Submitted by Marta Toyoda (1144061@mackenzie.br) on 2017-05-09T23:32:54Z No. of bitstreams: 2 Mariana de Carvalho Puglisi.pdf: 67822882 bytes, checksum: fd1277c3e7d7edbc407ef27d727ab129 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Paola Damato (repositorio@mackenzie.br) on 2017-05-10T14:03:16Z (GMT) No. of bitstreams: 2 Mariana de Carvalho Puglisi.pdf: 67822882 bytes, checksum: fd1277c3e7d7edbc407ef27d727ab129 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2017-05-10T14:03:16Z (GMT). No. of bitstreams: 2 Mariana de Carvalho Puglisi.pdf: 67822882 bytes, checksum: fd1277c3e7d7edbc407ef27d727ab129 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017-03-28 / This dissertation seeks to analyze the collective spaces in three sets of social interest housing projects designed by the architect Hector Vigliecca in the city of São Paulo from 1989 to 2016. The main axis in which the research is oriented is the reality not foreseen in the Projects that arise in the appropriations of collective spaces, where they show contradictions between the architecture project commissioned by the public power and the use by the residents. Throughout the research the land issue and the origin of the land appears as one of the indications of the revealed contradictions, as for example, the imprecision of land is reproduced in the uses and appropriations of the inhabitants. The work analyzes the collective spaces of each housing group chosen according to criteria for identifying characteristics that support the urban quality of the projects. The sets chosen are: Conjunto Habitacional Rincão 1989-1992, Rio das Pedras - Vila Mara 1989-1998 and Parque Novo Santo Amaro V 2009-2012. From this analysis divided into three moments the dissertation aims to address the problem of public space in housing of social interest, its relevance to the works of HIS in the construction of the city and the contradictions that exist in these spaces in the architecture project. / A presente dissertação busca analisar os espaços coletivos em três conjuntos de habitação de interesse social com projetos concebidos pelo arquiteto Hector Vigliecca na cidade de São Paulo, no período de 1989 a 2016. O eixo principal em que a pesquisa se orienta é a realidade não prevista nos projetos, que surge nas apropriações dos espaços coletivos, em que se evidenciam contradições entre o projeto de arquitetura encomendado pelo poder público e o uso pelos moradores. Ao longo da pesquisa a questão fundiária e da origem dos terrenos aparece como um dos indícios das contradições reveladas, pois a imprecisão da propriedade da terra se reproduz nos usos e nas apropriações dos moradores. O trabalho irá analisar os espaços coletivos de cada conjunto habitacional escolhido de acordo com critérios de identificação de características que amparam a qualidade urbana dos projetos. Os conjuntos escolhidos são: Conjunto Habitacional Rincão 1989-1992, Rio das Pedras – Vila Mara 1989-1998 e Parque Novo Santo Amaro V 2009-2012. A partir de uma análise dividida em três momentos, a dissertação pretende abordar o problema do espaço público na habitação de interesse social, a sua relevância para as obras de HIS na construção da cidade e as contradições que existem nestes espaços no projeto de arquitetura.

