My senior thesis deals with contemporary depictions of sexualized violence against women in fashion photography. Images of bloodied, bruised, and dead-looking models have proliferated in fashion magazine editorials and advertisements since the 1970s and I want to explore why sexualized violence is seen as sexy and compelling advertising, in light of the fact that domestic violence is the greatest cause of injury to women in America. I produced my own fashion photographs in locations of actual female homicides in Los Angeles County, particularly those nearest to Claremont, with the use of The Los Angeles Times online homicide database, which pinpoints every homicide reported in L.A. County since 2007. We live in a world plagued by violence and by creating my own violent, fashion photographs in actual homicide locations, I hoped to jar the viewer out of neutrality and expose violent advertisements and editorials for what they are: objectifying, exploitative, and perverse expressions of hostility against women. The images abuse and demean commercial speech privileges and glamorize and trivialize horrific, actual experiences of violence suffered by countless women.

Collaboration and communication between conventionally diverse fields can allow for deeper understanding and clearer analysis of the concepts within each. Two fields traditionally seen as dichotomous are those of art and science. Historically they approach problems in opposite ways. However, I would argue that they in fact investigate very similar questions, hoping to discover the ways that the world works. It makes sense, then, that historically these fields have sometimes been able to interact. Artists have engaged with science by creating work through scientific processes including crossbreeding flowers, genetically modifying organisms, and sequencing nucleotides. Others have referenced scientific ideas, like those of order or sustainability, through more traditional methods. My thesis project, Adenine Uracil Guanine, is a sculptural installation portraying the phylogenetic tree of all life in a three-dimensional form. Borrowing from the aesthetic of mobiles, the sculpture takes a recognizably itinerant form, referencing the fluidity and malleability of evolution. The structure’s white base, alluding to the sterility and cleanliness of a phylogenetic tree’s aim to diagrammatize change, is overlayed by a system of colored bands. These bands reference the nucleotide sequences upon which phylogenetic trees are based. By using an artistic lens to view the scientific process of evolution and its elucidation and representation, I hope to continue to encourage a dialogue between the two fields.

Since a young age, I have been interested in bicycling as a form of fun and fanciful recreation, but it wasn’t until the summer of 2011 that a serious shift occurred in my understanding of the bike as more than a mere machine. A spontaneous 700-mile journey redefined my relationship with travel, transcended my notions of transportation, and enabled me to better mediate myself within my environment. In writing about these experiences, I hope to offer some insight into how American culture currently frames transportation and how I hope the construction of a bike positive culture can instill social, environmental, and political change. Concurrently, I created a pin-up style bicycle calendar featuring enthusiasts from the Claremont Colleges to foster a sense of community around bicycling and inspire riders and non-riders alike to further explore their ‘bicyxuality’. Intermingling this nonfiction piece with a thoughtful reflection on the BIKEurious calendar project, this paper serves to explain my creative undertakings and, ultimately, call into question the hierarchy of transportation in America today.

Situated between music and architecture, this thesis explores the notation, design, and performance of sound space. In the middle of the twentieth century, composers began to include spatial directives in their musical scores. They introduced a lineage of conservation, communication, and conception of spatial meaning in sound. This strategy of notation, as used by Karlheinz Stockhausen and John Cage, demonstrates a working relationship with space that is rooted in the discipline of architecture. As a synthesis of the research, installation projects build the experiential component of this thesis. The design and performance of these sound based installations amplify depth, movement, and change. These unique qualities of sound complete what other media fail to represent, and can significantly inform the ocular-centric design process in architecture. Ultimately, this investigation brings temporality into current architectural discourse by considering sound as an essential component of space. Through the act of listening, this thesis seeks to engage the sonorous layer of architecture and to enrich our experience of the world.

During the last decades, sustainable development has generated a growing attention in the world.Eco-city projects, as a step towards practical application of sustainable development theories, havesprung up in various defined spaces. Besides the technical achievements in environmentalsustainability, it is also necessary to develop social sustainability in human habitats. The initialmotivation of this study was to present Augustenborg as an example for other projects to borrowexperience. Based on the PEBOSCA framework, the theoretical system of sense of community,and the interdisciplinary theories of sustainable community development, the study assessed anexisting sustainable community - Augustenborg considering the sense of community by utilizingliterature review and field study. Furthermore, residents’ needs and participation management, twotopics were discussed in an interdisciplinary way to help to optimize sustainable process incommunities.

Situated between music and architecture, this thesis explores the notation, design, and performance of sound space. In the middle of the twentieth century, composers began to include spatial directives in their musical scores. They introduced a lineage of conservation, communication, and conception of spatial meaning in sound. This strategy of notation, as used by Karlheinz Stockhausen and John Cage, demonstrates a working relationship with space that is rooted in the discipline of architecture. As a synthesis of the research, installation projects build the experiential component of this thesis. The design and performance of these sound based installations amplify depth, movement, and change. These unique qualities of sound complete what other media fail to represent, and can significantly inform the ocular-centric design process in architecture. Ultimately, this investigation brings temporality into current architectural discourse by considering sound as an essential component of space. Through the act of listening, this thesis seeks to engage the sonorous layer of architecture and to enrich our experience of the world.

Over the next decades, China will face various thorny issues caused by the fasturbanization progress. Therefore, Caofeidian eco-city, being the most prominenteco-city project in China, is currently in the course of planning and construction,thereby providing a sound model for future urban development. The master plan of 30square kilometers area and current situation is fully analyzed by the PEBOSCAinterdisciplinary framework based on the UN Habitat agenda. To better realize theeco-city in a Chinese context, a series of interdisciplinary problems and potentialchallenges of Caofeidian eco-city are identified and corresponding interdisciplinarysolutions are presented in this paper. Deferring to the different city developmentstages, a tentative schedule and back casting goals are set to assess the Ecocityperformance in the next 50 years.

