During 2015 South Africa, a single country with far fewer resources than the EU, had to provide refuge for approximately 72,000 asylum seekers. This global infl ux of people has been classifi ed as a crisis, placing extreme pressure on the economical, social and urban systems of many cities. Threatened by xenophobia and a bureaucratic legal process, many of these international visitors are treated to a reluctant welcome upon entering South Africa. In a context such as Marabastad, characterised by urban sprawl, singleuse territories and reduced density, exceedingly migratory populations are forced to contend for informal opportunities and sources of survival, often to the detriment of the existing urban fabric. In spite of this, mobile individuals have found a way to situate themselves and organise their surroundings without fi gurative representation within an urban context scattered with 'ruins' of past utopian ideologies. Through a recombination of the contradictory facets of architecture, namely fetish and fossil, utopia and ruin, the Vulnerable Asylum investigates the ability of heritage architecture to accommodate new migrant citizens. The resultant architecture off ers possibilities in providing an architectural platform for the economies, communities and potentials brought into South Africa by international visitors, incorporating rather than excluding them. / Mini Dissertation (MArch (Prof))--University of Pretoria, 2016. / Architecture / MArch (Prof) / Unrestricted

Thesis (MTech. degree in Architecture (Applied Design))--Tshwane University of Technology, 2012. / The aim of this dissertation is to design a National Food Technology and Research centre in Marabastad, Tshwane. The focus of the proposed project is to introduce an urban food system by way of reviewing available foodstuffs, seeds and products in a scientifically responsible manner. This will be achieved by attempting to create an awareness concerning food and all related aspects, to challenge the old habits of consumers and to promote a responsible and sustainable lifestyle. The centre's programme will aim to manage innovative research and develop public and community activities related to future urban agriculture and related food technology. This proposal will also aspire to initiate networking and development of relationships amongst farmers (producers), the commercial sector (production and processing sector) and the consumer (public). The architectural intervention will promote social and economic development, contributing to the general self-sufficiency and up-liftment of the Marabastad community. The architectural language is in contrast to the surrounding context but simultaneously celebrates the existing Marabastad social culture and architectural elements. This development intends to rejuvenate the existing proximate environment and establish an urban building typology, which aims to contribute to the future development initiative for Marabastad. The design and layout of the facilities are based on social, pragmatic and cultural actions, evident within Marabastad and particularly the area known as Jazz Square, between Bloed and Struben Streets. The proposed Research Centre will consequently embrace and respond to the site's unique and historical genius loci.

Thesis (MTech. degree in Architecture: Professional)--Tshwane University of Technology, 2010. / This dissertation focus on repopulating the north-west section of Pretoria's city, known as Marabastad. Evoking densification together with urban regeneration through a mixed-use affordable housing development, it will also acknowledge the presence of the remaining Marabastad and support the relationship between formal and informal trading whilst contributing to the overall existing function of the area as being a major transportation interchange node. The site that has been chosen is on the northern edge of Bloed Street and lies between Jerusalem Street and the Steenhoven Spruit.

