Melbourne was the obvious choice as a prototype of a nineteenth century colonial city in the following study in urban history. It succeeded early to a pre-eminent position within Victoria, indeed of the entire Australian continent and its position of supremacy went unchallenged until the twentieth century. It was never seriously threatened by the claims of rival cities such as Ballarat, Sandhurst or Geelong. In this respect, Melbourne was a classic primate city with a whole-state hinterland and was justly described as "the commercial metropolis of the South". Its favourable geographic location, centrally placed between eastern and western halves of the colony, together with its position at the northern end of Port Phillip Bay provided the logical point of convergance for a railway network spanning the reaches of the interior. This gave a nodal quality to the city which made it the sole effective input-output point for all commerce with the mainland interior.(For complete abstract open document)

This thesis examines the history of the performance and dissemination of chamber music in Melbourne during the period 1877 to 1901. It explores the role and development of chamber music in concerts held by Melbourne’s leading musical societies and public subscription series, and various concerts featuring local and touring performers. Discussion is placed within an international context and the thesis asks whether local musicians were influenced by contemporary developments in Europe and if so, was the primary influence English or German? / The bulk of the thesis explores the history of some of Melbourne’s musical societies and public concerts and focuses in particular on the repertoire that was performed, methods of program construction, the perceived ‘educational’ value of chamber music and performances within educational institutions. It demonstrates that performances of chamber music flourished during Melbourne’s economic boom of the 1880s, and that although performances declined during the following depression of the 1890s, standards of performance had improved, audiences were better educated and informed about chamber music, and Melbourne was relatively quick to introduce contemporary chamber repertoire. The first chamber works by local musicians and composers were also composed and performed in Melbourne during this period. / The availability of competent musicians was a significant factor and played a role in determining the type of repertoire that was performed. With large numbers of competent pianists and string players, and very few wind players, present in Melbourne during this period, for example, the repertory tended to focus on works for piano and/or strings. The contribution of local and international performers, particularly English and German-born and/or trained instrumentalists, is also considered. English and German musicians not only had an impact on the shaping of the repertory, but also influenced the way that concerts were organized. These influences, however, often overlapped and were not always clearly defined.

The thesis studies history-making in Melbourne’s central civic sphere, from its emergence in the 1880s to its decline in the 1930s. It identifies public history’s major themes and forms, and the relationships between them, based on four main cases of history-making: the articulation of the past and history in Melbourne’s 1888 Centennial International Exhibition; the historical backgrounds, development, unveilings and partial after-lives of Sir Redmond Barry’s statue, unveiled in Swanston Street in 1887, and the Eight Hours’ Day monument, unveiled in Carpentaria Place in 1903; and history-making around Victoria’s 1934-1935 Centenary Celebrations, with special emphasis on the Shrine of Remembrance and a detailed study of Cooks’ Cottage.

