Undergraduate honors paper--Mount Holyoke College, 2005. Dept. of History. / Includes bibliographical references (leaves 96-100).

The four poets in this dissertation--Hester Pulter, Anne Bradstreet, Thomas Hardy, and Robert Frost--write poems that resist domestic confinement. In these poems, houses become prisons from which the poet must enact an escape. Pulter, Bradstreet, Hardy and Frost--writers drawn from two sides of the Atlantic and two different centuries--are nevertheless linked by the urge to create poems that will provide doorways to less confined states of existence. They are also linked by the formal strategies they use for the attainment of such poetic release, and by the scale of their rebellion against enclosing structures. All four poets make claustrophobic domestic spaces the topic of their poetry, but rather than writing their objections into the unbounded space of free verse, they mimic the confinement of small rooms in the restrained dimensions of their poems. Rather than discard the enclosure of poetry, they accept its confinement. Their forms of release, then, are more pointed; they emerge at brief instances, as opposed to making wholesale departures. Instead of using their poems to create boundless spaces, unrestricted by walls and ceilings and floors, they use their poems to create rooms similar to those occupied by their personae. In poems such as these, poetic freedom is less absolute than relative to the extent of confinement, and it is made sweeter by the awareness of inescapable limits. / text

The diploma thesis offers an outline of the progression of thinking about metaphor and at the same time follows the role that particular theories attribute to the concept of similarity and imagination. The common definition of metaphor as a figurative name, which is based on similarity, a conception which can be traced back to Aristotle, became a target of criticism and refutation in the works of analytical philosophy. In the first step, we will see how all of the three assumptions present in this definition are challenged, namely the assumption that metaphors are necessarily figurative, that they are a type of naming, and that they are based on the principle of similarity. In the second step, we will introduce a theory that reimagines the role of imagery and defends the view that quasi- sensory ideas of readers play a significant role in understanding metaphors. This theory can be found in the works of Marcus Hester, who, in an original way, uses Wittgenstein's notion of aspect- seeing, and whose contribution is especially appreciated by the French philosopher Paul Ricoeur. The work will examine the ways in which Hester understands and modifies Wittgenstein's concept and to what extent is his understanding appropriate in relation to other possible interpretations of Wittgenstein. Despite the...

Hydropower is an important source of renewable energy, but is often a cause of degradation to river ecosystems. Hydropeaking, i.e. the frequent alteration of discharge, is a process involved in hydropower generation and has been proven to affect aquatic organisms negatively. However, it’s unclear exactly what effects hydropeaking has on riverine ecology, in combination with important geomorphological characteristics. In this study, the interaction of hydropeaking and geological substrate (fine or coarse material) on aquatic macroinvertebrates was evaluated, while also assessing the influence of river width and water chemistry. Studies were conducted in 27 sites at rivers, 15 of which were exposed to hydropeaking, in central Sweden during June and August 2020. Sampling of macroinvertebrates was conducted using Hester-Dendy samplers. The following variables were investigated: i) total species richness, ii) species diversity, iii) macroinvertebrate density, iv) EPT (Ephemeroptera, Plecoptera, and Trichoptera) species richness, v) % EPT, vi) EPT/Chironomidae ratio, and vii) % Oligochaeta. The effects of hydropeaking and geological substrate on these variables were assessed using AIC model selection. Results did not indicate interaction effects of hydropeaking and geological substrate on any variable, and this did not concur with stated hypotheses. The results reaffirm the complexity of disentangling the effects that are in play during these processes. Studies of this kind is important in understanding how hydropower affects macroinvertebrates, and provides information on where and how most effective mitigation measures should be applied and provides valuable information for improving hydropower management protocols. / Vattenkraft är en viktig källa till förnybar energi, men är ofta en orsak till försämring av ekosystem hos älvar. Korttidsreglering, dvs. den frekventa förändringen av vattenflöde, är en process som är involverad i vattenkraftsproduktion och har visat sig påverka vattenlevande organismer negativt. Det är dock oklart exakt vilka effekter korttidsreglering har på älvens ekologi, i kombination med viktiga geomorfologiska egenskaper. I denna studie utvärderades interaktionen mellan korttidsreglering och geologiskt substrat (fint eller grovt material) på akvatiska makroevertebrater, samtidigt som påverkan av älvbredd och vattenkemi utvärderades. Studier utfördes på 27 platser lokaliserade vid älvar, av vilka 15 var utsatta för korttidsreglering, i centrala Sverige under juni och augusti 2020. Provtagning av makroevertebrater utfördes med Hester-Dendy-provtagare. Följande responsvariabler undersöktes: i) total artrikedom, ii) artdiversitet, iii) densitet av makroevertebrater, iv) artrikedom av EPT (Ephemeroptera, Plecoptera och Trichoptera), v) % EPT, vi) EPT/Chironomidae-förhållande samt vii) % Oligochaeta. Effekterna av korttidsreglering och geologiskt substrat på dessa variabler bedömdes med hjälp av AIC-modellval. Resultaten indikerade inte interaktionseffekter av korttidsreglering och geologiskt substrat på någon responsvariabel, och detta överensstämde inte med angivna hypoteser. Resultaten bekräftar komplexiteten i att utvärdera de effekter som har en påverkan under dessa processer. Studier av detta slag är viktiga för att förstå hur vattenkraft påverkar makroevertebrater, och ger information om var och hur de mest effektiva åtgärderna bör tillämpas och ger värdefull information för att förbättra hantering av vattenkraft. / Korttidsregleringens påverkan på biologin varierar med vattendragets geomorfologi

