published_or_final_version / Ecology and Biodiversity / Doctoral / Doctor of Philosophy

Hong Kong identity has always been a complicated subject due to its colonial past and ongoing integration with China. Recently, the escalated social and cultural contentions between a group frequently called the Post-80s and the Mainland Chinese have reiterated the identity crisis in Hong Kong. The Post-80s, generally referring to people who were born after 1980, are believed to have grown up in a different social context from their previous generations. Having encountered the political transition from the British to the Chinese in their critical period, this generation has exposed to a renationalised discourse after the handover. With the national framework provided by the government and some of the media, it shall be expected that the Post-80s would be less resistant, if not uncritical, to the Chinese regime. Yet, the active involvement of some of the Post-80s activists in recent anti-China movements seemed to suggest another story. While studies and book publications have extensively covered the view of the Post-80s social activists, an in-depth understanding of how the ordinary Post-80s perceive their local and national identification is missing. It is, therefore, the purpose of this study to capture their perception, valorisation and daily enactment of Hong Kong and Chinese identity. Adhering closely to the social constructivist perspective, the thesis depicted both the features and identity negotiation process of the ordinary Post-80s based on data collected from 17 semi-structured interviews. Findings of the research revolve around 3 analytical levels, namely 1) nominal, 2) meaning making and 3) everyday encounter. This helps to classify the heterogeneous responses from the Post-80s into four types. Based on their subjective perceptions, attitudes and rationale towards Hong Kong and China, their identifications can be divided into antagonistic, partial inclusive, active inclusive and indifferent. For individuals in the antagonistic group, concrete examples of cultural difference found between Hong Kong and China form a strong basis for their physical and psychological disassociation from the nation. Although some of the Post-80s interviewees identify themselves nominally as both Hongkonger and Chinese, they do not share the same rationale. Some consider themselves as Chinese due to undeniable historical and cultural ties to the nation while the others actively embrace the concept of “One China” without detaching from the political and cultural controversies found in contemporary China. In addition, small amount of the interviewees deny the importance of using Hong Kong and China identification to define themselves as a person. This, however, does not imply a general lack of attention or views to information and incidences related to Hong Kong-China relationship. Through a detail depiction of the formation and transformation process of the ordinary Post-80s, it is found that the role played by former prominent social agents, for example, education and traditional media, in shaping people’s identification is no longer straight forward. Although the research, with limited sampling size, does not stand in an appropriate position to suggest any correlation between social agents and one’s identity, there are traces showing more complicated negotiations undergone by the Post-80s, which is worth to be explored in-depth in future studies. / published_or_final_version / Sociology / Master / Master of Philosophy

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Chow Pui-ha. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2004. / Includes bibliographical references (leaves 213-219). / Abstracts in English and Chinese. / Prologue --- p.1-3 / Chapter Ch. 1 --- "Theorizing Space, Body,ower andlay" --- p.4 / Chapter I. --- The Interrelations of Space and Body --- p.5-13 / Chapter II. --- Theower oflay and Leisure --- p.13-19 / Chapter III. --- Leisure in Modernity --- p.19-21 / Chapter IV. --- Researchroblematic: Leisure andowerlay --- p.21-22 / Chapter Ch. 2 --- Operationalisation --- p.23 / Chapter I. --- The Site of Study: Hong Kong Cultural Centre --- p.24-30 / Chapter II. --- Institutionalower at Cultural Centre --- p.30-33 / Chapter III --- Theoretical Framework --- p.34-38 / Chapter IV --- Research Questions --- p.39-41 / Chapter V. --- Methodology --- p.41-46 / Chapter VI. --- Research Implications --- p.46-48 / Chapter Ch. 3 --- hallocratic Bodyspace --- p.49 / Chapter I. --- The Representational Spaces: Aublic Toilet or a Culturalalace? --- p.50-61 / Chapter II. --- Spatialractices:erforming Arts/erformative Culture --- p.62-70 / Chapter III --- Performative Leisure and Disenchanted body --- p.71-78 / Chapter IV. --- olitical Economy of the Body andolitical Economy of Music --- p.78-80 / Chapter V. --- Enchanted Body in the Center?. --- p.81 -83 / Chapter VI. --- The Representation of Space: Elitist Discourse --- p.84-87 / Chapter VII. --- Thehallocartic Bodyspace of the Elitist Culturalalace --- p.87-91 / Chapter CH. 4 --- Embryonic Bodyspace --- p.92 / Chapter I. --- Representational Space: the Garden and the Open Theatre --- p.93-97 / Chapter II. --- Spatialractices: Compositionalerformances --- p.98-109 / Chapter III. --- Re-created Body and Leisure Societies --- p.109-121 / Chapter IV. --- Embryonic Bodyspace --- p.122-126 / Chapter V. --- The Representation of Space: the Repression of Revolution --- p.126-129 / Chapter VI. --- Institutionalised Embryonic Bodyspace --- p.129-136 / Chapter CH. 5 --- Contested Bodyspace --- p.137 / Chapter I. --- Sectioned Lifeworlds --- p.138-141 / Chapter II. --- Civility as the Logic of Centrality --- p.141-149 / Chapter III. --- Dialectic of Order and Disorder and the Logic of Civility --- p.149-153 / Chapter IV. --- ower atlay --- p.153-155 / Chapter CH. 6 --- Body-City and City Spectacle --- p.156 / Chapter I. --- The Logic of Civility and City Imaginary --- p.157-159 / Chapter II. --- Spectacularization of City --- p.159-162 / Chapter III. --- Event Capital and Hong Kong Identity --- p.163-173 / Chapter IV. --- Mainland Tourists as the City Spectacle of Hong Kong --- p.173-181 / Chapter V. --- "City spectacle, Spatial Order andower Negotiation" --- p.181-184 / Chapter CH. 7 --- Conclusion:olitics oflay on Body-City --- p.185 / Chapter I. --- lay as Tactic --- p.186-187 / Chapter II. --- hallocratic and Embryonic Bodyspaces --- p.188-190 / Chapter III. --- Leisure Relations --- p.190-191 / Chapter IV. --- Creative City and City Citizenshi --- p.191 -200 / Chapter VI. --- lay as Lifeolitics --- p.200-207 / Chapter VII. --- Conclusion --- p.207-208 / Appendix 1: Renowned artists and groupsresented in HK Cultural Centre --- p.209-210 / Appendix 2: The Meaning of the Eighteen Buildings Presented in a Symphony of Lights --- p.211-212 / Bibliography --- p.213-219

No description available.

Thesis (M. P. A.)--University of Hong Kong, 2006. / Title proper from title frame. Also available in printed format.

This research mainly probes foreign banking entry strategy in China market after Mainland China economic reform. It is analyzed what business strategy HSBC adopts by the HSBC case study. First, the study is to analyze HSBC-Chinese government relationship by the case study of HSBC and Chinese government communicating evidences. Second, it is to analyze Chinese government how to execute the State-owned Commercial Banks in reform after RMB market will open in 2007. According to HSBC case study findings, the key factor is government-business relationship that combines closely on Hong Kong and China financial innovation.

Thesis (M. Phil.)--University of Hong Kong, 2001. / Includes bibliographical references (leaves 164-174).