Diss.--Med. dent.--Breisgau--Universität Freiburg, 1998. / Notes bibliogr. Index.

Universiẗat, Diss., 2005--Marburg.

Texte remanié de: Thesis Ph. D.--University of Leeds, GB. / Bibliogr. p. 270-284.

This thesis as for object the diary literary genre. It is divided into two distinct parts: the first relates to textual criticism, and the second to the creation of a short diary novel. / The critical text's problematic is based-on the elaboration of indices of fictionality within an excerpt from the non-fictional diary of Henriette Dessaulles (Journal), where the author narrates her convalescence journey at Orchard Beach. Based on theoretical grounds generated by narratology and the pragmatics of speech acts, this research focuses on the function of two narrative strategies, elaborated by the diarist. These consist in the textual inscription of the addressee, as well as in the construction of the narrative voice. / As far as the creative text is concerned, it utilizes many generic features of the personal diary, amongst which can be found a relatively bare and unrestrained literary style; the rule of periodicity is also observed. Moreover, the aspects tackled in the text are typical to the tenor of teenager's personal diary: the search of one's identity, relationships with significant ones, sexual desire, friendships, loneliness and death. (Abstract shortened by UMI.)

No description available.

Proefschrift--Utrecht. / "Stellingen": [2] p. inserted.

Universiẗat, Diss., 1997--Bonn.

Vergleich von Bettine von Arnims "Dies Buch gehört dem König" (1843) mit Sophie von La Roches "Erscheinungen am See Oneida" (1798) und Henriette Frölichs "Virginia oder Die Kolonie von Kentucky" (1820). Die Texte werden ausgehend von der Annahme untersucht, dass Macht ein asymmetrisches Verhältnis ist, das durch Konsens entsteht (Laclau und Mouffe), und auch Geschlechterverhältnisse als Machtverhältnisse verständlich werden, da Geschlecht keine natürliche Gegebenheit, sondern ein gesellschaftliches Konstrukt ist (Butler). Dementsprechend werden die Texte in einem Spannungsfeld von Anpassung und Subversion verstanden.

This thesis analyses the Delphos gown, created by both Mariano and his wife Henriette Fortuny, as well as the relationship between the gown and its wearers. Following an object-based analysis, the gown is interpreted through perspectives of temporality drawing on theories by Walter Benjamin and Gilles Deleuze. The analysis reveals its timelessness through the concepts of past, present and future embedded in the gown, as well as its in-between location regarding fashion and art. While performing a visual analysis of photographic and painted representations of the gown and its wearers under the umbrella of phenomenology, the study further takes a feminist approach in order to understand how wearing the Delphos gown can be perceived as an act of feminism, in the context of contemporary fashion history and the dress liberation of women.

No description available.