Universiẗat, Diss., 2006--Passau. / Erscheinungsjahr an der Haupttitelstelle: 2005.

The purpose of this thesis is to examine from a feminist perspective two novels of the Austrian writer, Marlen Haushofer (1920, Frauenstein-1970, Steyr): Die Tapetentur (1957) and Die Mansarde (1969). / Both work were written in a "pre-feminist" period in the history of German women writers. However, with the aid of contemporary feminist approaches, they can be rediscovered and deciphered for the modern reader. / In the first chapter I will introduce the theories to be applied, the biography of her author and the reception of the work, focusing on areas relevant to the topic of the thesis. The recurring themes of spatial isolation and speechlessness will then be analysed in terms of form and content. Through the observation of physical spaces and their psychological implications, and through the investigation of a new form of verbal expression and freedom, a process of writing continuity ("Fortschreibung") emerges from Haushofer's world. / In the related characters of two women figures, Annette in Die Tapetentur and the unnamed heroine in Die Mansarde, Marlen Haushofer establishes a line of development in her work. At the end of her literary career, she succeeds in delivering to the reader her encoded version of the liberation of women from their fettered, hopeless existence.

No description available.

No description available.

No description available.

This work is meant to contribute to the research of adaptation studies by focusing on a special case: the transformation of a fictional diary into a movie. In order to sustain the form of the literary source the adaptation to movie requires certain strategies. Först of all, the diary genre is characterized by a one-dimensional narration. Second, diaries only supply a few written dialogues, hence this "void" has to be compensated and filled by media specific measures. Third, the investigated diary is a story of individualization and emancipation of a single woman. Therefore not only the lack of dialogues but also the lack of actors composes a challenge to the work of adaptation. The main task is thus to analyze the literary source and the movie and identify the specific strategies that make the transformation of a fictional diary to a movie possible.

Wien, Univ., Dipl.-Arb., 2009.

No description available.

No description available.

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.