Passion thesis deals with the last days of Jesus of Nazareth. It is divided into two parts.The theoretical part informs the development of the theme in the processing of individual artists in art history, taking into account the formation of the Czech Baroque painter Karel Škréta. Describes understanding of one of the key topics in the world of painting throughout history. The practical part shows a set of seven works of art, depicting the subject from today's perspective. Individual scenes capture the important moments and figures so that their message beyond this work. The illustrations are also designed so that each viewer has found an interesting detail.

In my diploma's thesis "Representation of the Christ's sacrifice during the Holy Mass in the documents of the magisterium." to deal with the way how the church doctrine and faith in this mystery in their documents is submit. The first part is devoted to describe Son's realitonship to Father in Trinity and analysis of the key texts of the Scriptures of the Old and New Testaments that the Church on this topic covered. The second part deals with some texts approved documents, the Council of Trent on the Eucharist and the Sacrifice. The third part contains the view of Pope Pius XII. on the Eucharist and its actualization, as reflected in documents Mystici corporis, Mediator Dei and Humani generis. The fourth part of my work explores ways of presenting the mystery of the Eucharistic Sacrifice in selected documents II. Vatican and during the pontificate of Pope Paul VI., John Paul II. and Benedict XVI.

The thesis deals with se the usage of animation method for medieval art mediation for children´s audience. The aim of the animation of the Resurrection painting by Master of the Třeboň Altarpiece is to effectively encourage a continued interest in art and history in children at a given age group. The content of the theoretical part is an expected scope of knowledge needed for an ideal realization of the animation. The practical part describes the creative art mediation for children and the concluding reflections are also an integral part of it. It is a big challenge for all museum, gallery and pedagogical professionals to present cultural heritage. The thesis also tries to point out the fact that preliminary animation work is for authors very demanding. It is necessary to completely avoid a close specialization, to work interdisciplinary and to combine all specialized theoretical and practical knowledge in an effective way.

The thesis deals with the Czech Christmas spiritual music, wants to point out and pick up her beauty, popularity and popularity across the public and in the circles of the Church and in the wider public. The method is the research the available literature and handouts for this topic, which is evident in the Division of the individual chapters. The introduction will include music and history of music. In the next part we will spend Christmas spiritual music, we close its emergence, history, Christian context, familiar carols and songs and their lyrics with a spiritual focus, some of the selected authors and their works both from the past and from the present. We also in our surroundings, to learn more about the Christmas music of our neighbors, or some European countries. In the next part of the main chapters refer to the positive influence of the Christmas music on the evangelization of pastoration and also on Ecumenism - attitude to Christmas music in some churches, and on its place in the broader public. The conclusion should answer the question of why is Christmas music and in particular the Czech Christmas music so much popular and popular among both artists and in the Christian churches and the public, with an interference fit and why it appears almost as a phenomenon. Keywords Christmas,...

At the end of the 17th century, a small enameled cross was discovered in one of the royal graves in Saint Bendt's church in Danish Ringsted. According to the record of the administrator of the Danish Royal Treasury, the cross was found in the grave of the Danish Queen Dagmar - the daughter of the King of Bohemia, Ottokar I (+1230). Dagmar was married in 1205 to Valdemar II the Victorious, the King of Denmark. The cross - today exhibited at the National Museum in Copenhagen - is undoubtedly a Byzantine work. Most probably, it was made in the first half of the 12th century. It is so- called enkolpion, i.e. the hanging cross (gr. Έγϰόλπιου, on the chest). Both its sides are decorated with figurative scenes. The crucifixion of the Christ is depicted on one side. The Great Deēsis with St. Basil the Great and St. John Chrysostom is shown on the other side. There is a hollow in the body of the cross, in which a relic was deposited - most likely a particle of the wood of the True Cross. Although the Queen Dagmar's Cross is considered a national treasure in Denmark, only a little attention has been paid to it so far. It is almost unknown to the Czech researchers (it is briefly mentioned by J. E. Wocel, A. B. Černý, J. Květ, K. Chytil and most recently P. Balcárek). Regrettably, the most of researchers only...

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The thesis explores the Jewish view of Jesus Christ of Geza Vermes concept and its possible influence on the Jewish-Christian dialogue. This Jewish researcher is known primarily as a popularist of the Dead Sea Scrolls, which were translated by him into English for the first time. Admittedly he is significant in the field of Jesus Studies. We present the author's perception of Jesus according to his life and work with focus on selected New Testament passages. Furthermore we focus on Messianic Judaism as a potential bridge in the Jewish-Christian dialogue, and discuss the conteporary state of these relations. A research survey was also developed on the subject of the dialogue. Finally, we summarize and evaluate the contribution of Geza Vermes' work, with emphasis on its use in the Jewish-Christian dialogue, with the support of our own research based on Czech experts,that complements the acquired piece of knowledge.

Author´s research has led to the processing of psychologism theory as a tool to detect the methodological procedure of doctrine of Jehova´s Witnesses, The Church of Jesus Christ of Latter-Day Saints, The Bahai Faith, Haifan Bahaism from movement management, through the movement medium to the seeker and to what extent can these doctrines manipulate the seeker. The thesis attempts to extract the thinking core within new religious movements, as a prerequisite for the detection of intentions of the mentioned movements, and also it tries to extract analogous statements about how these movements may develop in the future stages of their existence. The basic tool of academic study and view: comparison, psychology of religion.

Univerzita Karlova v Praze Filozofická fakulta Ústav řeckých a latinských studií Latinská medievistika a neolatinská studia Abstract Francis of Meyronnesʼ Tractatus de passione Domini: Critical edition and analysis Školitel: doc. Mgr. Lucie Doležalová, M.A., Ph.D. 2015 Riccardo Burgazzi Abstract Francis of Meyronnes (1288 - 1328) was a theologian and a sermonist, disciple of John Duns Scotus. He studied at the University of Paris and taught in several provincial studia in France and in Italy. He became master of theology in 1323 and he was named Provincial Minister of Provence in 1324; later, he moved to Avignon, where he worked as a preacher and a counselor. Francis of Meyronnes wrote an impressive number of works that can be classified as philosophical, political, and devotional. Meyronnes' Tractatus de Passione Domini, the subject of this dissertation, could be dated between 1318 and 1320, when Francis was Baccalarius Biblicus in Paris. It was probably written for his brothers in order to provide them with a biblical commentary which could have been an instrument for helping them in the composition of their own sermons and works. As Tobias Kemper claims, the authors from the Late Middle Ages used to tell the Passion mainly in two ways: in form of "meditations" or in form of "narrative representations"....