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1	Socrates in Continuum : Self-Knowledge in Plato's Phaedrus Thorell, Andreas January 2024 (has links) At the outset of the Phaedrus, Plato tells us that Socrates’ knows himself (228a). This statement is then followed up by Socrates’ claim that he is not able to obey the Delphic imperative and know himself (229e-230b). This apparent contradiction has given rise to an interesting debate concerning what kind of knowledge we are dealing with here. While the debate is complex a few main positions can be identified. One group of scholars, hereafter referred to as the practitioners, argue that the self-knowledge Socrates here talks about is a life-guiding term. The practitioners argue that when striving toward what is true about oneself and acknowledging one’s limits, one turns away from chaos towards a well structured life. Another group of scholars, referred to as the mystics, argue that self-knowledge is something Socrates’ possesses when contemplating over his own epistemic limits as well as his soul and its connection to the Forms. Finally, the unitarian view explains the content of self-knowledge, namely that it includes dispositional and cognitive knowledge of oneself. Even if these views are helpful to explain the different parts of self-knowledge, they fail to explain Socrates’ apparently contradictory answers regarding self-knowledge. What is lacking, and what this thesis will try to provide, is an account of how Socrates both can say that he knows and does not know himself. The thesis will help explain how Socrates can be said to have self-knowledge. However, Socrates does not yet have absolute self-knowledge and acknowledges, with his denial of self-knowledge, that a deepened self-knowledge can be gained gradually. On the view that this thesis will test and defend, Socratic self-knowledge is a continuum, that is to say, a coherent yet dynamic knowledge. This can help to explain how Socrates can claim to both know and not yet know himself. self-knowledge know thyself Phaedrus Plato Socrates continuum gradual degrees unitarian cognitive dispositional epistemology Humanities and the Arts Humaniora och konst Philosophy, Ethics and Religion Filosofi, etik och religion Philosophy Filosofi
2	In Real Life (Or Elsewhere) : om kreativa processer och parallella verkligheter i dokumentärfilm Nevanti, Kirsi January 2017 (has links) Reality isn’t what it appears to be. Contexts are not always clear and visible. People don’t always say what they really mean. And they don’t always mean what they say. When life is your stage manager, anything can happen. I often say, life is hard, my head is harder. Making documentaries is not for the faint-hearted.This PhD project explores creative processes and parallel realities in documentary film, and discusses and conceptualizes the artistic practice of documentary filmmaking. The project consists in part of artistic works and essays that are critical reflections on the creative process and how that process can be conceptualized. The cinematic centerpiece of the thesis is entitled Images and the Worlds of Being (2011–2016). Previous subprojects are A Shift Between Worlds (2013–2015) and an essay book entitled In Real Life (or Elsewhere) (2013). Between 2013 and 2017, more essays were written, some of them translated to English. All the Swedish essays are available in PDF format. All of the works in the PhD project explore creative processes and parallel realities in two different ways: A Shift Between Worlds (2013–2015) explores identity and parallel realities in the gendered world. These works are based on two workshops led by Diane Torr, “Man for a Day” and “Woman for a Day.” They resulted in several component works, including two video essays, two audio works and two large-format photographic works, the latter in collaboration with photographer Johan Bergmark, as well as a short commentary film entitled Diane Speaks Out (2016). Images and the Worlds of Being (2011–2016) – a VR Classic Style film – explores what happens when documentary images are shown on four screens forming the walls of a room. This work also focuses on the view through the camera lens through which the filmmaker meets the world, in a hypnotic tapestry of parallel realities in a tenderly portrayed, runaway present. A sort of logical reasoning about the illogic of our era, in search of elusive reality (to paraphrase Jean Baudrillard) – the presence in the act of seeing. An experiment in the forms of visual knowledge, outside the traditional display windows. Shooting location: The World. ethics documentary film situational understanding authenticity reality parallel realities creative processes know thyself Images and the Worlds of Being A Shift Between Worlds director film team world in real life (or elsewhere) IRL VR Virtual Reality AR Augmented Reality life as stage manager reflections on space journey snippet of time interpretation of reality protagonist cinema cinematic means universe imagination artistic research presence of the camera existence the act of seeing visual knowledge intuition practical knowledge communication fictional gender bending identity visual art vantage point unreality art vision photography cinematography sound design editing directing life science Arts Konst

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Socrates in Continuum : Self-Knowledge in Plato's Phaedrus

In Real Life (Or Elsewhere) : om kreativa processer och parallella verkligheter i dokumentärfilm