Made available in DSpace on 2014-06-12T18:35:39Z (GMT). No. of bitstreams: 2 arquivo7467_1.pdf: 1073781 bytes, checksum: 9cfceecdf98b355727d2678e54399d9e (MD5) license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) Previous issue date: 2007 / O espaço literário e fílmico não é vazio, é cheio de nossos sonhos, desejos, ideais, valores, crenças, de tudo aquilo que move nossa existência e nos faz ter experiência. Esse espaço é mundo no mundo de nossas narrativas. Assim, procuramos pesquisar o texto literário e a imagem cinematográfica numa perspectiva interdisciplinar e fenomenológica, visando refletir sobre o discurso intersemiótico do espaço na prosa romanesca contemporânea e as implicações discursivas da tradução de uma linguagem noutra linguagem, a fílmica. No filme como no romance, o espaço se realiza pelas conexões estabelecidas entre personagem e ambientação imaginária e pelo sujeito-leitor-espectador diante da representação espacial sugerida pelos objetos de representação. As imagens projetadas na tela do cinema permitemnos tocá-las, pois, quando vemos, segundo Merleau-Ponty (2004), por princípio, tudo está a nosso alcance. E na literatura, pela leitura, conforme Merleau-Ponty (2002: 35), ocorre um confronto entre os corpos gloriosos e impalpáveis de minha fala e da fala do autor , isto é, as imagens construídas pela literatura se dão pela nossa experiência de mundo, tudo que vemos, tocamos, cheiramos, por senti-lo, somos capazes de identificá-lo a partir do que fala ou escreve o outro. A literatura se confraterniza com o imaginário de seu sujeito-leitor. Imaginário, aportando-nos em Bachelard, entendido a partir da relação que o ser-pensante mantém com as imagens ou conjunto de imagens que compõem seu repertório no espaço que ocupa. O espaço na narrativa literária e na fílmica em O Beijo da Mulher-Aranha, que é percebido ou imaginado em ambas narrativas, é uma instância decisiva para a construção das tramas

DESPERATE TIMES CALL is a collection of short stories and a novella about people whose lives intersect with violence. The young girl in Of Course She Would is forced to leave her home after finding her meth-addicted father dead of a heart attack. Tomas Mangual, the main character of She Said Two, sets off on a blind date to discover his counterpart has recently been the victim of a disturbing hate crime. The featured novella, Diablo Corrido, raises the question: How far would someone chase their ambition to see a life-long dream come true? Using the intimate perspectives of first-person and close third-person points of view, DESPERATE TIMES CALL offers glimpses of characters chasing dreams of success, romance, wealth, even normalcy, but coming up empty-handed.

Thesis (M.A.)--Boston University

No description available.

No description available.

A dissertation submitted to the Faculty of Science, University of the Witwatersrand, Johannesburg, in fulfilment of requirements for the degree of Master of Science. Johannesburg, March 2016. / Heritage tourism has emerged as an important part of tourism growth in the new South Africa. It contributes significantly in demonstrating the diverse cultural offerings that the country has to offer. Struggle heritage is one of the elements that attract tourists to visit South African museums. Using a mixed methods approach of quantitative and qualitative data, this study explored the motivations, experiences and understanding of heritage of 100 local tourists at Liliesleaf Farm Museum (50 respondents) and the Hector Pieterson Memorial & Museum (50 respondents), both based in Johannesburg. This research adds to the debates on how people perceive heritage and how important it is to them. The findings suggest that South Africans desire to visit heritage sites but due to the unavailability of information and inadequate communication between museum marketers and the public, local tourists are less likely to visit. Overall, this study suggests that although creating memorable and unique visitor experiences is essential, being in regular contact with repeat and prospective visitors is paramount for the growth and sustainability of the museum and the continued dialogue of the struggle, as well as the development and advancement of Heritage Tourism in South Africa. / GR 2016

Québec Université Laval, Bibliothèque 2019

No description available.

This dissertation explores what it is that makes Les nuits d’été such an effective musical composition. This is done by analysing the song cycle according to Terry Eagleton’s four categories of psychoanalytical literary criticism. The death of Berlioz’s mother, with whom he had an unresolved conflict at the time of her death, is proposed as the emotional trigger that led to the composition of these songs. The content and form of the music to which he set them reveals a narrative that closely corresponds to Freud’s description of the Oedipal conflict and its successful resolution. Using the psychoanalytical theories of Lacan, Barthes, Kristeva and others, the subliminal catharsis of Berlioz’s song cycle, in the way that it is transposed to the listener through the mediation of the music, is proposed as the reason why Les nuits d’été is such an effective musical composition. / Art History, Visual Arts & Musicology / M.A. (Musicology)