Made available in DSpace on 2014-06-11T19:26:49Z (GMT). No. of bitstreams: 0 Previous issue date: 2005-02-28Bitstream added on 2014-06-13T18:55:15Z : No. of bitstreams: 1 silva_pm_me_sjrp.pdf: 489967 bytes, checksum: beff13f676e8aa9be38ae291e05b0c64 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Para realizar a tradução, o tradutor lê o texto que se propõe a traduzir, interpretando-o segundo fatores que são de naturezas diversas. Essa interpretação guiará todo o trabalho de escritura desse texto na língua para a qual será traduzido e será fruto da forma como o tradutor concebe o mundo, forma esta que está inevitavelmente ligada aos fatores que o constituem como sujeito: as crenças e valores da sociedade e da época em que vive, além de sua experiência de vida, suas crenças e valores. Assim, determinado por todos esses fatores, o tradutor escreve-se, inevitavelmente, no texto que produz e essa inscrição constitui o tema principal desta pesquisa. Fundamentando-se na desconstrução promovida por Jacques Derrida, no resíduo, relacionado à tradução por Lawrence Venuti e na singularidade, proposta por Maria Paula Frota, o objetivo geral deste trabalho é estudar as inscrições do tradutor na tradução, analisando-as sob o ponto de vista teórico e apresentando também a perspectiva da tradutora Lenita Maria Rímoli Esteves sobre sua prática, já que esta, não sendo mais considerada invisível, é vista como parte determinante da tradução. Além disso, busco verificar de que forma essas inscrições são perceptíveis em um de seus trabalhos, a tradução do livro The lord of the rings, obra do escritor John Ronald Reuel Tolkien, traduzida por Esteves para o português com o título de O senhor dos anéis. / In order to translate a text, the translator reads and interprets it according different factors. This interpretation guides all the writing work of the text into the language it will be translated. In addition, the interpretation will be the result of the translator’s world conception, which is inevitably associated with the factors that constitute him as a subject: the beliefs and values of the society and the time in which he/she lives, and his/her own life experience, beliefs and values. So, under the influence of these factors, the translator writes him/herself in the text produced and this inscription is the main topic of this research. Based on Jacques Derrida’s deconstruction, on the remainder (linked with translation by Lawrence Venuti) and on Maria Paula Frota’s singularity, the aim of this work is to study the translator’s inscriptions on his/her work. These inscriptions will be analyzed from the theory point of view and I will also present the ideas of the translator Maria Lenita Rímoli Esteves about her practice, which are important because the translator is not considered to be “invisible” anymore, but a part of the translation process. Furthermore, I intend to verify the way in which these inscriptions are perceived in one of her works, a Portuguese translation of The lord of the rings, by John Ronald Ruel Tolkien.

Orientador : Prof. Dr. Marcelo de Paiva de Souza / Dissertação (mestrado) - Universidade Federal do Paraná, Setor de Ciências Humanas, Programa de Pós-Graduação em Letras. Defesa: Curitiba, 29/09/2016 / Inclui referências : f. 139-141 / Resumo: The present work reports on the results of experimental investigations about the structural and the electrical properties of bismuth (Bi) and manganese (Mn) compound films with different relative atomic content, grown by thermal evaporation on glass substrates. The structural analysis comprised profilometry, X-ray diffraction (XRD), Raman scattering, scanning electron microscopy (SEM) and energy dispersive X-ray spectroscopy (EDS), and the analysis of the electrical properties comprised the obtainment of voltage versus current (VxI) curves with the variation of the temperatures. The structural analysis revealed that the films have granular