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1	Hegemonie und Geschlecht in Bettine von Arnims "Dies Buch gehört dem König" im Kontext ausgewählter Frauenromane am Beginn des 19. Jahrhunderts / Hegemony and gender in Bettine von Arnims "Dies Buch gehört dem König" in the context of selected women's novels at the beginning of the 19th century Beck, Anne January 2011 (has links) Vergleich von Bettine von Arnims "Dies Buch gehört dem König" (1843) mit Sophie von La Roches "Erscheinungen am See Oneida" (1798) und Henriette Frölichs "Virginia oder Die Kolonie von Kentucky" (1820). Die Texte werden ausgehend von der Annahme untersucht, dass Macht ein asymmetrisches Verhältnis ist, das durch Konsens entsteht (Laclau und Mouffe), und auch Geschlechterverhältnisse als Machtverhältnisse verständlich werden, da Geschlecht keine natürliche Gegebenheit, sondern ein gesellschaftliches Konstrukt ist (Butler). Dementsprechend werden die Texte in einem Spannungsfeld von Anpassung und Subversion verstanden. Bettine von Arnim Sophie von La Roche Henriette Frölich Hegemonietheorie Judith Butler Bettine von Arnim Sophie von La Roche Henriette Frölich Hegemony Judith Butler Literatures of Germanic languages
2	…nicht die Menschen im Walde, Wilde genannt werden sollten: Images of Aboriginal Peoples in the Works of Sophie von La Roche, Charles Sealsfield and Karl May Perry, Nicole 31 August 2012 (has links) The term “Indian” has come to represent not the Indigenous peoples of North America but the European construct of an entire people. My dissertation examines this construct with a view to answering the following question: to what extent is “the Indian” not simply a White or a European invention, but a German one? In my dissertation I investigate the origins and trace the development of the image of North American Indigenous peoples in three works of German fictional prose from the period between the late eighteenth-century and the late nineteenth-century: Sophie von la Roche (1730-1807), Erscheinungen am See Oneida (1798); Charles Sealsfield (1793-1864), The Indian Chief or, Tokeah and the White Rose (1829) and Karl May (1842-1912) Winnetou I-III (1893). My analysis shows the role that representations of North American Aboriginals played and continue to play as stereotypes of the Other in the ongoing and complex processes of German identity-formation. The three works belong to different moments in a historical period of rapid change, but their authors have made a significant contribution to the enduring image of the Aboriginal. All three authors mobilize an image of Indigenous populations that reveals tensions in the representations of the European and the Aboriginal characters. Chapter One discusses La Roche’s emphasis on the underdevelopment that she believed existed in Aboriginal society in the realms of education and culture. Chapter Two examines how Sealsfield championed Manifest Destiny by showing that the archaic political system of the Oconee, which he based on the Metternich regime, led to the tribe’s demise. Chapter Three considers May’s Winnetou as an elegiac reflection on the “dying man,” and the author’s motivation in creating a fantasy Blood Brotherhood of Germans and Apache. All three authors seem to work with the distinction between the “good Indian” and the “bad Indian.” This dissertation argues that the distinction creates a simplistic dichotomy that fails to fully describe the roles of Aboriginal characters in the texts examined. I maintain that it is the words and actions of Aboriginal characters in the narratives, when read in a more nuanced way, show that they are more intricate literary creations than perhaps the authors intended. The Epilogue challenges the reader to consider the future of this German image in a global context. Bear Witness’ short film The Story of Apinachie and her Redheaded Warrior is used as a case study. In his short film, Witness confronts the audience with a provocative juxtaposition of two stock images of Aboriginal peoples, one from a West German Karl May film and the other from the video game Virtual Fighter V. Witness shows that Aboriginal peoples are aware of the German image of Indigenous cultures and are now slowly beginning to reclaim these images as their own in the context of a postcolonial discourse. Aboriginal (Images of) German Literature Sophie von La Roche Charles Sealsfield Karl May