In this study, a semiotic point of view of selected literature written by ‘coloured’ writers is examined, using some of the semiotic theories of Jurij M. Lotman, one of the leading Soviet semioticians of the school of Tartu. Selected theories of Lotman are applied to ‘coloured’ literature. These include an examination of poetic language (based on Lotman’s theory of a primary and secondary modelling system), the iconicity of the text, the aesthetics of identity and opposition, the distinction between text and extra-text, and the relationship that exists between the extra-text, culture and code. The literary texts chosen for analysis are works by three contemporary ‘coloured’ writers, namely Adam Small, Peter Snyders and Robert Pearce, who have all contributed poetry, prose and drama to Afrikaans literature in general, and original Afrikaans literature in particular. The selected dramas are Joanie Galant-hulle (Small 1978), Political Joke (Snyders 1983) and Die Laaste Supper in Marabastad (Pearce 1988b)*. These writers’ works span approximately three consecutive decades and their work can be examined for commonality and differences. The three chosen dramas were written five years apart respectively; yet they reveal thematic similarities. The dramas also feature a common ‘deviant’ language code used by ‘coloured’ people and discussed in this study as original Afrikaans. This code, which is juxtaposed with standard Afrikaans, is one of the basic areas of interest that motivated the choice of subject for this study. The primary objective of this study is to examine the differentiation that Lotman makes between the various sign systems that operate in natural language (the primary modelling system) and poetic language (a secondary modelling system), and to determine whether these sign systems can be detected and are functional in ‘coloured’ literature. In addition, an investigation is made of the iconicity that operates in poetic language (which, according to Lotman, is the basis for differentiation), and to ascertain whether iconicity occurs in these examples of ‘coloured’ literature and to what extent it influences meaning. In the process, intratextual relations within the poetic text were scrutinised to establish whether the manipulation of language, devices and codes raises any particular expectation in the poetic text, and also to detect whether oppositionally constituted code-systems which set up their own patterns of expectation within the syntactic and lexical levels of the poetic text clash with and contradict prior expectations. In addition, an analysis has been made to determine whether a new understanding of the texts can be reached, based on Lotman’s aesthetics of identity and opposition, and to what extent the reader is forced to collaborate in the modelling process of the texts when the reader’s expectations are undermined by an aesthetics of opposition. The study has successfully corroborated and substantiated all the selected aspects of Lotman’s theory. The differentiation that Lotman makes between the primary and secondary language model is demonstrated especially by the iconicity that operates in poetic language. Examples are abundant in the selected literature and are conspicuous, especially through the manipulation of the language, devices and codes employed by the authors to defamiliarise objects so that they transcend their familiar characteristics and perceptions, and sometimes signify a totally new concept. In this way, readers’ expectations are subverted and they are invited to collaborate in the modelling process of the texts. These techniques are also an integral part of both the text and the extra-text, and their presence justifies Lotman’s claims that the meaning of a literary text cannot be understood outside its cultural or historical context. In retrospect, it can be argued that this research has opened up some additional avenues for an analysis of meaning in ‘coloured’ literature. / Dissertation (MA (English))--University of Pretoria, 2004. / English / unrestricted

This study encompasses an anthropological investigation of healing practices in the Zion Christian Church with reference to the Marabastad congregation in Pretoria (Tshwane), South Africa. The Zion Christian Church functions as an extremely successful healing ministry, and can thus be characterised as a spirit-type African Initiated Church, a type known to attract members through healing activities. The concepts of ill-health, health, healing and curing are crucial to understanding the church’s role, as all activities at the Zion Christian Church revolve around the attainment of absolute health. The embedded nature of healing in the church is explored through an analysis of the spatial and material aspects of the church’s healing practices, including codes of conduct, roles of participants, religious services, and intangible and tangible instruments of healing. The study is further contextualised against the broader history of the emergence and growth of African Initiated Churches from the late 19th century onwards / Anthropology & Archaeology / M.A. (Anthropology)

This study encompasses an anthropological investigation of healing practices in the Zion Christian Church with reference to the Marabastad congregation in Pretoria (Tshwane), South Africa. The Zion Christian Church functions as an extremely successful healing ministry, and can thus be characterised as a spirit-type African Initiated Church, a type known to attract members through healing activities. The concepts of ill-health, health, healing and curing are crucial to understanding the church’s role, as all activities at the Zion Christian Church revolve around the attainment of absolute health. The embedded nature of healing in the church is explored through an analysis of the spatial and material aspects of the church’s healing practices, including codes of conduct, roles of participants, religious services, and intangible and tangible instruments of healing. The study is further contextualised against the broader history of the emergence and growth of African Initiated Churches from the late 19th century onwards / Anthropology and Archaeology / M. A. (Anthropology)