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Drawing the building and building the drawingMouton, Jacques P. January 2014 (has links)
The way we build is inherently bound to methods implemented when representing any proposed intervention. Superficially, it would seem that the techniques used for representing architecture have rapidly progressed, especially with regard to the influence technology has on the depiction of architectural form in a graphically accessible manner. However, when critically examining the consequential products that arise from either method, it becomes evident that very little has been gained through employing these new methods of creation and depiction. Through accepting, wholeheartedly, drawing conventions adapted from generation to generation- combined with the digitisation of methods used for depicting architectural intent and/or instruction, a schism emerged. There exists a divide between the act of drawing, and the primal meaning represented through the product. To escape the doldrums created by the aforementioned condition, this dissertation presents a fourfold investigation on ‘architectural drawing’ as entity. The four individual chapters should be understood as reflections on the methodological approaches employed in the formation of the resulting intervention. The summarised topics are as follows:
It is important to note that all the drawings presented in this document were done by hand, and drawn with considerable love and precision. As such, The drawings are intended to be carefully studied and contemplated - with specific regard to the preceding text - in order to create a holistic view of the project. The resulting intervention is informed by, and thus a direct product of, investigative sketches that act as research- and mapping devices. This process enables the communication of internalised ideas, both to oneself and to others. Since communication is fully dependent on the clear translation of ideas, drawings become the embodiment of the formulated approach, instead of a representation of internalised ideas. The programme housed by the resulting architecture aims to further strengthen the proposed theoretical premise through emphasising the impact that drawing has on spatial hierarchy. The act of drawing possesses the power to define or alter perceptions of hierarchal value contained within artefacts. through manipulating the emphasis placed on an object within a drawing it becomes possible to manipulate it’s perceived importance. / Dissertation (MArch(Prof))--University of Pretoria, 2014. / Architecture / MArch(Prof) / Unrestricted
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Impressionistic keys : Composing idiomatic music for the guitar using impressionistic key featuresFrode, Cim January 2022 (has links)
This master thesis has two main objectives, the first is to develop a list of impressionistic key features and the second is to apply those key features when writing idiomatic music for the guitar. The composers of the impressionist era tried to capture the sense of an emotion through the musical language, something this master thesis investigates further. During the process of gathering information about impressionistic key features, I found important building blocks that made me aware of the impressionistic musical language. The four methods I used were arranging and analyzing sheet music, interviews with composers, literature studies and video interpretation. When I found enough material, I started to write music using the impressionistic key features. It resulted in three impressionistic sounding pieces. The pieces are presented with sheet music and an audio recording. As a reader and musician, one can gain knowledge about the impressionistic sound, how to write idiomatic music for the guitar and methods how one can intertwine these two subjects. The discussion part of the thesis addresses problems I struggled with during the process and how I could move away from these difficulties using composing methods and utilizing the impressionistic key features in a creative manor.
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The use of impressionistic tools in a structural vaccum: a grounded theory study on corporate philanthropyEriksson, Karin January 2013 (has links)
This classic grounded theory study reflects companies work with corporate philanthropy (CP), and has a specific focus on companies with Swedish roots who are operating in South Africa. The theory illustrates how the companies perceive themselves to be forced to engage in CP, and their main solution to this problem is trying to optimise their CP work so it benefits both themselves and their beneficiaries. The companies are operating in a structural vacuum with regards to their CP work, and consequently, they make use of impressionistic tools in their attempt to optimise the work. There is arguably a need for companies to adopt a more strategic approach. The empirical data is collected from semi structured interviews with companies during 2012.
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