Thesis (Th.M.)--Dallas Theological Seminary, 2008. / Description based on print version record. Includes bibliographical references (leaves [39]-48).

Thesis (Th. M.)--Dallas Theological Seminary, 2008. / Includes bibliographical references (leaves [39]-48).

In October 1997 The Emily Carr Institute of Art and Design proposed that a Museum of Moving Images be built at the site adjacent to the intended Granville Island Film Center currently under development permit application at The City of Vancouver. ECIAD intended the museum to show "... the magic in which the film was created by..." In addition, the program would comprise a library of books, videos, and compact discs. The starting point of the thesis was the two key words of the program: "moving" and "image". The museum was dependent not only the phenomenal qualities of site but the recognition of the visceral and of the construction of images through human vision and experience. The thesis explored fundamental constructs of film (the projection of light through an image on transparency onto a surface and further, the way the eye registers that phenomena) as a basic framework for realizing the principles of the moving image. Beginning at the ground both the parking on the site and the adjacent site gradually slopes to the lowest part of the "bar" building which from ground to sky consists of gallery, retail space, library, small theater and administration offices. The bar is intersected by a series of "tubes" containing the museum spaces. The front facade along the retail strip is the point at which all of the program can be read simultaneously. The first tube begins at the point of entry of the museum and gradually rises and switches back and forth through the site up to the third level of the larger bar building where there is a connection to the neighbouring film center, the library, or the roof top. Each tube is punctured with slots that allow glimpses and chance visual connections of other bodies moving through the museum and facilitates the registration of the bodies position within the space of the museum and the site. / Applied Science, Faculty of / Architecture and Landscape Architecture (SALA), School of / Graduate

Thesis (Ph. D.)--Ohio State University, 2007. / Title from first page of PDF file. Includes bibliographical references (p. 217-229).

This project posits the need for a design approach to the use of urban sub-infrastructural spaces as public space. The potential held within these neglected parts of the city presents opportunities for the integration of architecture and landscape. The site beneath the infrastructure of the downtown Granville Bridge is one of the last remaining undeveloped parts of downtown False Creek. Surrounded by extreme residential density, the site is formed by the infrastructure creating a unique space unlike any other in the city. Artists involved in small scale industrial production such as textile, fashion, film, and furniture, rely on the city for survival. The design, prototype, production, display, consumption, and involvement of these activities within the public realm are important components to the identity and vigor of any metropolitan city. This project will explore, capture, and capitalize on the unique landscape qualities of partial enclosure provided by the bridge structure. This existing condition provides a spatial quality that is suggestive of opportunities for the integration of interior and exterior functions. With appropriate design intervention this place can become a unique public space while fulfilling the need for a production and entertainment space in downtown Vancouver / Applied Science, Faculty of / Architecture and Landscape Architecture (SALA), School of / Graduate

The predominate purpose of this study is to compare G. Stanley Hall's philosophy of adolescence and practical arts with the accepted philosophy of teaching industrial arts in the secondary schools of the United States today. This thesis is a comparative study of G. Stanley Hall's philosophy, with emphasis placed on practical arts, to show how his philosophy has influenced the philosophy of present-day industrial arts in the secondary schools of the United States.