<p>European Union (EU) Enlargement is more than a collaboration of nations; it has become a large-scale development project where countries facing significant economic challenges undergo enormous transitions in order to meet the standards for acceptance into the EU. This level of accelerated development calls for a strong integrated sustainable development oversight.</p><p>Sustainable development is a global development management philosophy that aims to conserve the integrity of the earth’s ecosystems while supporting economic growth and social welfare. It was developed by the Brundtland Commission during the World Commission on Environment and Development in 1987, its primary purpose was to reduce the resistance to the conservation of the environment while raising awareness for the importance of the earth’s natural resources, both for those who need it today and those who will need it tomorrow.</p><p>The aim of this study was to investigate the degree to which sustainable development has been implemented into the process of EU Enlargement. A snowball method was used to identify both qualitative and quantitative data through official documents and statements, reports, research, and web pages. First, I investigated both the EU and the UN definitions of sustainable development to see how they compared and how the EU Sustainable Development Strategy (EU SDS) addressed EU Enlargement. Next, I examined the EU accession assistance programs available to candidate countries to determine if they were guided by sustainable development and if they had had any influence on the sustainable development within the candidate countries.</p><p>The definitions of sustainable development for both the EU and the UN were notably different. The UN:s definition provided a balanced approach to the Three Pillars of Sustainable Development, while the EU:s definition strongly supported the economic pillar decreasing the value of the environmental pillar. The EU SDS showed no marked reference to EU Enlargement and the accession assistance programs were not guided by sustainable development. Furthermore, the quantitative data collected from the EU sustainable development indicators in EuroStat indicated that the process of accession increased candidate countries GDP growth which also increased their capacity to meet the MDG’s and therefore, to implement sustainable development. However, while economic and social standards of the candidate countries were shown to increase while environmental conservation was shown to decrease. The significant lack of data designed to monitor the environmental pillar of sustainable development within the EU:s strategy indicated that the environmental pillar of sustainable development has been neglected. In conclusion, while the capacity to implement sustainable development has increased, implementation of sustainable development has not. Discussed in response to this is the need for a comprehensive EU SDS that reaches through the boundaries of member states and into candidate and candidate hopeful countries. Acting through an umbrella program the EU Enlargement SDS could bring both enlargement and sustainable development together cohesively increasing the chances that new EU members will make a more rapid advance in the process of sustainable development.</p>

<p>Denna undersökning syftar till att undersöka vad leverantörerna anser om sina kunder. Förhållandena mellan företag och leverantör utvecklas konstant. Det är lämpligt att företagen strävar efter att minska antalet leverantörer samtidigt som de ökar samarbetet med dem som är kvar. För att undersöka vad leverantörerna har för åsikter om sina kunder genomfördes en ostrukturerad intervju med leverantörerna där de fick berätta vad de tyckte var de viktigaste egenskaperna hos en kund. Utifrån dessa egenskaper, teoretiska aspekter och fallföretagets kärnvärden konstruerades det en enkät.</p><p>Innan utskicket visade det sig att det fanns en undertäckning på ett antal företag till följd av att fallföretaget inte hade möjlighet att få fram kontaktpersoner till alla leverantörer. Av de leverantörer som valde att svar på enkäten visade det sig att majoriteten av respondenterna svarade Varken instämmer eller tar avstånd, instämmer delvis eller instämmer helt för samtliga fyra företagen och alla frågorna/påståendena på den femgradiga Likert-skalan.</p><p>Efter att jämfört fallföretagets arbetssätt med sina leverantörer med den presenterade teorin för hur ett företag bör arbeta för att uppnå hög kvalitet, lägre kostnader m.m. visade det sig att fallföretaget hade en hel del arbete framför sig. Fallföretaget har insett vikten av att samarbeta med sina leverantörer men de är i dagsläget bara i början av sitt arbete.</p>

<p>BAKGRUND: Studien redogör för de företeelser vilka möjliggör eller hindrar tillvaratagandet av barns intressesfär i verksamhet inom förskola/fritidshem. Forskning och styrdokument betonar vikten av barn vilka görs till medskapare i sin vardag, där deras intressen ska utgöra grunden. SYFTE: Syftet med vår undersökning är att utreda i vilken utsträckning barn har inflytande över sina intresseyttringar i förskola/fritidshem. METOD: Med utgångspunkt i en kvalitativ ansats har examensarbetet utifrån observationer och intervjuer ämnat undersöka i vilken utsträckning barns intressen tillvaratas i verksamhet inom förskola/fritidshem. Informanterna har innefattats av både barn och pedagoger. RESULTAT: Intervjuresultatet har påvisat barns inflytande, vilket tycks vara förskjutet till den ”fria leken”. Styrdokumenten å sin sida, ger uttryck för barns rätt till inflytande över hela verksamheten. Samtliga pedagoger uttrycker att barns intresse bör ges stort utrymme. Dessvärre verkar faktorer såsom tid, miljö, barnsyn, styrdokument och stora barngrupper hämmande i tillvaratagandet av barns intressen. De centrala delarna i vårt resultat har kategoriserats. Därmed har barns och pedagogers uppfattningar utmynnat i följande kategorier: bestämmande, hörsammandet av barns intressen och tid och rum.</p>