Critics use the words "vanished culture" to describe Isaac Bashevis Singer's work for Polish Jewry had been destroyed. However, Singer's characters survive the travails of anti-Semitism and resettle in America. This study explores Singer's Polish Jews to determine whether they assimilate into their new culture; or maintain their strong Jewish traditions and adapt to the freedoms of America. Singer's life is analyzed, including the people and places that have influenced his work. Two of Singer's works are examined in this thesis. Chapters Three and Four explicate an allegorical short story, "The Little Shoemakers." Singer writes a fairytale view of a magnificent rejuvenation in the new world. Chapters Five and Six explore the realistic portrait of Jewish transplants in the novel, Enemies, A Love Story. Chapter Seven concludes that belief in the Jewish faith, along with the love of freedom, allow Singer's characters to adapt, not assimilate, to foreign soil.

This thesis explores the notion of identity dilemma and its visualisation in the context of New Zealand Chinese immigration. It focuses on interpreting and visualising New Zealand Chinese immigrants’ thoughts and feelings and their struggle to adapt to the environment as well as their ambivalent negotiation to balance their in-between identity of being a New Zealander (Westerner) and Chinese. It is a practice-based project and is presented by means of photography, with illustration as the supporting medium. The predicament of identity is explored through interviewing members of the New Zealand Chinese community. A semi-constructed interview is designed and introduced to canvass 20 Chinese participants’ opinions of their cultural beliefs and sense of belonging in a Western society. The data is collected and analysed to investigate the informants’ thoughts and feelings in their daily routine in a multicultural community. I, as an art and design practitioner, visually interpret and transcend my opinion of identity dilemma of Chinese immigrants into my practical works. The participants’ thoughts and feelings are transferred into my artwork through creating patterns of visual elements. Employing a heuristic visual research method, my explorative work attempts to transfer social research findings of the idea of identity dilemma into my artwork for initiating contemporary visual discourse.

This thesis explores the notion of identity dilemma and its visualisation in the context of New Zealand Chinese immigration. It focuses on interpreting and visualising New Zealand Chinese immigrants’ thoughts and feelings and their struggle to adapt to the environment as well as their ambivalent negotiation to balance their in-between identity of being a New Zealander (Westerner) and Chinese. It is a practice-based project and is presented by means of photography, with illustration as the supporting medium. The predicament of identity is explored through interviewing members of the New Zealand Chinese community. A semi-constructed interview is designed and introduced to canvass 20 Chinese participants’ opinions of their cultural beliefs and sense of belonging in a Western society. The data is collected and analysed to investigate the informants’ thoughts and feelings in their daily routine in a multicultural community. I, as an art and design practitioner, visually interpret and transcend my opinion of identity dilemma of Chinese immigrants into my practical works. The participants’ thoughts and feelings are transferred into my artwork through creating patterns of visual elements. Employing a heuristic visual research method, my explorative work attempts to transfer social research findings of the idea of identity dilemma into my artwork for initiating contemporary visual discourse.

This serves as a contextualization of my family history and a reflection of my lived experience as a first-generation Nicaraguan American woman living in the United States. In my writing, I explore displacement caused by political unrest and the intergenerational impact of war on families. This work is multi-genre, incorporating elements of creative nonfiction, memoir, poetry, and oral history.

This study is concerned with representation. It considers the nature of a culturally located narrative form called talanoa and its creative translation into film. The film Talanoa: Matala ‘o e Fonua that constitutes the designed outcome of this project considers the memories of three Tongan women who left their homeland to settle in New Zealand between 1970’s and 1990’s. It is designed as three related garlands that exist as a related unit. Talanoa: Matala ‘o e Fonua is therefore, a creative synthesis of their talanoa, into a new form of documentary that is designed to capture the cultural and emotional resonance of their stories. The work orchestrates photography, animation, sound design, filmed footage and extensive postproduction research into a unique text that seeks to move the parameters of documentary beyond the visual interview. In doing so, the research draws heavily on Tongan paradigms of narrative and representation.

This study is concerned with representation. It considers the nature of a culturally located narrative form called talanoa and its creative translation into film. The film Talanoa: Matala ‘o e Fonua that constitutes the designed outcome of this project considers the memories of three Tongan women who left their homeland to settle in New Zealand between 1970’s and 1990’s. It is designed as three related garlands that exist as a related unit. Talanoa: Matala ‘o e Fonua is therefore, a creative synthesis of their talanoa, into a new form of documentary that is designed to capture the cultural and emotional resonance of their stories. The work orchestrates photography, animation, sound design, filmed footage and extensive postproduction research into a unique text that seeks to move the parameters of documentary beyond the visual interview. In doing so, the research draws heavily on Tongan paradigms of narrative and representation.

Immigrant communities are a part of every city and town in the United States. Sentiments towards immigrants, however, continue to vary, but in recent years, anti-immigrant sentiments have become more widely encountered, especially because of the recent presidential election (Southern Poverty Law Center, 2016). A lack of knowledge and representation of diverse cultures, along with recurring negative rhetoric, may influence how immigrant populations are received. This report argues that acknowledging culture and heritage can strengthen cultural bonds, create and celebrate a unique city identity, and improve cultural representation. The City of Westfield, Massachusetts, located in Hampden County, will be studied in this report. Amongst the several immigrant communities in the city, the Polish population is one that is present, but underrepresented. Through participant interviews, elements of place attachment, cultural representation, and cultural values will be studied. This research hopes to encourage greater cultural representation by enhancing place attachment and representation for present and future immigrant residents. This report will also aim to contribute to the greater studies and literature surrounding cultural planning by examining the importance of culture and heritage in the planning field and offering recommendations.

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A collection of creative non-fiction essays that document the life of an Indian American immigrant.

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