本文改良金融投資技術分析操作方法中, 傳統的「單一移動平均」選股法為「多重移動平均」選股法, 其係以道氏理論上, 所謂的市場同時存在三種趨勢 (主要趨勢, 次級趨勢, 小型趨勢) 為基礎, 建立多重時間架構, 輔以移動平均線為股價趨勢判斷, 以及葛蘭碧八大法則之股價突破 (或跌破) 判斷原則作為操作訊號, 所彚整而提出。實證上, 採用2014年12月31日台灣證券交易所公告之台灣50、中型100, 以及富櫃50成分股為樣本, 並以2001年1月1日至2014年12月31日為回溯期間。在進行策略交易的模擬分析與績效差異檢定後, 實證結果發現, 多重移動平均選股法投資策略績效, 在統計分析上並無法較單一周期投資策略績效為優, 但卻能有效過濾沒必要的交易行為, 使突破買進之假訊號降低, 間接的降低交易次數及減少交易成本。 / This study enhanced from the traditional single period moving average for stock selection into multiple-period moving average counterpart. The theoretical foundation comes from the Dow Theory, which states that there exist three trends simultaneously, that is, major trend, secondary trend, and minor trend. Also, the Granville Rules suggest stock price breaking out may serve as entry and exit signal for trading. Our sample are grouped into three subsamples, Taiwan 50, Mid-Cap 100, Gretai 50. The sample period ranges from 2001/1/1 to 2014/12/31. Our empirical backtesting and performance test suggests that, contrary to our expectations, the multiple period method does not outperform its single period counterpart. However, the multiple period stock selection method may filter out false signals, and thereby reduce not only possible price risk associated with noisy trades but the accompanying transaction costs. / 摘要 I Abstract II 致謝詞 III 目錄 V 圖次 VII 表次 VIII 第一章　緒論 1 第一節　研究背景及動機 1 第二節　研究目的 2 第三節　研究對象與範圍 2 第四節　研究流程 4 第二章　文獻回顧 6 第一節　技術分析理論 6 一、技術分析基本邏輯 6 二、技術分析主要的型態類型 7 第二節　移動平均線的原理 9 一、簡單移動平均線的計算 9 二、移動平均線的常見應用 9 第三節　多重移動平均理論及選股法 11 一、多重移動平均的原理 11 二、多重移動平均的選股模式 11 第四節　相關研究文獻回顧與評析 11 一、過去研究文獻 11 二、文獻評析 16 三、本文假說推論 16 第三章　研究方法 17 第一節　傳統移動平均線選股模式 17 第二節　YC指標選股模式 17 第三節　選股模式績效差異檢定 19 第四節　資料來源與變數選取 19 第四章　實證分析 20 第一節　操作策略績效估計 20 第二節　操作策略績效比較 28 第三節　多重策略模型之適性歸納–由規模的角度 36 第五章　結論與建議 43 參考文獻 44 中文部份 44 英文部份 46 參考網址 46 圖次 圖1-4-1 研究流程圖 5 圖2-1-1 型態類技術理論的基本分類 6 圖2-1-2 市場同時存在三種趨勢 7 圖2-1-3 K線的基本構造 8 圖2-2-1 葛蘭碧(Granville)八大法則概念圖 10 表次 表1-3-1 台股之台灣50成分股 2 表1-3-2 台股之中型100成分股 3 表1-3-3 台股之富櫃50成分股 3 表2-4-1 過去研究文獻的整理 14 表4-1-1 台灣50成份股總交易次數及成本 20 表4-1-2 中型100成份股總交易次數及成本 22 表4-1-3 富櫃50成份股總交易次數及成本 26 表4-1-4 單一與多重模式下交易次數與進出場交易成本彚整 28 表4-2-1 台灣50成份股總報酬及總報酬率 28 表4-2-2 中型100成份股總報酬及總報酬率 30 表4-2-3 富櫃50成份股總報酬及總報酬率 34 表4-2-4 單一與多重策略下的平均總報酬與平均總報酬率彚整 36 表4-3-1 多重策略下總報酬率與市值之迴歸分析 36 表4-3-2 多重策略下總報酬率與股本之迴歸分析 37 表4-3-3 台灣50股本前20%成份股之策略績效及差異比較 37 表4-3-4 台灣50股本後20%成份股之策略績效及差異比較 38 表4-3-5 中型100股本前20%成份股之策略績效及差異比較 39 表4-3-6 中型100股本後20%成份股之策略績效及差異比較 40 表4-3-7 富櫃50股本前20%成份股之策略績效及差異比較 41 表4-3-8 富櫃50股本後20%成份股之策略績效及差異比較 42

The Granville Bridge, Vancouver, Canada is an unsafe, uncomfortable and uninteresting crossing for pedestrians. Neither does it possess an identifiable or memorable image. Although the City of Vancouver has identified poor crossing conditions for pedestrians as an issue that requires addressing, the current design for the City's preferred solution - a suspended crossing attached to the side of the Granville Bridge - the current design for this structure does not address how to make the bridge an imageable element in the city landscape. Using the Black Rock Arts Festival - commonly know as Burning Man - as a case study, the potential for an interactive landscape design to create an identity for the Granville Bridge is examined. Although Burning Man fails to create a community that integrates with its contextual landscape, its use of interactive art is successful in creating community among participants. Through the contextual use of interactive art in conjunction with the proposed suspended pedestrian crossing, a design is proposed that celebrates the Granville Bridge as a conduit of motion by revealing the presence of pedestrians. The proposed design includes design components under the north and south ends of the bridge to conceptually ground the image on the north and south side of False Creek, and unifies the total design with the metaphorical and literal use of dance. The design shows that interactive art can be used to make the Granville Bridge an imageable element in the landscape, thereby making it an integral part of the Vancouver landscape. / Applied Science, Faculty of / Architecture and Landscape Architecture (SALA), School of / Graduate

Mormonism is among the most studied religious phenomena of American history. Yet little attention has been devoted to one of its most telling and, at the time, most famous chapters, the “Temple Lot Case” of 1891-1896, a legal battle over sacred space, cultural memory, group identity, and judicial intervention in religion. The suit involved three rival Mormon sects: Granville Hedrick’s Church of Christ, based in Independence, Missouri; Joseph Smith III’s Reorganized Church, based in Lamoni, Iowa; and Brigham Young’s LDS Church, based in Utah. In previous decades, the churches had forged distinct identities from one another, stemming from their divergent interpretations of Mormonism’s founding prophet, Joseph Smith Jr. (1805-1844). The “Hedrickites” lionized the teachings of Smith’s early years, the “Josephites” emphasized the moderate teachings of Smith’s middle years, and the “Brighamites” institutionalized the controversial semi-secret teachings of Smith’s final years. In 1891, the Reorganized Church filed suit in the Eighth Federal Circuit Court for possession of the Temple Lot Smith dedicated at Independence in 1831. The Hedrickites owned it, the Josephites thought they had a better claim to it, and the Brighamites sought to prevent the Josephites from obtaining it. The Reorganized Church presented evidence demonstrating it was the rightful successor of Joseph Smith’s church; the Hedrickites and Brighamites countered with evidence of their own. The case produced an array of notable witnesses, including elites from Mormonism’s founding generation, leaders from its divided second generation, and figures from Missouri’s colorful past. Newspapers from the New York Times to the Anaconda Standard followed the suit closely. The present work is the first book-length study of the Temple Lot Case. It offers one of the most in-depth treatments of a U.S. religious property suit to date. It chronicles the establishment and fragmentation of arguably America’s most successful native-born religion. It examines the contestation of an American sacred space. And it traces the differentiation of collective memory and identity among competing religious siblings. / text