3	…nicht die Menschen im Walde, Wilde genannt werden sollten: Images of Aboriginal Peoples in the Works of Sophie von La Roche, Charles Sealsfield and Karl May Perry, Nicole 31 August 2012 (has links) The term “Indian” has come to represent not the Indigenous peoples of North America but the European construct of an entire people. My dissertation examines this construct with a view to answering the following question: to what extent is “the Indian” not simply a White or a European invention, but a German one? In my dissertation I investigate the origins and trace the development of the image of North American Indigenous peoples in three works of German fictional prose from the period between the late eighteenth-century and the late nineteenth-century: Sophie von la Roche (1730-1807), Erscheinungen am See Oneida (1798); Charles Sealsfield (1793-1864), The Indian Chief or, Tokeah and the White Rose (1829) and Karl May (1842-1912) Winnetou I-III (1893). My analysis shows the role that representations of North American Aboriginals played and continue to play as stereotypes of the Other in the ongoing and complex processes of German identity-formation. The three works belong to different moments in a historical period of rapid change, but their authors have made a significant contribution to the enduring image of the Aboriginal. All three authors mobilize an image of Indigenous populations that reveals tensions in the representations of the European and the Aboriginal characters. Chapter One discusses La Roche’s emphasis on the underdevelopment that she believed existed in Aboriginal society in the realms of education and culture. Chapter Two examines how Sealsfield championed Manifest Destiny by showing that the archaic political system of the Oconee, which he based on the Metternich regime, led to the tribe’s demise. Chapter Three considers May’s Winnetou as an elegiac reflection on the “dying man,” and the author’s motivation in creating a fantasy Blood Brotherhood of Germans and Apache. All three authors seem to work with the distinction between the “good Indian” and the “bad Indian.” This dissertation argues that the distinction creates a simplistic dichotomy that fails to fully describe the roles of Aboriginal characters in the texts examined. I maintain that it is the words and actions of Aboriginal characters in the narratives, when read in a more nuanced way, show that they are more intricate literary creations than perhaps the authors intended. The Epilogue challenges the reader to consider the future of this German image in a global context. Bear Witness’ short film The Story of Apinachie and her Redheaded Warrior is used as a case study. In his short film, Witness confronts the audience with a provocative juxtaposition of two stock images of Aboriginal peoples, one from a West German Karl May film and the other from the video game Virtual Fighter V. Witness shows that Aboriginal peoples are aware of the German image of Indigenous cultures and are now slowly beginning to reclaim these images as their own in the context of a postcolonial discourse. Aboriginal (Images of) German Literature Sophie von La Roche Charles Sealsfield Karl May
4	Žánr románu v dopisech v dílech německých a nizozemských autorek. Na příkladu děl Sophie von La Roche, Betje Wolff a Aagje Deken. / The epistolary novel genre in german and dutch female writer's works. The example of Sophie von La Roche, Betje Wolff and Aagje Deken. Vostalová, Milena January 2014 (has links) The subject of the thesis is the epistolary novel genre in the works of German and Dutch female writers Sophie von La Roche, Betje Wolff and Aagje Deken. This narrative genre continued the former novelistic tradition and is inseparably connected with epistolary culture, sentimentalism, cult of friendship and the name of the English novelist Samuel Richardson. It attracted readers' attention, especially of female audience in the period of social changes based on ideas of the Enlightenment and its philosophy. In the second half of the 18th century it became the most popular genre. Thanks to its characteristics it became the medium of female opinions' and feelings' presentation in times of the beginning women's emancipation as well as the genre which enabled more women to enter the field of literature. The issue of the thesis is the comparative analysis and interpretation of two most successful novels of the women writers in the bordering countries with cultural influences: the first German professional women writer La Roche and her novel Geschichte des Fräuleins von Sternheim and the Dutch author couple Wolff a Deken and their collective work Historie van mejuffrouw Sara Burgerhart.
5	Romane als Sittenlehren - Zum Verhältnis zwischen galantem und empfindsamem Roman / Moral Cultivation through the Novel: On the Relationship between the Gallant and the Sentimental Novel Züll, Stephanie 28 June 2019 (has links) No description available. 400 800 Galanter Roman Empfindsamer Roman Galanterie Empfindsamkeit Frühaufklärung Moralphilosophie Moral Sense Sittenlehre Liebesethik Affekte Affektenlehre strukturalistisch erzähltheoretisch 18. Jahrhundert Christian Friedrich Hunold August Bohse Christian Fürchtegott Gellert Sophie von La Roche Christian Thomasius Gallant Novel Sentimental Novel Gallantry Sentimentalism Early Enlightement Moral Philosophy Moral Sense Love Ethics Affects Doctrine of Affects Structruralism Narratology 18th Century Christian Friedrich Hunold August Bohse Christian Fürchtegott Gellert Sophie von La Roche prodesse et delectare Christian Thomasius Philologien (PPN621711713)

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