structure, where the grain shape varied from polyhedral form on the absence of Mn to a smoothed surface irregular shape as Mn was added. All samples showed X-ray diffraction peaks associated to phases of Bi and Bi oxides, and the samples with Mn revealed some crystalline phases containing Bi and its oxides. The film of pure Mn revealed only an amorphous phase. Chemical analysis by EDS showed the presence of significant amount of unintentional C and O elements, the first of them not chemically associated to elements Bi or Mn. IxV curves traced for Bi - Mn films on the four-point planar architecture revealer ohmic character. From the resistivity curves as a function of the temperature the activation energies were obtained. The IxV curves revealed an unexpected nonzero offset (parallel displacement along the voltage axis) apparently not associated to either photoelectric, thermoelectric, magnetoelectrics effects, or even experimental artifacts. It was investigated the electrical behavior of a Bi film along the transversal geometry. Two of such devices presented a slight non-linearity at room temperatures, which gradually increased with the reduction down to 20 K. Two other devices presented a sudden jump on the non-linearity in the temperature window of about 80 - 90 K, and below that, the behavior the variation pursued slowly. This non-linearity is assigned by us to the effect of potential barriers formed at the microscopic level granulations throughout which the flow of electric current occurs via tunneling. At present moment it is not envisaged the nature of the mechanism that governs the sudden increase of the non-linearity. / Abstract: The present work reports on the results of experimental investigations about the structural and the electrical properties of bismuth (Bi) and manganese (Mn) compound films with different relative atomic content, grown by thermal evaporation on glass substrates. The structural analysis comprised profilometry, X-ray diffraction (XRD), Raman scattering, scanning electron microscopy (SEM) and energy dispersive X-ray spectroscopy (EDS), and the analysis of the electrical properties comprised the obtainment of voltage versus current (VxI) curves with the variation of the temperatures. The structural analysis revealed that the films have granular structure, where the grain shape varied from polyhedral form on the absence of Mn to a smoothed surface irregular shape as Mn was added. All samples showed X-ray diffraction peaks associated to phases of Bi and Bi oxides, and the samples with Mn revealed some crystalline phases containing Bi and its oxides. The film of pure Mn revealed only an amorphous phase. Chemical analysis by EDS showed the presence of significant amount of unintentional C and O elements, the first of them not chemically associated to elements Bi or Mn. IxV curves traced for Bi - Mn films on the four-point planar architecture revealer ohmic character. From the resistivity curves as a function of the temperature the activation energies were obtained. The IxV curves revealed an unexpected nonzero offset (parallel displacement along the voltage axis) apparently not associated to either photoelectric, thermoelectric, magnetoelectrics effects, or even experimental artifacts. It was investigated the electrical behavior of a Bi film along the transversal geometry. Two of such devices presented a slight non-linearity at room temperatures, which gradually increased with the reduction down to 20 K. Two other devices presented a sudden jump on the non-linearity in the temperature window of about 80 - 90 K, and below that, the behavior the variation pursued slowly. This non-linearity is assigned by us to the effect of potential barriers formed at the microscopic level granulations throughout which the flow of electric current occurs via tunneling. At present moment it is not envisaged the nature of the mechanism that governs the sudden increase of the non-linearity.

