Målet med detta examensarbete har varit att ta fram en applikation föratt publicera kyrkoåret. Appen ska fungera i telefon och pekplatta förandroid. Till det kommer en webbsida som fungerar för datorer ochmobila enheter som inte kör android. Man skall även kunna få framdatan som en PDF (Portable Document Format) fil, XML (ExtensibleMarkup Language) fil och en ICAL (kalender) fil. I denna uppgift ingåräven att ta fram en databasstruktur, objektorienterad design för arbetetsamt val av system och databas. Arbetet har genomförts med hjälp avPHP (Hypertext Preprocessor), MYSQL, CSS (Cascading Style Sheets),etc. Appen och sidan är en användarvänlig sida med bra prestanda ochtydligt resultat för ändamålet det är till för. Jag har kommit fram till att det är svårt att göra en sida som fungerar100% i mobiler och i datorer med olika webbläsare. / The objective with this thesis was to develop an app for android and awebsite that works for computers and mobile devices that are notrunning android, in order to publish the Liturgical year. You should alsobe able to obtain the data as a PDF file, XML file and a calendar file. Thistask includes developing a database structure, object oriented design ofwork and choice of system and form the database layout. The work hasbeen developed with the help of PHP, MYSQL, CSS and so on. The appand the page is a user friendly site with good performance and clearresults for the purpose it brings. I have come to the conclusion that it is difficult to make a page thatworks 100% for mobile phone and computers with different browsers.

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JURČOVÁ, Mária. The attitude of Slovak Evangelical Churches to Liturgy. [Master thesis] / Mária Jurčová. - Charles Univerzity in Prague. Hussite Theological Faculty; - Supervisor: prof. ThDr. Pavel Procházka, PhD. - Degree: Master. - Prague : HTF UK, 2011. 83 p. This Master thesis "The attitude of Slovak Evangelical Churches to Liturgy" deals with current shape of Sunday worship in Slovak evangelical churches. This study shows liturgical tension which generates our changing culture and also asks a question how can we form liturgy in this new culture. The purpose of this thesis is to describe current situation and liturgy in Slovak evangelical churches and outline assumes of liturgical renewal in changing times. The first chapter is short introduction to the terminology. The second chapter focuses on the New Testament point of view regarding questions of the liturgy. The third chapter deal with new cultural transformation in the world and in Slovakia and is also focused on impact of these changes on evangelical liturgy. New culture, known as postmodernism, shows new styles of liturgy. The fourth chapter brings empirical results of evangelical liturgy research. This thesis wants to contribute for present discussion about liturgical renewal in evangelical churches. Keywords: Liturgy - Worship -...

This master thesis introduces Jiří Pilát (4. 4. 1921 - 7. 6. 2007), a native of Posázaví. He had been concerned with music on a non-professional level all his life, especially with liturgical music. In order to carry on his interest he created a rich archive, mostly by searching and transcribing the score material. The work aims to show his life and work with regard to both his lifelong musical focus and local activity, and his conceivable influence on the broader cultural awareness. It is comprised from five main chapters: the life of Jiří Pilát, his heritage, a choir and an orchestra in Poříčí nad Sázavou, efforts to re- reveal the work of Jan Dismas Zelenka and draw attention to it; and the musical legacy of Jiří Pilát. Keywords: Jiří Pilát, choirmaster, conductor, Jan Dismas Zelenka, Poříčí nad Sázavou, Louňovice pod Blaníkem, liturgical music

Orientador: Dorotéa Machado Kerr / Banca: Maria Aparecida Bento / Banca: Valeriano dos Santos Costa / Resumo: Este estudo tem por finalidade descrever metodologicamente a prática mistagógica dos séculos IV e V d.C. e discutir a recente sistematização e aplicação do método mistagógico à formação dos ministérios litúrgico-musicais da Igreja Católica Romana. No ano de 1963, promulgava-se a Sacrosanctum Concilium (Constituição sobre a Sagrada Liturgia) do Concílio Ecumênico Vaticano II (1962-1965) que, sustentada pelo Movimento Litúrgico, representava o retorno às fontes bíblicas e patrísticas da fase de estruturação da liturgia por volta do século IV. Atualmente, a formação continua sendo um dos maiores desafios à consolidação do processo de renovação litúrgica desencadeado pela reforma do Vaticano II. A reforma teve implicações sobre a liturgia e também sobre o modelo eclesial a ser assumido pelas novas gerações. Quanto ao uso do método mistagógico, dois autores, Mazza (1996) e Buyst (2006), serão largamente focalizados devido à especificidade de sua aproximação ao objeto de estudo. O primeiro expõe a sistemática catequético-mistagógica dos séculos IV e V; e a segunda aplica o método mistagógico ao estudo da música ritual com escopo formativo mais evidenciado. O propósito da pesquisa foi sendo consolidado a partir da leitura, tradução e interpretação de variados autores para se avançar de rudimentos conceituais à apropriação teórica e metodológica do termo e prática da mistagogia. Deste modo, o percurso assumido procurou evidenciar o deslocamento do discurso normativo e prescritivo, próprio dos documentos eclesiais, ao discurso reflexivo e propositivo sobre o processo de renovação da música ritual no Brasil a partir de produções litúrgico-musicais pós-conciliares. Esta pesquisa, ao propor o método mistagógico no estudo da música ritual como estratégia que articula diferentes áreas do conhecimento, procura identificar ... (Resumo completo, clicar acesso eletrônico abaixo) / Abstract: The purpose of this study is describe methodologically the mystagogic practice of 4th and 5th centuries, and discuss new approaches and application on mystagogic method related to liturgical musical formation of the ministries of Roman Catholic Church. In 1963 was promulgated the Constitution on the Sacred Liturgy (Sacrosanctum Concilium) of Second Vatican Council (1962-1965) that held on Liturgical Movement represented the return to biblical and patristic sources of the 4th century. Nowadays, formation continues being one of the main challenges to consolidation of the liturgical renewal process started at Second Vatican reformation. This reformation had effect on the liturgy and ecclesial model. Two authors Mazza (1996) and Buyst (2006) were focused on due to particular approach to mystagogic method. The first demonstrates the catechetical and mystagogic systematic from 4th and 5th; the second applies mystagogic method to the study of ritual music with a clearly formative scope. The purpose of this research was developed through reading, translation and interpretation of various authors to reach the concept and to get a theoretical and methodological understanding of terminology and practice of mystagogy. Therefore, the way assumed had revealed a changing from normative and prescriptive enunciation to a reflexive and rational enunciation related to renewal process of ritual music in Brazil and post-Second Vatican Council liturgical musical productions. This research proposes mystagogic method in the study of ritual music as a strategy that conjugates different areas of knowledge. Finally, also identify how the formation was theorized and performed in the liturgical renewal process to reach the method. / Mestre

