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Formen des Offenen : Thomas Manns Zauberberg, die "Oxen of the sun : Episode in James Joyces "Ulysses" und Julio Cortázars "Rayuela /Forssbohm, Paul. January 1900 (has links)
Diss. : Lettres : Saarbrücken : 1988. / Version commerciale de. Bibliogr.: p. 386-414.
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Aesthetic revolutionaries : Picasso and JoyceDoss, Joy M. January 2003 (has links)
Thesis (M.A.)--Marshall University, 2003. / Title from document title page. Document formatted into pages; contains iv, 80 p. including illustrations. Bibliography: p. 73-78. "Works cited": p. 67-72.
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Die deutsche Übersetzung von James Joyces Ulysses.Timbres, Jutta Gabrièle January 1971 (has links)
No description available.
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Heat : a short-story as inspiration for a design methodologyTegtmeyer, Ute January 1998 (has links)
Architecture is the thoughtful making of spaces. Within the last decades of architectural history the role of the architect in society and therefore of architecture itself changed. Issues such as space and architectural language gain significance.Narrative architects such as Bernard Tschumi, Daniel Libeskind, and others are inspiration for a design-methodology which focuses on the development of an architectural language.The actual project will be the interpretation of the short-story Heat by Joyce Carol Oates. Its analysis serves as basis for the design of an architectural statement.Emphasis is put on the actual design-process rather than on the final design result. / Department of Architecture
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Last word in art shades the textual state of James Joyce's Ulysses /Tully-Needler, Kelly Lynn. January 2007 (has links)
Thesis (M.A.)--Indiana University, 2007. / Title from screen (viewed on March 6, 2008). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Ken Davis, Jonathan R. Eller, William F. Touponce. Includes vitae. Includes bibliographical references (leaves 214-228).
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'Disappointed bridges' : language, identity and historiography in the works of James Joyce and Samuel Beckett : a thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in English in the University of Canterbury /Lister, Samuel John. January 2008 (has links)
Thesis (M.A.)--University of Canterbury, 2008. / Typescript (photocopy). Includes bibliographical references (leaves 181-188).
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Der imaginierte Mythos, Joyce - Adorno : ein Beitrag zu Theorie und Praxis mythischen Denkens in der Moderne /Lücke, Peter, January 1992 (has links)
Diss.--Bochum--Universität Bochum, 1991.
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Framing a portrait of the artist evolution in design /McLaren, Stephen. Joyce, James, January 2005 (has links)
Thesis (Ph.D.)--University of Western Sydney, 2005. / A thesis presented to the University of Western Sydney, College of Arts, Education and Social Sciences, School of Humanities, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographies.
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"Poor girl!" feminism, disability and the other in Ulysses /Flaherty, Patricia. January 2006 (has links)
Thesis (B.A.)--Haverford College, Dept. of English, 2006. / Includes bibliographical references.
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A tonalidade em suspensão: a música em Dubliners de James Joyce / Suspended tonality: music in James Joyces DublinersRodrigo Moreira Pinto 16 December 2015 (has links)
Mediante levantamento da fortuna crítica e da leitura atenta da obra de Joyce, este trabalho investiga os empregos da música em Dubliners, tanto no âmbito da forma quanto no conteúdo. Quanto aos usos formais, destacam-se estratégias comuns à poesia, como assonâncias, aliterações, ritmos, métricas, onomatopeias, além de elementos estruturais mais complexos, próprios da linguagem musical, como leitmotiv, contraponto, tema e variação. A dissolução da causalidade e a maneira diversa de lidar com a tensão para a construção do enredo se assemelham a alguns recursos musicais aplicados pelos modernistas que produziram o gradativo desmantelamento do sistema tonal. Quanto aos usos musicais que atuam diretamente no conteúdo, destacam-se as alusões a obras musicais e tem papel decisivo para a construção da atmosfera, caracterização de personagens, e desenvolvimento do enredo. A hipótese do trabalho é que a utilização de elementos musicais na literatura está atrelada diretamente às recorrências temáticas da morte, da paralisia, do contexto histórico irlandês, do amor, da sexualidade e da cultura celta. A aproximação entre música e literatura é em Dubliners seminal e Joyce a desenvolverá amplamente de forma experimental nas obras posteriores, principalmente em Ulysses e em Finnegans Wake, nas quais as transformações de elementos musicais intersectam com a palavra. / Through a survey of the critical fortune and the close reading of James Joyces work, this research investigates the employment of music in Dubliners, both in form and in content. Concerning the formal uses, some strategies common to poetry stand out, such as assonances, alliteration, rhythm, metric, onomatopoeia, apart from more complex structural elements, inherent of musical language, such as leitmotiv, counterpoint, as well as theme and variation. The dissolution of causality and the distinct manner to deal with tension, aiming the building of the plot, resembles some musical resources used by the modernists that produced the gradual dismantling of the tonal system. Concerning the musical uses that act directly on the content, the allusions to musical pieces stand out and play a decisive role in building the atmosphere, constructing characters, and developing the plot. The hypothesis of this study is that the use of musical elements in Joyces text is directly connected with the thematic recurrences of death, paralysis, Irish historical context, love, sexuality, and Celtic culture. The rapprochement between music and literature is seminal in Dubliners and Joyce is going to largely develop it in later works, in which the transformation of musical elements intersect with the words.
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