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當代中國電影的主流意識:以革命歷史片為例 / The mainstream ideology of the contemporary Chinese film: using the revolutionary history film as an example陳加恩, Chen, Chia En Unknown Date (has links)
本研究對近年來越來越多中國電影向主流意識靠攏的現象感到好奇。透過分析近年來頗受好評的四部革命歷史電影,來了解當前中國電影中的主流意識內涵以及這些主流意識與電影之間的接合方式。研究發現,當前在革命歷史電影中的主流意識,可分為下列四項:彰顯革命精神、凝聚國族意識、中國式民主的建立與資本家地位的提升。這些主流意識的內涵,其功能主要是為了維持中共政權的存續,提供意識形態上的合法性依據。此外,在接合方法上,採用了商業電影的製作方式,達到吸引觀眾與傳遞主流意識的功能。 / An increasing number of Chinese films draw close to the mainstream ideology in recent years. This study analyzes four revolutionary history Films which have good reputation to understand the mainstream ideology in contemporary Chinese film and the articulation which is between the mainstream ideology and the Chinese film. This study found that there are four mainstream ideologies in those revolutionary history Films. They are as follows: Highlight of the revolutionary spirit, Solidarity of the national consciousness, establishment of Chinese-style democracy and upgrading of capitalists status in china. The main function of those mainstream ideologies is to maintain the existence of the Chinese Communist regime. In addition, those Chinese films are produced by commercial film production way in order to attract the audience and delivery the mainstream ideology.
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