Thesis (Ph. D.)--University of Wisconsin--Madison, 1939. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [135]-[147]).

Thesis (M.A.)-- Brigham Young University. Dept. of Art.

Highland history of the middle ages continues to be regarded generally as separate from the history of the Lowlands, as well as the political history of Scotland. To a large extent, the perception of two distinct societies within Scotland during this period has been swept aside, but few moves have been made to integrate fully the history of clanship into that of Scotland as a whole. This case study of the Mackintoshes and Clan Chattan seeks to examine clanship from a sociological as well as a historical perspective. Kinship was a fundamental characteristic of clan society, but these relationships were not limited to blood relatives. The creation of Active kinship through ties of customary obligation within a clan reinforced clan solidarity and cohesion, a vital factor for the geographically disparate Clan Chattan confederation. Within the locality, Active kinship was established by the contraction of more formal alliances which had social, political and economic objectives. The creation of these relationships enabled the clan to survive and expand. For central Highland clans like the Mackintoshes and Clan Chattan who lived in close geographic proximity to Lowland society, the extension of fictive kinship facilitated easy assimilation across the perceived divide in Scottish society. The realisation on the part of clan chiefs that cordial relations with the crown would be beneficial to the clan as a whole saw a movement throughout the fifteenth and sixteenth centuries towards closer integration with Lowland society. This examination of clanship places the history of the Highlands into a wider political and social context. While clanship was a unique phenomenon within Scotland, it should not be examined in isolation, but rather as an integral part of Scottish political life.

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The purpose of this study was to determine Mahonri M. Young's philosophy of art as recorded in his personal writings and the writings of his contemporaries—particularly his close friend, Jack Sears. Magazines, books, newspapers, and miscellaneous unpublished materials such as letters, theses, scrapbooks and personal papers were examined for the purpose of becoming more familiar with the character and personality of Mahonri Young. From these sources of information the following was attempted: (1) to record anecdotes and experiences which may have had some significance on the development of his philosophy, (2) to glean from his own writings his feelings and attitudes towards art and artists, and (3) to categorize his basic ideas and determine his philosophy.Mahonri M. Young was an excellent teacher of sculpture, drawing, and etching and helped pioneer the modern realist movement to America. Stressing the importance of good draftsmanship, he disliked the modern art trends and favored those artists who emphasized human characterization. He preferred painting and sculpting genre scenes and became famous for his laborers, cowboys, and prizefight objects.

The purpose of this thesis was to study and to document the life and work of Mahonri Young as a printmaker. The more specific questions to be answered in this study were: 1. How does Mr. Young rate as a fine printmaker? 2. What are his contributions to American Art as a fine printmaker?

No description available.

The present dissertation deals with the artistic collaboration of a married couple, Charles Rennie Mackintosh and Margaret Macdonald. Living in Glasgow at the turn of the century, theeå, Swedeny concentrated their work on interior design. However, artistic collaboration has been neglected by traditional art history, with its concentration on individual creativity. For the couple in question, this has meant that the work they created together has been mainly attributed to Mackintosh, thereby relegating Mac­donald to the role of spouse and assistant, rather than co-creator. The present disser­tation presents a different picture of the couple's collaboration, challenging and revi­sing our cultural perceptions about the creative abilities of the respective sexes. A selection of interiors created by the Mackintoshes is studied in order to shed light on their collaborative efforts. The analyses embark from the perspectives of «masculine» and «feminine» in order to show how the Mackintoshes created artistic wholeness in their interiors, while at the same time opening up the spaces for a mixture of actors, i.e. making the rooms accessible to men and women alike through their designs. During this epoch, the concepts of «masculine» and «feminine» were employed as natural points of reference in an attempt to explain social and cultural phenomena scientifically. The Mackintoshes made use of the era's conventions when creating interiors in the accepted division of masculine (hallways, dining rooms, libraries) and feminine (bedrooms, salons) spaces. However, with time they began to combine these accepted gender forms in order to create something new and modern. Just as the Mackintoshes could create more powerful works of art by combining their respective artistic talents, their spaces could accrue greater significance through the combination of masculine and feminine principles. / digitalisering@umu

My goal for this thesis is to investigate the concept of (mis)labeling female protagonists in contemporary British fiction as mentally ill—historically labeled as madness—when subjected to traumatic events. The female protagonists in two novels by Sophie Mackintosh, The Water Cure (2018) and Blue Ticket (2020), and Jenni Fagan’s 2012 novel The Panopticon, are raised in environments steeped in trauma and strict, hegemonic structures that actively work to control and mold their identities. In The Panopticon, this system is called “the experiment”; in The Water Cure, it is personified by the character King and those who follow him; and in Blue Ticket, it is the social structure as a whole reflected in the character of Doctor A. To simply label these novels’ woman protagonists as ill would be to ignore that their behavior is not mental illness but in fact rational behavior produced by the traumatic dystopian environments.

L’entre-deux-guerres représente une période charnière dans l’évolution de la pensée économique au Canada. Le contexte économique et social des années 1920-1940 est des plus favorables au foisonnement de nouvelles idées et de nouvelles approches. Face à la crise et à l’urgence d’en sortir, les économistes, les intellectuels et les milieux politiques commencent à se questionner sérieusement sur les dysfonctions du capitalisme et de l’économie de marché. Pénétrée par des courants émergents, dont le keynésianisme et le corporatisme, et en parallèle avec une discipline économique en pleine formation, la pensée économique évolue considérablement durant ces années alors que les économistes s’interrogent sur les orientations des politiques gouvernementales. L’étude des deux grandes revues d’économie-politique, L’Actualité économique et le Canadian Journal of Economics and Political Sciences, ainsi que l’analyse des travaux des principaux économistes de l’époque, incarnés par Harold A. Innis, W. A. Mackintosh, Esdras Minville et Édouard Montpetit, révèlent les nouvelles orientations face aux problèmes qui confronte le Canada. / The interwar period represents a period of transition in the evolution of the economic thought in Canada. The economic and social context of the 1920-1940’s was highly favorable to the expansion of new ideas and new approaches. In the face of the crisis, economists and intellectuals began to question the fundamentals of capitalism and the market economy. Under the influence of Keynesianism and Corporatism in conjunction with the professionalization of the discipline, economists’ approach to issues of public policy changed considerably during the period. I study the two major political-economy journals, L’Actualité économique, and the Canadian Journal of Economics and Political Science, as well as the work of leading economists of the time, Harold A. Innis, W. A. Mackintosh, Esdras Minville and Édouard Montpetit, to showcase new economic approaches to the changing social and economic realities of Canada.