Akademisk avhandling--Institutionen för idé- och lärdomshistoria--Göteborgs Universitet, impr. 1997. / Bibliogr. p. 281-292.

Thesis (M.F.A.)--Baylor University, 2008. / Includes bibliographical references (p. 153-155).

Thesis (M.F.A.)--West Virginia University, 2005. / Title from document title page. Document formatted into pages; contains iii, 55 p. Includes abstract. Includes bibliographical references (p. 55).

<p><italic>The Yellow Wallpaper</italic> is a one-act opera (in three scenes) for dramatic soprano and chamber orchestra (eleven instruments). The libretto is a free adaptation by the composer of the short story "The Yellow Wallpaper" by Charlotte Perkins Gilman. The instrumentation required is: flute (doubling piccolo), oboe (doubling english horn), clarinet (doubling bass clarinet and E-flat clarinet), bassoon, horn, soprano, piano (doubling celesta), violin I, violin II, viola, cello, and contrabass. The approximate duration is one hour. The work is dedicated to soprano Aimee Marcoux.</p> / Dissertation

Thesis (M.A.)--Central Connecticut State University, 2004. / Thesis advisor: Robert Dunne. " ... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 67-70). Also available via the World Wide Web.

Thesis (M.A.)--Oregon State University, 2000. / Typescript (photocopy). Includes bibliographical references (leaves 86-89). Also available online.

No description available.

Charlotte Perkins Gilman (1860-1935), writer and lecturer, provided philosophical guidance to the feminist movement of the late nineteenth and early twentieth centuries, During a career spanning the years 1890 to 1935 she published eleven books, wrote articles for popular magazines, and lectured throughout the United States and Europe. Between 1909 and 1916 she wrote, edited, and published a monthly magazine entitled The Forerunner. Gilman's efforts dealt primarily with the status of women, but she described herself as a humanist rather than a feminist. She explained that her interest in women arose from a concern that, as one-half of humanity, their restricted role in society retarded human progress. Thus, Gilman's contribution to feminism must be viewed within the context of her humanist philosophy. Gilman's contribution to feminism lies in her diagnosis of woman's predicament as ideological rather than political and, hence, subject to self-resolution. The uniqueness of Gilman's approach is in the autonomous nature of her solution: Woman, through the full use of her human powers, could achieve the equality that decades of political agitation had failed to accomplish. The rationale for this dissertation lies in the premise that Gilman's humanist approach to feminism made a significant contribution in her own day and offers insight into women's present status.

Thesis (M.A.), English--University of Central Oklahoma, 2010. / Includes bibliographical references (leaves 137-156).

Thesis (M.A.)--Montana State University--Bozeman, 2007. / Typescript. Chairperson, Graduate Committee: Amy Thomas. Includes bibliographical references.