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From the Iron Horse to Hell on Wheels: The Transcontinental Railroad in the WesternHall, Kenneth Estes 01 January 2014 (has links)
Excerpt: "I'm crazy about trains! says Doc Holliday (Jason Robards) to his friend Wyatt Earp (James Garner) in Hour of the Gun (Sturges Ch. 6), explaining why he's waiting on the Contention train. Of course he's really there to help Earp get his revenge on Ike Clanton (Robert Ryan) - but then we never quite know with Doc Holliday.
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Crisis and Masculinity on Contemporary Cable TelevisionSchmiedl, Dominic 20 August 2015 (has links) (PDF)
Both the “crisis of masculinity” and “quality TV” have been popular discourses in academia in recent years. Many of these contemporary quality TV series feature male anti-heroes at the center of their narratives. This dissertation argues that the constructions of masculinity in series such as "Breaking Bad" and "The Walking Dead" are informed by the Western hero.
Furthermore, the dissertation links this recourse to an arguably outmoded model of masculinity to recent crisis tendencies in the USA, most notably the recent economic downturn and the aftermath of September 11 2001. Moreover, the return of the Western hero can be understood as a process of remasculinization in light of the crisis of masculinity.
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Crisis and Masculinity on Contemporary Cable Television: Tracing the Western Hero in "Breaking Bad", "The Walking Dead" and "Hell on Wheels"Schmiedl, Dominic 26 January 2015 (has links)
Both the “crisis of masculinity” and “quality TV” have been popular discourses in academia in recent years. Many of these contemporary quality TV series feature male anti-heroes at the center of their narratives. This dissertation argues that the constructions of masculinity in series such as "Breaking Bad" and "The Walking Dead" are informed by the Western hero.
Furthermore, the dissertation links this recourse to an arguably outmoded model of masculinity to recent crisis tendencies in the USA, most notably the recent economic downturn and the aftermath of September 11 2001. Moreover, the return of the Western hero can be understood as a process of remasculinization in light of the crisis of masculinity.
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