Made available in DSpace on 2015-12-10T14:22:24Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-06-24. Added 1 bitstream(s) on 2015-12-10T14:28:30Z : No. of bitstreams: 1 000851841.pdf: 782450 bytes, checksum: ad355f988e92b369ceb32c2054da312e (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Um dos maiores nomes da poesia portuguesa contemporânea, Nuno Júdice possui vasta obra marcada, segundo Ida Alves (2006), pela presença de uma poesia feita sobre ruínas. Suas características mais marcantes são o diálogo que promove com outras artes, as reflexões filosóficas e principalmente uma visão crítica sobre a própria poesia. Tais características, ligadas a um ambiente sombrio, de espaços desabitados ou abandonados, onde se insere um eu-lírico consciente de sua própria produção poética, são algumas das marcas de uma poesia singular, marcada por vestígios do passado. Júdice iniciou sua produção com A Noção de Poema, em que já se destacava pela retomada do sujeito lírico e pela plena ciência do poema como o lugar de discussão da linguagem poética, seus mistérios e sua tradição. Atrelado a esta produção e crítica poética, o poeta algarvio demonstra grande interesse pelo tema do amor e sua configuração como parte integrante de toda uma tradição lírica amorosa. São muitos os poemas em que o tema do amor aparece, porém sempre relacionado a um sujeito lírico melancólico e consciente da criação do poema e de sua artificialidade. A melancolia do eulírico, as imagens obscuras e a nostalgia são características de uma lírica amorosa cujo principal aspecto é a ausência. O poema parece ser o único lugar onde o sujeito encontra uma possibilidade de fugir do presente e da ausência da amada. Neste trabalho, buscaremos verificar, portanto, como esta poesia se insere numa tradição da lírica amorosa ocidental, procurando evidenciar os artifícios de que o autor se utiliza para retomar o imaginário do amor, questionar e reapresentar a subjetividade e a emotividade, recriando em sua obra um lirismo amoroso típico da contemporaneidade / One of the greatest names of contemporary Portuguese poetry, Nuno Júdice's wide work is marked, according to Ida Alves (2006), by the presence of a poetry built over ruins. His most decisive features are the dialogue established with other forms of art, the philosophical reflections and, above all the others, the critical look over his own poetry. Such features, related to dark environments, uninhabited or abandoned places and the presence of a poetic persona aware of its own poetic production, are some of the main characteristics of a singular poetry marked by references of the past. Júdice began his production with A Noção de Poema. In this work, the retake of the poetic persona and the awareness of the poetry as the ideal place to discuss the poetic language, its mysteries and traditions, are salient. Attached to this poetic criticism and production, the Algarve poet demonstrates his interest in love as a theme of poetry and its configuration as an integrant part of a loving lyrical tradition. Love is present in many of his poems, although it is always related to a melancholic lyrical subject and conscious of the poem creation and its artificiality. The poetic persona melancholy, dark images and nostalgia, are the characteristics of a loving lyric marked by absence. The poem seems to be the only place where the subject finds a possibility to run away from the present and from the absence of his beloved woman. In the present work, we seek to verify how this poetry can be inserted in a loving lyric western tradition highlighting the strategies used by the author to retake the imaginary of love, to question and restate the subjectivity and the emotionality, and to recreate a contemporaneity typical loving lyric in his work

The sub judice rule is a media law practice that is currently often in the spotlight. Editors and journalists are constantly furiously speaking out against this rule that limits their freedom of expression in an attempt to assure the accused's fair and proper trial. Practitioners of the law, on the other side, say the sub judice rule is indispensable to the proper administration of justice. The rule, which much prevents the media from interfering with a pending case, causes confusion under journalists, as it is not consistently applied. Judges often warn the media against the violation of the rule during a high profile case, but those who do break the rule are not charged with contempt of the court. The aim of this study is to determine how Beeld, the Afrikaans daily newspaper, applies the sub judice rule in his reporting. The way in which this leading paper handles the rule is of importance to other journalists as well as the readers. The origin, development and function of the rule are also examined. It was established that Beeld did not contravene the sub judice rule as unceremoniously as a few other newspapers. Beelds violations of the rule were different experts' nuanced interpretations thereof. These violations is more based on the perception that the court's independence and worthiness must be upheld in the public eye than on the rule's actual function to guard against the interfering in the due course of a case. / Thesis (M.A. (Communication Studies))--North-West University, Potchefstroom Campus, 2007

Thesis (M.A. (Communication Studies))--North-West University, Potchefstroom Campus, 2007.

The sub judice rule is a media law practice that is currently often in the spotlight. Editors and journalists are constantly furiously speaking out against this rule that limits their freedom of expression in an attempt to assure the accused's fair and proper trial. Practitioners of the law, on the other side, say the sub judice rule is indispensable to the proper administration of justice. The rule, which much prevents the media from interfering with a pending case, causes confusion under journalists, as it is not consistently applied. Judges often warn the media against the violation of the rule during a high profile case, but those who do break the rule are not charged with contempt of the court. The aim of this study is to determine how Beeld, the Afrikaans daily newspaper, applies the sub judice rule in his reporting. The way in which this leading paper handles the rule is of importance to other journalists as well as the readers. The origin, development and function of the rule are also examined. It was established that Beeld did not contravene the sub judice rule as unceremoniously as a few other newspapers. Beelds violations of the rule were different experts' nuanced interpretations thereof. These violations is more based on the perception that the court's independence and worthiness must be upheld in the public eye than on the rule's actual function to guard against the interfering in the due course of a case. / Thesis (M.A. (Communication Studies))--North-West University, Potchefstroom Campus, 2007