This practicum is an exploration of the role of the “visionary community designer” described by Randolph Hester in his recommended participatory design process “a refrain with a view.” The question of this practicum is simply this: what lessons can be learned about how to function as Hester’s visionary community designer while conducting a participatory design process as a service learning project? This practicum is both pragmatic and transformative in philosophy. It uses a subjectivist research strategy in which research outcomes are qualitative and the knowledge generated is subjective. This practicum includes a case study comparison of seminal approaches to the participatory design of public spaces in the United States; records a brief participatory design process conducted as a service learning research project in Port Hawkesbury, Nova Scotia; and culminates with lessons learned during the participatory design process with regard to acting as Hester’s visionary community designer. / May 2017

Guided by the feminist intention of reasserting the importance of neglected female writers, I have used this work to re-examine the lives and texts of eighteenth-century diarists Hester Thrale-Piozzi and Frances Burney. Adopting an interdisciplinary methodology, I draw on both literary and non-literary material to examine the effect of familial and social patriarchy in eighteenth-century England. Using the diaries, journals and letters of Hester and Frances, I ask why female conformity to masculine domination was expected, and how violence was used to extract subserviant behaviour from women. Beginning with gossip, and encompassing social, editorial and physical abuse, I use the medical profession's manipulation of female vulnerability to exemplify the way society legitimates violence to ensure female ductility. Moving beyond this physical aspect, I then examine the psychical, and question the existence of a ‘self’ which is vulnerable to external manipulation. By diverging from the influence of Freudian psychology, and developing a form of Jungian feminism, I propose the existence of an essential female Self which transcends the constraints of societal expectations and physical violence. In this work, both Hester and Frances emerge as physically and psychically strong entities who were forced to adopt socially conformist personae to survive.

This dissertation explores the significance of Queen Esther in early modern England by examining her literary representations in light of historical, religious, political, and social contexts. Although she is often linked to Deborah and Judith, Esther’s multifaceted character allows for greater flexibility in representation than is the case with other biblical heroines. The differing aspects of her character – obedient orphan, beautiful virgin, clever and courageous queen, savior of Diaspora Jews – inspire multiple, at times even contradictory, depictions of Esther in early modern literature. Whether Protestant or Catholic, male or female, Queen or commoner, sixteenth- and seventeenth-century English writers appropriate Esther in ways that paradoxically challenge and support women’s traditional roles in society. Chapter One introduces the Esther narrative as presented in the Old Testament and Apocrypha. Chapter Two examines Esther in relation to female authority, focusing specifically on references to Queen Elizabeth as an Esther figure. Chapter Three studies the dramatic interlude Godly Queen Hester, while Chapter Four analyzes works of prose featuring Esther as an exemplum for virtuous and heroic women. Chapter Five studies poetic depictions of Esther, and Chapter Six concludes the study by noting briefly how women authors engaged in the querelle des femmes enlist Esther to refute their opponents.

Hester Pulter addresses personal and spiritual transformation in a unique way. The elusive nature of alchemical language allows Pulter to express the incomplete, ongoing process of internal transformation, with all its difficulties and inconsistencies. By means of a rich alchemical lexicon, Pulter stresses suffering rather than consolation, conflict rather than reconciliation, and lack of resolution rather than closure in her poetry. She repeatedly tries to see a divine order in earthly suffering, but she insists upon this suffering, and she often argues for a gendered element to this pain, particularly as a mother grieving her dead children. The lack of resolution we see in Pulter's writing pushes against conventional constructions of the ideal female Christian as passively accepting God's plan, and shows the limits of the religious lyric to truly provide consolation. My thesis will extend the discussion of Pulter's use of alchemical imagery and symbols in her poetry, and will argue that she uses alchemical language to reflect how transformation and healing are never, in fact, fully achieved during our physical existence. The promise of literary alchemy as a vehicle for transformation and spiritual regeneration is not always fulfilled in Pulter's work.

Hester Pulter’s (1605-1678) work was discovered in 1996 in the Brotherton Library at the University of Leeds. Pulter composed her poetry in the 1640s-1650s, but her works were not compiled until the 1660s. Overall, her manuscript contains one hundred and twenty poems and emblems in addition to an unfinished prose romance. Pulter recalls her personal life in her poems, and the collection includes her elegiac and lyrical poems on different topics such as politics, religion, childbirth, and the death of her children. In her elegiac poetry, Pulter explores of the experience of childbirth and sickness through a set of conventional Christian ideas about death. However, Pulter’s elegiac poetry also breaks away from Christian conventions, often through the use of astronomical imagery. In this thesis, I argue that Pulter’s grief and consolation strategies sometimes differ from her contemporaries; however, she eventually finds consolation using imagery drawn from her knowledge of the new astronomy, allowing her to reconstruct her identity. Through comparing Pulter with her contemporaries such as George Herber, Katherine Philips, and John Donne, Pulter’s poetry, which has been unstudied until recently, provides an example of a woman writer who is familiar with the seventeenth century poetical conventions; however, she is able to alter them to what is relevant to her condition.

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