This dissertation is a critical study of the paradigm of Liturgical Theology. Focus in this systematic inquiry has been on the Russian school with the focal point in the works of Alexander Schmemann, who was active in the late 20th century. The main question of the thesis concerns the relation between theory and practice in Liturgical Theology.                       It is claimed that the relation between theory and practice corresponds to the relation between ritual action and communicative action. The former concerns the identity founded on the unavoidable alterity immanent in life, but also transcending life through a holistic encounter with life, which enables us to express a holistic attitude to life and the entire world. The latter concerns the equally unavoidable rationalization of life which gives rise to a continuous atomization of life through science and the process of acquiring facts and data.                       The thesis makes use of different theories for the reaching of an explanatory theory in connection to theory and practice. Foremost the Theory of Communicative Action in the works of Jürgen Habermas and the re-interpretation of disclosure by Nikolas Kompridis is used. It is claimed tthat ritual action is connected to a primary disclosure attached to otherness with the intention of revealing the identity of the Ecclesia. Without identity, we are left with a never-ending debate and a continuous atomization where every answer exponentially provokes more questions. Communicative action then is connected with a secondary co-disclosure with the intention for the reaching of mutual understanding, making subjects accountable and responsible. Without communicative action we are bound on a long walk into the never ending sea of being. The missionary imperative in the Ecclesia is dependent on the co-existence of ritual action and communicative action.

Project (D. Min.)--Perkins School of Theology, Southern Methodist University, 1973. / Abstract. Includes bibliographical references (leaves 105-107).

The dissertation examines how medieval poetic tradition was reactivated in the production of poetry from the period between the two world wars—the Polish interwar period, defined here as one of literary transition. The positioning in regard to certain literary conventions and the quest for a new normativity that is so prevalent in interwar poetry is also reflected in the era’s poetry on the theme of Mary. Marian lyrics, owing to their strong position in Polish literature (but also by dint of their role in Polish piety and national identity), serve as an indicator in identifying and defining certain poetic processes. Central to this are the respective relationships of Marian themes to tradition and to the poetic norms of the era: is a given poem located along the traditional axis (if so, which), does it run counter to it, or is it an innovation? The poems analysed—Julian Przyboś’ Heavenly Blue, Jerzy Liebert’s Litany to the Virgin Mary, Tytus Czyżewski’s De profundis, Maria Pawlikowska-Jasnorzewska’s The Black Portrait, Józef Czechowicz’ pious rhymes—represent disparate poetic models: the Krakow Avant-garde, Catholic literature, formism/futurism, the circle of Skamander, the Poetics of the Third Sphere in the Second Avant-garde. Reflected here is the broad spectrum of the period’s poetic trends, tendencies, and constellations—as are the historical and literary events of the era. Despite important differences in the poetic/aesthetic models, in these poems it is possible to identify shared characteristics relevant to this study, that is, elements of medieval poetry. The identifying criterion for these elements here is the concept of dogmatic formal language. In the poems medieval poetics are transformed into their own modern form and integrated into the respective poetic models. No other literary epoch offers what the poets are seeking better than poetic formal language modelled on medieval liturgical language. The five poets all participate in what has been called the interwar paradigm shift in Polish poetry—a parameter that only indirectly relates to modernism. The term high modernism (in the sense of the culmination of Polish poetic modernism) can serve to summarize the historical and literary delimitations and definitions in the study. As interwar poetry is indeed part of the definitive emergence and full expansion of modernism in Polish literature, serving as a link between tradition and innovation, such a study of the influence of high modernism and Marian lyrics on each other aspires to reflect general processes in the poetry of the time.

Proefschrift--Godgeleerdheid--Nijmegen--Katholieke Universiteit, 1990. / NBCLC = National Biblical, Catechetical and Liturgical Centre.

Thesis (M.F.A.)--University of California, Irvine, 2005. / Includes bibliographical references (leaves 88-89). Also available online (PDF file) by a subscription to the set or by purchasing the individual file.