abstract: Residential historic preservation occurs through inhabitation. Through day-to-day domesticities a suite of bodily comportments and aesthetic practices are perpetually at work tearing and stitching the historic fabric anew. Such paradoxical practice materializes seemingly incompatible relations between past and present, people and things. Through a playful posture of experience/experiment, this dissertation attends to the materiality of historic habitation vis-à-vis practices and performances in the Coronado historic neighborhood (1907-1942) in Phoenix, Arizona. Characterized by diversity in the built and social environs, Coronado defies preservation's exclusionary tendencies. First, I propose a theoretical frame to account for the amorphous expression of nostalgia, the way it seeps, tugs, and lures `historic' people and things together. I push the argument that everyday nostalgic practice and performance in Coronado gives rise to an aesthetic of pastness that draws attention to what is near, a sensual attunement of care rather than strict adherence to preservation guidelines. Drawing on the institutional legacy of Neighborhood Housing Services, I then rethink residential historic preservation in Coronado as urban bricolage, the aesthetic ordering of urban space through practices of inclusivity, temporal juxtaposition, and the art of everyday living. Finally, I explore the historic practice of home touring in Coronado as demonstrative of urban hospitality, an opening of self and neighborhood toward other bodies, critical in the making of viable, ethical urban communities. These three moments contribute to the body of literature rethinking urbanism as sensual, enchanted, and hospitable. / Dissertation/Thesis / Ph.D. Geography 2013

This thesis analyzes the English National Trust’s interpretation of the making and reception of Stowe Landscape Garden. Specifically, this is a critique of the Trust’s narrative of nationalism, which is overlaid by the use of romantic interpretive themes. Arguably, Stowe’s first contribution was the combination of expressions of nature through landscape with architectural and sculptural monuments of Englishness. The National Trust, however, has combined interpretations of multiple landscape gardens across a century, thus blurring its actual significance. Stowe has been lumped into a jumbled framework of anachronistic landscape commentary much based in the literature of reception. The use of receptive history as fact to define concepts like ‘Englishness’, ‘Landscape Garden’, and the ‘Picturesque’ only further aid the unsustainable development of the historical landscape. Stowe is recognized as the most extensive extant landscape garden to exemplify contributions by the first four designers in the medium: Vanbrugh, Bridgeman, Kent, and Brown. Lancelot ‘Capability’ Brown’s place-making role in the history of English landscape, much derided by the proponents of the Picturesque, found its first expression at Stowe from 1740 to 1751. Thus, Stowe’s Brownian dominant landscape, of which the bones are still largely intact, should be used as the designated period of interpretation. In this way, the National Trust could fulfill a modern desire for connection to nature, and with greater specificity, diversity and transparency in historical accounts, expand the accessibility of ‘Englishness’ in the form the consummate national landscape garden.

Heritage is a concept that has received abundant critical attention within the academy. This study seeks to extend this critique by demonstrating the value of long-term ethnographic research and analysis of heritage processes on the Main Islands of Yap State, Federated States of Micronesia (FSM). As the FSM staff cultural anthropologist for 23 months, the author utilizes interview and participant observation data collected during a total of over 2 years in the field to uncover and analyze the production of cultural heritage discourses on Yap’s Main Islands. With a central goal to understand locally produced views and values of stakeholders toward their heritage, including what exactly it is they wish to preserve and why, findings were analyzed to generate culturally informed strategies that local communities can consider in order to best meet their heritage interests. Local discourses on heritage being produced by Yapese Main Islander stakeholders in Yap demonstrate views and values toward preserving primarily intangible elements of their heritage within the sphere of Chambers’ (2006) private heritage construct. Attending to the processes that facilitate private heritage transmission should therefore be a central strategy in preservation efforts. Additionally, a political economy approach to investigating the production of local discourses on heritage emerges as a productive alternative to the critical discourse analysis (CDA) paradigm that largely discounts the locally contingent historic, economic, social and political structures that are daily mediated as stakeholders look to the past to confront their presents and futures.

