstmarchen was an attempt to effect a reestablishment of order, both in the world and for the authors, by means of the Marchen. Connotations of Kunst in Kunstmarchen as either art or imitation correspond to the author's attitude towards the magical force: awe inspires artistry, but presumption produces imitations. Hebbel's abandonment of an absolute moral code results in a fundamental contradiction with the premises of the Marchen. Consequently, Der Rubin is an unconvincing attempt to reconstruct an all-encompassing harmony. Tieck, in Der blonde Eckbert, upholds the necessity of absolutes in the moral code as a foundation for the Marchen. Likewise, Huch shows in Lugenmarchen the unsatisfactory result of attempting to approach the magical realm through presumption and calculation.
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ENGLISH AND AMERICAN INFLUENCES ON HUGO VON HOFMANNSTHAL (AUSTRIA)LEWIS, HANNA BALLIN January 1964 (has links)
No description available.
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FRIEDRICH VON HARDENBERG'S CONCEPT OF THE POET (NOVALIS, GERMANY)PICKAR, GERTRUD HEDWIG BAUER January 1964 (has links)
No description available.
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GESCHICHTE UND KUNST IN SCHILLERS THEORETISCHEN SCHRIFTEN. (GERMAN TEXT) (FRIEDRICH SCHILLER)HAUPT, JOHANNES RICHARD January 1968 (has links)
No description available.
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CHRISTIAN HEINRICH POSTELS BEITRAG ZUR DEUTSCHEN LITERATUR DES SPAETEN SIEBZEHNTEN JAHRHUNDERTS. (GERMAN TEXT)OLSEN, SOLVEIG January 1968 (has links)
No description available.
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PAUL SCHEERBART: ROMANTHEMEN UND ERZAEHLTECHNIK (GERMAN TEXT)BOEWE, KARL-HEINZ WILHELM January 1969 (has links)
No description available.
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THE AESTHETICS OF RICHARD BEER-HOFMANN (AUSTRIA)ELSTUN, ESTHER NIES January 1969 (has links)
No description available.
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DAS LYRISCHE WERK QUIRINUS KUHLMANNS. INTERPRETATIONEN ZU SEINER RHETORISCHEN STRUKTUR. (GERMAN TEXT)NEUENDORF, KLAUS KARL ERNST January 1970 (has links)
No description available.
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POESIE ALS KRITIK ZUM STIL DER VERSDICHTUNG VON HEINRICH HEINE. (GERMAN TEXT)SCHAUB, UTA INGVELDE January 1971 (has links)
No description available.
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