Thesis (M.S.)--University of Wisconsin--Madison, 1975. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (Ph. D.)--Bob Jones University, 2006. / Includes bibliographical references (leaves 246-264).

Thesis (M.A.) --Universiṭat Bar-Ilan, 1976. / Title on added t.p.: The headmasters of the academy in Tiberias in the 3rd and 4th centuries.

Thesis (M.A.)--Bowling Green State University, 2006. / Document formatted into pages; contains iv, 145 p. Includes bibliographical references.

El presente informe sobre el Seminario de Grado: Mito, Religión y Cultura pretende investigar y relacionar dos fenómenos de especial importancia para el mundo judío, como lo es el Sionismo, específicamente el Movimiento Sionista que surge en el siglo XIX, que fue entendido como un movimiento de liberación nacional judío cuya finalidad era la reconstrucción de la nación judía en la Tierra Prometida, con una idea milenaria, que no es única del mundo judío, el Mesianismo, entendida como la expectativa en la llegada del Mesías que inaugurará una nueva era sobre la tierra.

Made available in DSpace on 2016-08-03T12:20:15Z (GMT). No. of bitstreams: 1 Samuel Rodrigues.pdf: 122357 bytes, checksum: 30e0f08dd6f4f5c05f3d62e4a7850989 (MD5) Previous issue date: 2004-02-18 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The dissertation is addressed to a special and unsolved problem in the description of Israel´s religious development. In Old Testament texts about the human sacrifices, there are autonomous literary units regarding the mOlek cult. However, some scholars claim that the mOlek cult has not such character. The dissertation aspires to scrutinize this argument, focusing on historical sources (2Kings 16,3; 17,17.31; 21,6; 23,10). Discussing ugaritic sources two deities list and one funerary text , we will inquiry about the characteristics of mlK deities at cannanite cultures. Briefly, the mOlek is a ctonic deity but it is not a recipient of human sacrifices.(AU) / A dissertação é dirigida a um especial e não resolvido problema na descrição do desenvolvimento religioso de Israel. Em textos do Antigo Testamento acerca do sacrifício de humanos, há uma unidades literárias autônomas relacionadas ao culto a mOlek. Porém, alguns pesquisadores sustentam que o culto a mOlek não tem esta característica. A dissertação aspira a investigar este argumento, concentrando-se em fontes históricas (2Reis 16,3; 17,17.31; 21,6; 23,10). Discutindo fontes ugaríticas duas listas de divindades e um texto funerário nós perguntares acerca das características das divindades mLlK nas culturas cananéias. Em síntese, mOlek é uma divindade ctônica mas não é destinatária de sacrifícios humanos.(AU)

Dissertação (mestrado)—Universidade de Brasília, Faculdade de Comunicação, Programa de Pós-Gradução em Comunicação, 2012. / Submitted by Elna Araújo (elna@bce.unb.br) on 2012-06-28T22:14:28Z No. of bitstreams: 1 2012_CesarHenriquedaRochaArrais.pdf: 25651919 bytes, checksum: 70b9e8a3125286a3162a4437b1829d17 (MD5) / Approved for entry into archive by Jaqueline Ferreira de Souza(jaquefs.braz@gmail.com) on 2012-07-04T12:13:30Z (GMT) No. of bitstreams: 1 2012_CesarHenriquedaRochaArrais.pdf: 25651919 bytes, checksum: 70b9e8a3125286a3162a4437b1829d17 (MD5) / Made available in DSpace on 2012-07-04T12:13:30Z (GMT). No. of bitstreams: 1 2012_CesarHenriquedaRochaArrais.pdf: 25651919 bytes, checksum: 70b9e8a3125286a3162a4437b1829d17 (MD5) / Uma reflexão acerca da linguagem e das estratégias narrativas no cinema documentário contemporâneo é o objetivo deste projeto de pesquisa. A investigação é realizada a partir da análise do filme israelense Valsa com Bashir (2008), que se tornou um marco na história da não-ficção ao radicalizar tendências que há décadas vinham se constituindo de forma marginal aos postulados clássicos dessa cinematografia, encarnados, sobretudo, no estilo cinema direto e cinéma vérité. A obra do diretor Ari Folman propõe um mergulho na memória de seus personagens, construindo-se a partir de suas subjetividades. Consegue, assim, trazer para o discurso realista característico do documentário elementos pouco usuais como sonhos, alucinações e reminiscências carregadas de traumas e culpas. Mais que isso, Valsa com Bashir dá vida a tais elementos intangíveis, representando-os na realidade imagética por meio da técnica da animação, estruturando uma história em que o mundo fático e o mundo da imaginação misturam-se e revezam-se de forma caótica. Tudo isso tendo como pano de fundo um dos mais infames episódios das seis décadas de embate entre israelenses e palestinos na Terra Santa: o massacre de Sabra e Chatila durante a Guerra do Líbano em 1982. Ao expor a dor dos ex-combatentes e ao reconhecer a tragédia palestina, Valsa com Bashir aproxima-se de parte expressiva da cinematografia produzida atualmente em Israel, que caracteriza-se por apresentar visões alternativas acerca do conflito. _________________________________________________________________________________ ABSTRACT / A reflection about the language and the narrative strategies of the contemporary documentary cinema is the purpose of this project. The research is carried out from the analysis of the Israeli full-length film Waltz with Bashir (2008), which became a milestone in the nonfiction history by radicalizing tendencies which had been constituted on the borderline of the classical postulates of the nonfiction cinematography for decades, embodied, especially, in styles like the direct cinema and the cinéma vérité. The film directed by Ari Folman comes up with an excursion throughout the depths of character’s memories, building up its storyline through their subjectivities. Thereby, it brings unusual elements like dreams, hallucinations and recollections replete of trauma and guilt to the documentary’s realistic discourse. More than that, Waltz with Bashir gives life to these intangible elements, depicting it on the imagery reality through animation techniques, structuring a story where the factual world and the imaginary one mix and switch among themselves chaotically. All this considering as background one of the most infamous episodes of the six decades of clashes between Israelis and Palestinians in the Holy Land: the massacre of Sabra and Chatila during the Lebanon War in 1982. By exposing the former soldiers pain and recognizing the Palestinian tragedy, Waltz with Bashir approaches to significant part of the current cinematography produced in Israel, characterized by presenting alternative points of view about the Israel-Palestine conflict.

Doctorat en sciences sociales, politiques et économiques / info:eu-repo/semantics/nonPublished

The Cholera outbreak at Tiberias on the Sea of Galilee in Oct., 1918, that I am about to describe was of great importance from a military point of view. Consequently, the author and a bacteriologist, (Capt. A. Compton, R.A.M.C., O.C. 32 Mobile Laboratory) were dispatched to the scene of the outbreak in order to investigate the conditions and, in short, to adopt any measures possible to suppress the epidemic. The matter was of considerable urgency. Tiberias lay on the direct line of communication for troops operating in the Damascus area, and it was essential that all reinforcements and food supplies pass through the town. The hilly nature of the country, the arid soil, the daily extremes of temperature at that season of the year - for the days were hot and the nights bitterly cold - the deficient and defective water supply - all these factors had a bearing upon the health of the troops and the nature of the problem. Had Cholera spread at that critical period to any great extent it might have brought, what proved to be, one of the most brilliant feats in military history, to an untimely close.

No abstract available / Dissertation (MA (Biblical and Religious Studies))--University of Pretoria, 2008. / Biblical and Religious Studies / unrestricted