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This thesis is an inquiry between music and architecture. The rational and emotional aspects of music are applied into architectural language. Rationally, the base for both music and architecture is mathematic, or proportions, which derives from the cosmic order, and gives the harmonic sense for the ears and the eyes. They are both carefully constructed on paper: scores and constructive drawings. Neither of them will make sense unless through experience, which will take to an emotional journey. The numbers for Pythagoras scale are the agreement of sounds that affects our ears with delight, the same that can please our eyes and our minds. Since harmonic ratios inherent in nature are revealed in music, the architect who relies on those harmonies makes use of a universal harmony apparent in music. Light moves within a space throughout time in a year, it can be considered as a time signature for the season and the day in architecture. The form and material change the quality of light. Light and shadow gives rhythm in a space. Music is close to heaven with eternity. In Japan, Mount Fuji is the highest mountain and people worship it as a symbol of immortality. Both of them have their trace connect to nature. The journey for this thesis is about exhibiting a series of woodblock prints called Thirty-Six Views of Mount Fuji, using knowledge of proportions and light. By ordering the prints into a certain order, the exhibition eventually celebrates the Mount Fuji itself. / Master of Architecture / This thesis is an inquiry about music and architecture. The rational and emotional aspects of music are applied into architectural language. The rational common between music and architecture is mathematic. The harmonic scale in music is used as proportions in architecture. Light that moves within a space through time in a year can be considered as a time signature in music score. Light can also create rhythms. The emotional aspect comes when experiencing a journey. This thesis is about exhibiting a series of woodblock prints called Thirty-Six Views of Mount Fuji, by using knowledge of proportions and light to create a journey.

Light is the most sacred phenomenon and the presence of it in a place of worship is the greatest manifestation of God himself. Man can manufacture all the building materials needed to errect the greatest of structures, but only God can fill it with the light of the sun and make the materials come alive. Through the interplay of light and structure the building can seem to be alive. Through the proper execution of structure and material the building can sculpt light and define the time of day and season of year. This then became the genesis of the project; to sculpt light through natural materials and structure in order to bring glory to the creator and provide a sacred retreat for the weary, a rich interplay of light and material coming together to create a worshipful experience. / Master of Architecture

This thesis explores the corridor as an essential architectural element in an apartment building. By differentiating the conventional linear corridor, a more pleasant corridor could be achieved: corridor with various widths and natural lighting through architecture manipulation. The building's locale contributes to another topic of this thesis, the urban form for a downtown apartment building. The identities of three streets surrounding the site are respectively unique. One is a downtown pedestrian sidewalk with storefronts, one is a quiet one-way back road, and the other is a major highway with heavy traffic. Examining these three urban conditions, the possible relationship between the streets and the apartment building is explored. For apartment residents, the street conditions and the corridors constitute the very transitional experience for him or her to enter a home. / Master of Architecture

Through an exploration of media and technique, this project sought to represent pregnant silence and portentous darkness within architecture: ephemeral effect drawn in stasis. A sequence of three rooms - formed constructively, but intuited through tone - imagine interior worlds in which the stage is perpetually set, but the performance itself never begins. / Master of Architecture / Through an exploration of media and technique, this project sought to represent pregnant silence and portentous darkness within architecture: ephemeral effect drawn in stasis. A sequence of three rooms - formed constructively, but intuited through tone - imagine interior worlds in which the stage is perpetually set, but the performance itself never begins.

This thesis aims to explore architectural experience by addressing how different types of openings exert an impact to the space. The openings not only play a critical role in giving a palpable presence to natural light in a space, but also facilitate a specific way of seeing the world – together generating a spiritual resonance through a sequence of well-designed spaces. The journey happens in a four-story tower, which is influenced by four parts of a tree, providing a space to experience tranquility removed from a chaotic world and to gain a deeper understanding of the trees. With an emphasis on the manipulation of natural light and views, certain kinds of atmospheres are created on each floor to shape the perception of space. / Master of Architecture

The thesis is about an urban bathhouse in Suzhou, China that explores the relationship of the time honored traditions with modern customs and building techniques. Traditional bath house in memory is always crowded, confined, dim and toneless. The project seeks a new possibility for a modern bath house by studying the structural order and light quality, to make the bath house not only a place for body hygiene, but also a place for mind relaxation and rejuvenation. / Master of Architecture

This thesis seeks to under the relationship in architecture between the physical and the intellectual. Drawings and models are the primary mediums used in this project to bring forms in to a play of light and shadow. The building's program is dedicated to the preservation of black and white film: an expressive medium that exists, primarily, as a cultural artifact in the collective memory. / Master of Architecture

"Architecture itself is linked not only to other arts but also to the broader context of life; it is only on that scale that we may understand its specific contribution to the formation of the communicative space of culture."* - Dailbor Vesely 2004 Architects have explored Art Galleries as a medium throughout the ages. In 2014, the Corcoran was sold, dismantled and divided between the National Gallery of Art and George Washington University signaling the end of an era of art display in the Nation's Capital. This transformation of a major DC art collection was the impetus for this thesis: to mark the end of an era and to create a new home for the Corcoran Collection. To house this orphaned collection, I have studied similar elements that earlier architects have studied such as light, shadow, and reflection, taking into account the dawn of the next generation of art galleries. The role of this museum is to educate and facilitate information about the collection and the art. Contemporary art galleries that have been built recently included additional areas of services that were originally not part of the Corcoran Museum's building program, such as the role of conservation of historical objects including paintings and works on paper. Another area of my research was the relationship between the viewer and the building. The Corcoran has an extensive collection of American art and art directly from D.C. and it is important to allow direct access for the community and accommodate enough wall space to give context to the art. With the setting of the contemporary art gallery framed, we return back to the research to really question how each of those elements were thought about moving forward. We need light to see, but what had been seen and depicted on great Master's canvases should be protected from light. Should natural light be brought into the gallery spaces even though it damages works on canvas and paper? Can gallery spaces change over time to mirror the objects that they hold? Can the building reflect the area around the gallery but also act as a space of meditation and self-reflection? To adopt means to take another's child, but it can also mean to embrace an idea. In this case we are adopting the collection of William Corcoran and combining it with newer elements found in modern museums. On further evaluation of the gallery it has strong ties to historic D.C. because of its collection and its community outreach however its weakness was due in part of turning its back on the same community that made it strong. I propose moving the collection into the heart of Washington D.C. and combining it with newer ideas of light and gallery services. This process will allow the Corcoran to continue its evolution as a great American collection. *Dailbor Vesely, "Architecture in the Age of Divided Representation." (Cambridge: The MIT Press, 2004), 88-89. / Master of Architecture

This work seeks to explore the unmeasurable qualities of architecture that enrich the architectural experience, with a focus on the roles of light, sound, and memory as they interact with architecture in the making of that experience. / Master of Architecture