As medicines continue to evolve, as well as our tendency to misuse and abuse them, viruses become more and more resilient. While the flu is largely an inconvenience which at its worst may result in a missed day of work, it bears the risk of returning to the days of old when it was a terminal disease. With the imminent risk of resistant super viruses emerging,New York Cityhas taken precautions to prepare for the worst case scenario. If deemed necessaryNew Yorkhas plans to completely quarantine and isolate the city from the world. This provides us with the perfect opportunity to ask the questionHollywoodhas become fascinated with…How would a city likeNew Yorkfunction and survive in the Apocalypse? The answer is not as simple as waiting out the storm; with limited resources, no access to the outside world and a crippled infrastructure. What this thesis also aims to experiment with is the notion of not only barely surviving, but the creation of a new way of life; a truly self – sufficient city, perhaps even creating a Utopian society. This can be analyzed with a systems based approach regarding the different scales of life; from the survival of the individual, the function of the physical shells remaining, and finally the development of a Dynamic City composed new communities

Existing office buildings’ embodied energy, history and culture offer something a newly constructed building cannot. On the other hand, new office buildings’ adoption of new technologies and building philosophies offer a range of sustainable efficiencies previously unavailable. Combining these efficiencies with elements that embrace human diversity and well- being offer the opportunity to not only mend our existing buildings’ deteriorating physical bodies but aid in creating workplaces that promote good physical and mental health. This project provides recommendation on how an existing high-rise commercial building can incorporate a number of incremental improvements that continually evolve to meet rapidly changing market demands. This design approach allows for ease of installation and modification to meet the needs of the tenants and the building owner.

Indiana University-Purdue University Indianapolis (IUPUI) / Union Station is a unique historic building in downtown Indianapolis, Indiana. The station, which first opened in 1853, has connected the history of the evolution of travel and the city of Indianapolis and, in the late twentieth century, became deeply embedded in local conversations about national issues at the intersection of race, historic preservation, and urban renewal. The station was a place of Black exclusion from public spaces throughout its existence, first as a train station, and later when it was repurposed as a Festival Marketplace. In preparation for the opening of the Festival Marketplace in the 1980s—complete with shops, restaurants, and a hotel—the developers invited people to write to them to preserve personal memories of experiences at the station from the era of train travel. Indiana residents, both white and Black, as well as Indianapolis city officials, and redevelopers of the station showed nostalgia for earlier eras when the station was active. This nostalgia, I argue, played an active and productive role in the process of saving Union Station. Importantly, those who contributed a letter to the “Remember Union Station” project were overwhelmingly white. Out of eighty-six letters, the race of seventy-three of them can be confirmed. Of those eighty-six, only two have been identified as Black. The two Black letter writers used the opportunity to contribute to the “Remember Union Station” campaign as a means to remember and claim the right to belong in Union Station for themselves, their families, and Black communities. As this project shows, the Indianapolis Union Station has always been more than just a building. It is a space that captures a part of the complex history of the city of Indianapolis and can hopefully provide more links to the past, present, and future for Hoosiers and visitors alike.

Zoning map for the city of Johnson City and the outlying areas. Original map was drawn January 11, 1972 and was originally adopted by the city April 20, 1972. This revised map is a duplicate of the original and was produced September 27, 1983. This was likely when the hand drawn lines were added to update the zoning districts. Most main streets are also labeled with arterial streets notated by dotted lines. While not included in the legend, it is likely that R stands for residential and I for industrial. East Tennessee State University can be found in zone R-6 located next to Greenwood Drive. The left portion of the map has been cut as you can see by the title Johnson City partially missing. No accompanying maps are found in the collection. Physical copy resides in the Government Information, Law and Maps Department of East Tennessee State University’s Sherrod Library. / https://dc.etsu.edu/rare-maps/1002/thumbnail.jpg

City map of Bristol, Virginia. While date is not printed on map, "1962" is written in pencil on the back. This is the assumed publication date. Sullins College, which closed in July 1976, being included confirms that publication at least predates the mid 1970s. The legend includes the scale - 1"=500'. Road, railways, and large cemeteries are labeled. A few streets such as Midway Street and Memorial Drive are written by hand in blue ink. These additions were made at an indeterminate time post publication. Physical copy resides in the Government Information, Law and Maps Department of East Tennessee State University’s Sherrod Library. / https://dc.etsu.edu/rare-maps/1008/thumbnail.jpg

Produced by the Johnson City GIS Division on May 8, 2006, this map denotes the annexations of Johnson City and the surrounding area from 1960 to 2006. The map scale indicates a ratio of 1:24,000. In the text box on the left side, the ID, date, and annexation names are listed. As part of the legend, each 5 year annexation period is color coded. Physical copy resides with Johnson City, Geographic Information Systems Division. 1 in= 2000’ / https://dc.etsu.edu/rare-maps/1057/thumbnail.jpg

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