Inaug.-Diss.--Fachbereich Rechtswissenschaft--Universität Hamburg, 1998. Titre de soutenance : die staatsrechtlichen und politischen Vorstellungen von Helmuth James Graf v. Moltke für ein Deutschland nach dem Nationalsozialismus. / Bibliogr. p. 203-207. Index.

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Zugl.: Göttingen, Universiẗat, Diss., 2003. / Zugl.: Göttingen, Univ., Diss.

Permission from the author to digitize this work is pending. Please contact the ICS library if you would like to view this work.

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

Zugl.: Berlin, Techn. Univ., Diss., 2007.

Diss--Universität--München, 1996. / Bibliogr. p. 291-307.

The Darmstadt Internationale Ferienkurse für Neue Musik (IFNM) contributed to the rise of solo multiple percussion music and compositional techniques found in early repertoire, including graphic notation and indeterminacy. John Cage wrote the first solo multiple percussion work (27' 10.554" for a Percussionist) in 1956, two years before he became involved at the Darmstadt IFNM. Cage then delivered a lecture at the courses in 1958 about indeterminacy, and the next year (1959) Stockhausen composed the second work for solo multiple percussion—Nr. 9 Zyklus—for the IFNM. In the same year, Stockhausen also delivered a lecture about graphic notation. Seven years later in 1966, Helmut Lachenmann—who was active at the IFNM since 1957—composed Intérieur I für einen Schlagzeugsolisten which utilizes graphic notation and indeterminacy. The three pieces by Cage, Stockhausen and Lachenmann will be examined in regards to how they employ graphic notation and indeterminacy and similarities and differences in how these techniques are used will be cited.

Foreign policy of Germany has gained due to its special development in the post-war period some unique traits -- strong multilateral and westward orientation and civilian character. German unification became a turning point in this respect. The country was confronted with the necessity to find its new place within the changing international system. This paper focuses on the subsequent changes of foreign policy. Its purpose is to evaluate the change or continuity of these unique traits on one side and to describe Germany's new role in the international relations on the other. The initial step is to picture the function of bodies involved in shaping the foreign policy - government, parliament, individual federal countries and president. Further on the paper outlines the main events of German unification, restoring its full international subjectivity. The core descriptive part is divided in three main segments in terms of the personality leading the government, the chancellor. It first gives an account of foreign policy of the "Kohl era", continues with Schröder government and closes with foreign policy of Angela Merkel. With the view of the complexity of such a task the paper focuses on selected policy areas only -- European integration, transatlantic cooperation and partnership with Russia being among them.

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