O Tratado da cozinha portuguesa, cód. I. E. 33, pertencente à biblioteca Nacional de Napóles é composto por quatro cadernos: manjares de carne, manjares de ovos, manjares de leite e coisas de conserva. O principal objetivo em estudá-lo, deve-se à curiosidade em conhecer e analisar os aspectos internos e externos desse tratado, bem como os aspectos culturais e lingüísticos, por apresentarem marcas específicas do século em que foram registradas. / The Um Tratado da cozinha portuguesa belonging to the National Library of Napoles is composited by four books: custard of meat, custard custard of eggs, of milk and conserves things. The first objective in studing this text is about the curiosity from knowing and to analysing the inside and outside aspects from this text, it means that looks for the cultural and linguistics studies that show the specifc of register of the fifteenth century.

From the late-thirteenth through late-fifteenth centuries, among the most frequently produced and widely disseminated books in England were unofficial, common law statute-based miscellanies known as Statuta Angliæ or ‘statute books’. In ca. 1470, a large format, de luxe, yet highly standardized, version of this codicological genre emerged; likely produced on a speculative basis, it survives in approximately two dozen exemplars. This thesis takes as its focus a member of this latter group: Cambridge, MA, Harvard University, Houghton Library, MS Richardson 40 (ca. 1460– 70). After reviewing current scholarship on these codices—examining several key issues and clarifying previous descriptions to enhance our understanding—it endeavours to establish a likely provenance for MS Richardson 40, exploring the ways in which both the manuscript and the broader genre resonate with the life of the proposed patron, Philip Mede (d. 1476), merchant, twice MP, and thrice Mayor of Bristol.

Much recent scholarship celebrates the early modern period for its development of broader public political engagement through printed media and coffeehouse culture. It is the argument of this study that the formation in England under Charles II of a public sphere may be shown to have followed a reassessment of political discourse that began at Westminster during the troubled reign of that king’s father, Charles I. The narrative of parliament’s growth in this era from an “event to an institution,” as one historian describes it, tells of more than opposition to the King on the battlefields of the English Civil War. Parliament-work in the early years of England’s revolutionary decade also set new expectations for rhetorical deliberation as a means of directing policy in the House of Commons. The ideals of discursive politics that were voiced in the Short Parliament (May 1640), and more fully put into practice in the opening session of the Long Parliament (November 1640), were soon also accepted by politically-minded authors and readers outside Westminster. Prose controversy published in print and political poetry that circulated in manuscript both demonstrate that the burgeoning culture of debate outside parliament could still issue “in a parliamentary way.” Such promotion of productive textual engagements eventually constituted a wider, notional assembly, whose participants – citizen readers – were as much a product of deliberate education and fashioning as they were of the “conjuring,” “interpellation,” or “summoning” that recent scholarly vocabulary suggests. Following the spirit of reform in the English parliament, and subsequently developing through the years of partisan political writing that followed, public opinion, like the Commons, established itself in this era as an institution in its own right. These public and private assemblies disseminated the unprecedented amount of parliamentary writing and record-keeping that distinguishes the period under review, and this rich archive provides the literary and historical context for this study.

<p>Final Concert: Monday 6 may 2019 in Nathan Milstensalen (KMH, Stockholm)</p><p>Program: </p><p>J. Brahms-  Trio op. 114 in A minor for clarinet, cello and piano</p><p>Leonardo Zoncati- clarinet</p><p>Filip Lundberg - cello</p><p>Francesco Fermati - Piano</p><p></p><p>Donato Lovreglio - Fantasia on the themes of Giuseppe Verdi's traviata </p><p>Leonardo Zoncati - clarinet </p><p>Erik Lanninger - Piano</p><p></p><p>A. Ponchielli - Convegno for 2 clarinets and piano </p><p>Leonardo Zoncati, Michele Carrara - clarinets</p><p>Erik Lanninger - Piano</p>

Publications in peer-reviewed biomedical journals are essential for sharing knowledge and advancing healthcare. This article will articulate a 5-step approach for developing and publishing a manuscript, and provide academic clinicians with an instructional tool they can provide to their protégés and junior faculty. The authors attempt to distill existing advice for preparing manuscripts, which is found in myriad formats, combine these tutorials with their collective experience and present this approach for developing and publishing successfully a manuscript in a peer-reviewed journal. The 5 steps identified instruct would-be authors to (1) know their material and determine their audience; (2) outline their manuscript; (3) be ethically vigilant; (4) develop individual sections and submit their manuscript and (5) respond to reviewers׳ comments. This article describes each of these steps in detail. Rewards of publishing articles include recognition by peers and supervisors, contribution to academic promotion and dissemination of information to the medical community.

No description available.

The Göttingen Virtual Manuscript Room (VMR); The Göttingen Virtual Manuscript Room (VMR) offers both an online based digital repository for Coptic Biblical manuscripts (ideally, high resolution images of every manuscript page, all metadata etc.) and a digital edition of their texts, finally even a critical edition of every biblical book of the Coptic Old Testament based on all available manuscripts. All text data will also be transferred into XML and linguistically annotated. In this way the VMR offers a full physical description of each manuscript and, at the same time, a full edition of its text and language data. Of course, the VMR can be used for manuscripts and texts other than Coptic too.

No description available.

No description available.

Among the considerable manuscript production of the twelfth and thirteenth centuries, the Bible moralisee stands out by the number of miniatures and by the conception of the manuscript itself. The composition and many iconographical themes recall stained glass windows of contemporary cathedrals, such as Chartres, Sens, Bourges, or Canterbury in England. / The manuscript of the Bible moralisee to which this study is partly dedicated, is located in the Treasury of the Toledo cathedral chapter in Spain. This study deals also with the duplicate copy which was realized soon afterwards. The interpretation and illustrations of the verses vary in number according to the books of the Bible. Though being one of the smallest biblical books, the Song of Solomon is given outstanding consideration, more than any other book in the Bible. The central theme--the espousal of the Bride and the Bridegroom, Christ and Ecclesia being its allegory--enjoyed a considerable success in medieval theology. It corresponded to the courtly love atmosphere of its time. Abundant commentary literature and the development of mariology made this book even more popular. About a quarter of the commentary illustrations are dedicated to the theme Christus-Ecclesia. Ecclesia, always crowned, holds the chalice which confirms her sacramental significance. In no other known iconographical medieval programme has Ecclesia such a position. / The question raised by the problematic around this Bible is the eventual intention being at the origin of this order which, without any doubt, emanates from French royalty. Has it been produced to enhance the prestige of royalty? Is it a pedagogical work intended for the education of the royal children? Was it meant to be a royal political gift? The Ecclesia theme in the Bible is the exaltation of, or an hommage to the Church, spiritual or temporal, by the French royalty of the thirteenth century.