Orientador: Maria Viviane do Amaral Veras / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-25T09:37:27Z (GMT). No. of bitstreams: 1 Pereira_JulianaCristinaFernandes_M.pdf: 1767935 bytes, checksum: cc5ac8a2f3da9afe0ab9dafb9186bb4b (MD5) Previous issue date: 2014 / Resumo: Nos últimos anos, têm sido divulgados inúmeros trabalhos com enfoque na representação do tradutor e do intérprete na literatura e no cinema, mas não tantos focam o revisor. E é justamente na fronteira entre realidade e ficção que se encontra o revisor-detetive Daniel Hernández, personagem central desta pesquisa, uma vez que seu autor Rodolfo Walsh (revisor, tradutor, ensaísta e, posteriormente, militante político) retira-o do mundo real e transporta-o para o ficcional. A presente pesquisa, portanto, tem por objetivo analisar a narrativa A aventura das provas de prelo, do escritor Rodolfo Walsh, como uma metáfora da tarefa do revisor, de seus rastros, de sua escrita, de seu trabalho de tradutor. Junto com o passo a passo do ofício do revisor, apresentamos o trajeto desta pesquisa: uma breve apresentação da vida de Rodolfo Walsh, bem como de sua literatura policial; conceitos relacionados à revisão, diretamente ligados ao dia a dia do revisor; a fundamentação teórica para a análise da tarefa do revisor e de sua criação como personagem de ficção, acompanhado de outros dois personagens: o revisor Raimundo Silva e o tradutor Gallus (abordados segundo uma visão mais conservadora, ou tradicional, de tradução e revisão) e o intérprete, senhor Kapasi (em cujas características reconhecemos uma visão denominada pós-estruturalista); a análise do personagem central criado por Rodolfo Walsh, o revisor-detetive Daniel Hernández. A título de desfecho, o ofício do revisor se apresenta como sempre mais ou menos terminado, sempre sujeito a falhas, confirmando que, ao menos no caso aqui estudado, não há crime perfeito / Abstract: Over the last years, a great number of papers have been written focusing on the part translators and interpreters play in literature and in the movies, but not many have concentrated on the proofreader's role. And precisely on the borderline between reality and fiction, we find proofreader-detective Daniel Hernández, the central character of this research, since his creator, author Rodolfo Walsh (proofreader, translator, essayist, and eventually, political activist), takes him out of the real world and plants him in the fictional. The scope of this paper, therefore, is to analyze the novel A aventura das provas de prelo (The Adventure of the Print Proofs), by author Rodolfo Walsh, as a metaphor of a proofreader¿s job, his tracks, his writings, and his work as a translator. Along with a step-by-step description of an proofreader¿s routine, we present the trajectory of this research: a brief presentation of the life of Rodolfo Walsh, as well as his police literature; concepts related to editing, directly connected to an proofreader¿s daily routine; the theoretical basis for the analysis of an proofreader¿s job and his creation as a fictional character, accompanied by two other characters: proofreader Raimundo Silva and translator Gallus (viewed through a more conservative or traditional lens of translation and editing) and the interpreter, Mr. Kapasi (in whose traits one can perceive a post-structuralist viewpoint); the analysis of the central character created by Rodolfo Walsh, proofreader-detective Daniel Hernández. By way of conclusion, the position of the proofreader always presents itself as more or less finished, always subject to flaws, confirming that, at least in the case studied here, there is no perfect crime / Mestrado / Mestra em Linguística Aplicada

Orientador: Suzi Frankl Sperber / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-22T02:08:04Z (GMT). No. of bitstreams: 1 Berriel_NadiaJorge_M.pdf: 849852 bytes, checksum: c58e0a274adf4d28a2ea692d6cd8ce13 (MD5) Previous issue date: 2012 / Resumo: este trabalho consiste numa tradução da peça Antigone, do tragediógrafo italiano Vittorio Alfieri, escrita em 1776 em Florença, Itália. Esta tragédia revela inquietações artísticas e particularidades linguísticas que refletem o período que antecede o Risorgimento, tanto no âmbito político quanto no que se refere à cultura e ao idioma italiano. A presente dissertação apresenta também um perfil biográfico de Vittorio Alfieri, autor até o momento pouco conhecido no Brasil, a partir de estudo de sua autobiografia e de estudos publicados na Itália sobre sua obra e seu envolvimento com movimentos políticos que culminaram na Revolução Francesa / Abstract: this work consists on a translation of the play Antigone, by the Italian tragedy writer Vittorio Alfieri. The play was written in 1776 in Florence, Italy. This tragedy reveals artistic concerns and linguistic particularities that reflect the period of time that precedes the Risorgimento, both in a political extent as in where the Italian culture and language is concerned. The present dissertation presents also a biographic profile of Vittorio Alfieri, author until this moment little known in Brazil, based on the study of his autobiography and texts published in Italy about the author's work and involvement in political movements that led to the French Revolution / Mestrado / Teoria e Critica Literaria / Mestra em Teoria e História Literária