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Passive radicalisation without mobilisation : A narrative analysis of collective identities and emotions as driving forces of online radicalisationLewenhaupt, Ida January 2020 (has links)
Scholars often consider ideology a crucial factor for radicalisation, but some groups appear radical even though they have been described as lacking clear ideologies. This thesis will explore why members of the incel community appear radical despite the community’s lack of a rigid ideology. I explore this through a narrative analysis focusing on collective identities and emotions as narrated and potential driving forces of radicalisation. My study has identified two narratives, the incel as inferior and the incel as superior. The analysis shows that radicalisation is more prominent in the second narrative. In the first narrative, the victimhood and hopelessness serve as a foundation for the expressions of violence found in the second one based on perceived injustices. My findings suggest that the narration of collective identities and emotional dimensions is crucial for the radicalisation of members of the incel community since collective identities create a sense of belonging to the community and guide actions based on “emotional batteries”.
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FIN-I : A utopian connectionViglietti, Martina January 2023 (has links)
We live in a globalized world that is changing rapidly. We interconnect between cultures in different ways. But what if we want to go global with a performance to go around the world, without modifying the piece? Is that possible? How to be international but without losing the here and now by reading subtitles? The diversity of sounds when speaking on stage can embrace otherness, the audience's encounter with a language that may not be familiar to them. This is my journey through creating a play to broaden the audiences I can reach as much as possible.
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FIN-I, the utopian connection. : How can I perform in different places? / A multilingual performance : The creation of a play with a guest actress from the place where it is performed.Viglietti, Martina January 2023 (has links)
We live in a globalized world that is changing rapidly. We interconnect between cultures in different ways. But what if we want to go global with a performance to go around the world, without modifying the piece? Is that possible? How to be international without losing the hear and now by reading subtitles? The diversity of sounds when speaking on stage can embrace otherness, the audience's encounter with a language that may not be familiar to them. This is my journey through creating a play to broaden the audiences I can reach as much as possible.
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