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Berlioz and Virgil : the relationship between Les Troyers and the Aeneid /Ewans, Jenifer Joy. January 1980 (has links)
Thesis (Ph. D.)--University of Newcastle, 1980. / Department of Classics. Includes bibliographical references (leaves 394-397). Also available online.
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Berlioz on conducting.Matesky, Michael Paul. January 1974 (has links)
Thesis (D.Mus.Arts)--University of Washington. / Bibliography: l. 127-129.
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Wahrnehmung, Indexikalität und Reflexion Hector-Neri Castañedas Ontologie und Wahrnehmungstheorie und die Möglichkeit einer phänomenologischen ReflexionBusse, Ralf January 2003 (has links)
Zugl.: Heidelberg, Univ., Diss., 2003 u.d.T.: Busse, Ralf: Wahrnehmung, indexikalisches Denken und die Möglichkeit einer phänomenologischen Reflexion
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Hector Berlioz as conductor /Gartrell, Judith Williams. January 1987 (has links)
Thesis (D.Mus. Arts)--University of Washington, 1987. / Vita. Bibliography: leaves [169]-174.
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Hector Berlioz, visages d'un masque : littérature et musique dans la "Symphonie fantastique" et "Lélio /Clavaud, Monique, January 1980 (has links)
Th. 3e cycle--Lettres modernes--Lyon II, 1980. / Contient les deux versions de "Lélio ou le Retour à la vie" d'Hector Berlioz. Bibliogr. p. 215-222.
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Wahrnehmung, indexikalisches Denken und die Möglichkeit einer phänomenologischen Reflexion Hector-Neri Castañedas Ontologie, Semantik und Wahrnehmungstheorie /Busse, Ralf. January 1900 (has links)
Heidelberg, Universiẗat, Diss., 2003. / Dateien im PDF-Format.
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The Minor Choral Works of Hector BerliozMartin, Morris, 1943- 05 1900 (has links)
The minor choral works are those exclusive of the well-known choral works. Symphonic movements for chorus are also excluded. Conflicting and incomplete information from the composer himself and from secondary sources were principal research problems. The published letters, the memoirs, and a small number of secondary sources, containing little more than passing references, form the body of the research material beyond the scores themselves. The arrangement is by opus number, with unpublished works inserted chronologically by date of composition. A description of the circumstances surrounding each work' s composition precedes a study of the music within each chapter. The last chapter delineates stylistic characteristics of the minor choral works.
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The Dramatic and Musical Unity of Hector Berlioz's Les TroyensMenn, Marta C. 08 1900 (has links)
The discussion concentrates on Hector Berlioz's second opera, Les Troyens, which is Berlioz's final large work written between 1855-1858. The study demonstrates how the opera is unified through its drama and music. Les Troyens, a five-act tragic opera that is based on Virgil's Aeneid, is perhaps one of Berlioz's least known major works. The orchestral score had not been published in its entirety until 1969, when a two-volume edition of the opera was published by Bärenreiter in the New Edition of the Complete Works of Hector BerIioz. The first complete recording of Les Troyens, conducted by Colin Davis, was released by Philips records in 1972. These two sources have made an analysis of this important work of the nineteenth century possible. The study includes a survey of the dramatic influences of Virgil and his Aeneid, and the poetry of Shakespeare, in addition to the musical influences of Gluck's operas, the compositions of Lesueur, the symphonies of Beethoven, Weber's opera, Der Freischütz, and the French grand opera style, which all contributed to the opera.
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St. Jean de CrèvecoeurKunkle, Julia Post Mitchell, January 1916 (has links)
Thesis (Ph. D.)--Columbia University, 1916. / Published also without thesis note. "Reprints from Crèvecoeur": p. 346-350.
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St. Jean de Crèvecoeur,Kunkle, Julia Post Mitchell, January 1916 (has links)
Thesis (Ph. D.)--Columbia University, 1916. / Published also without thesis note. "Reprints from Crèvecoeur": p. 346-350.
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