Geotechnical investigations undertaken by GHD Pty Ltd uncovered a previously undescribed rock type in the suburbs of Footscray and Alphington approximately 5 km west and 6.5 km east of Melbourne CBD respectively. The rock encountered appeared to be a breccia type rock with angular high strength fine gravel to boulder sized fragments of relatively unweathered grey to dark grey basalt surrounded by a matrix of orangish brown fine grained brittle material resembling hard clay. Pillow basalts were also encountered in the deposits in the form of 0.6 m or larger globular but highly fractured basalt bodies within the rock mass. The rock was eventually identified as a hyaloclastite, a rock type formed when basalt lava flows into water bodies and is quench fragmented. The debris forms piles of basalt and volcanic glass fragments. The volcanic glass fragments are thermodynamically unstable and are altered to palagonite within as little as 20 years from initial deposition. No prior reference to the occurrence of hyaloclastite in the Melbourne region could be found. As such, the location, extent and geotechnical properties of this rock type are unknown, posing a potential risk to infrastructure and construction projects. This study aimed to investigate the possible origins of the hyaloclastite; develop a theory of emplacement/origin; identify other locations where this rock type may exist; determine the geotechnical properties and engineering geological behaviour of the rock; and develop a classification system for the rocks encountered. A variety of methods were used to gather sufficient information to allow the occurrences and geological and geotechnical nature of hyaloclastites and pillow basalts in the Melbourne area to be better understood. Samples of the rock were obtained during the geotechnical investigations undertaken in Footscray and Alphington and outcrop mapping was completed on exposures identified during the course of this study. Historical borehole logs and as built drawings were obtained to assist in the understanding of the previous description terminology associated with the rock now identified as hyaloclastite. Standard and “non-standard” laboratory testing was undertaken as well as classification testing. The field of block-in-matrix rocks “bimrocks” was assessed as a possible method to assist in the understanding of the behaviour and geotechnical properties of the hyaloclastite rock with or without pillow basalts. The RMR, Q-System and GSI rock mass classification systems were used to help understand the rockmass characteristics. A weak rock classification system, a weathered rock characterisation system and a ground behaviour characterisation system were also used to provide information on the possible behaviour of the hyaloclastite type rocks. Development of both 2D and 3D geological models of the two sites indicate that the hyaloclastites encountered in Melbourne were deposited in “lava-deltas”. The hyaloclastites were deposited on advancing subaqueous delta fronts with an overlying layer of subaerial basalt above what has been termed the “passage zone” which represents the historical level of water into which the lava flowed. Strength testing undertaken on the various samples suggested that the hyaloclastite should be classified as a weak rock, with UCS values of ranging from approximately 1 MPa to 10 MPa, and a median UCS value of 1.37 MPa. Using the compiled UCS data and PLT data an estimate of the PLT Is50 to UCS conversion factor “k” was calculated as 10.4. The results of jar slake testing and weatherability index testing were variable: whilst the majority of samples showed no sign of slaking, one sample showed a strong reaction. The samples of disaggregated rock were classified as sandy gravel as per AS1726:1995. Whilst the fine to medium gravel was of subangular grains of basalt the sand was found to be made up of angular fragments of palagonite. Plasticity index and XRD testing of fines obtained from the disaggregation process indicated that the fines are comprised of illite and smectite clay minerals and behave as a high plasticity silt. Several categorisation methods utilised indicated that the hyaloclastite type rockmass strength parameters are controlled partly by the strength of the matrix and partly by the discontinuities and that the rock mass strength is dominated by the pillow basalt behaviour (typical hard rock type behaviours) only once the content of these structures in these rocks exceeds a volume content of 75% pillows to 25% hyaloclastite. Rock mass strength and deformation calculations indicate that the hyaloclastite rock mass is both very weak and also highly deformable (rock mass modulus <100 MPa) when compared with the highly weathered subaerial basalt (~500 MPa) and the fresh/slightly weathered basalt (~15000 MPa). A value of petrographic constant mi used in the Generalised Hoek Brown Criterion was also determined to be 7.01. This is considerably different to the values suggested for “breccia” in the literature of 19±8. A modulus ratio of 150 was also estimated using testing data from Melbourne and also Iceland. The extent of hyaloclastite in the Melbourne region remains unknown. Whilst the location of these deposits is associated with the base of palaeovalleys now infilled by volcanic products, hyaloclastite does not occur in the base of all the palaeovalleys and is expected to be controlled by sea level change and also disruption of drainage lines by damming caused by earlier subaerial flows. Geotechnical practitioners must be aware of the potential occurrence of hyaloclastite as both the hyaloclastite and hyaloclastites with pillow basalt rock masses were found to be significantly weaker and more deformable than the highly weathered subaerial basalt rock. Misidentification of the rock as highly weathered basalt during geotechnical investigation may result in significant under-design. In addition, rock mass behaviour categorisation indicates that block-falls of pillow basalt from excavation walls and roofs may be a risk. Increased excavation effort to remove the pillow basalt structures should also be factored in to projects. To aid identification and understanding of the potential hazards associated with hyaloclastite type rocks, a series of reference sheets has been developed. These reference sheets aim to increase practitioners’ knowledge of hyaloclastites, and the implications for excavation and construction. The reference sheets also provide geomechanical details. Three-dimensional simplified engineering geological block models have also been included to provide graphical information on the relationships and possible geohazards of the various rock types. Future research should aim to further define the extent and engineering properties of hyaloclastites in the Melbourne region and to further define the petrographic constant mi, a better estimate of modulus ratio based on instrumented UCS tests. It is also hoped that now this rock has been recognised in Melbourne that the geotechnical community will reassess previous projects and start to build knowledge on the whereabouts of hyaloclastite and pillow basalt type rocks in the Melbourne area.

In 1879 the British Colony of New South Wales hosted the first international exhibition in the Southern Hemisphere. This was immediately followed by the Melbourne International Exhibition of 1880 in the colony of Victoria and the success of these exhibitions inspired the Melbourne Centennial Exhibition, which was held in 1888 to celebrate the centenary of white settlement in Australia. My thesis is that these international exhibitions had a profound impact on the development of our cities, the evolution of an Australian ethos and the gaining of nationhood. The immense popularity and comprehensive nature of the exhibitions made them the only major events in late nineteenth-century Australia that brought the people together in an almost universally shared experience. The exhibitions conveyed official ideologies from the organising elites to ordinary people and encouraged the dissemination of new cultural sentiments, political aspirations, and moral and educational ideals. Many exhibition commissioners, official observers and ideologues were also predominantly involved in the Federation movement and the wider cultural sphere. The international exhibitions assisted the development of an Australian urban ethos, which to a large extent replaced the older pastoral / frontier image. Many of the more enduring ideas emanating from the exhibitions were physically expressed in the consequent development of our cities ??? particularly Sydney and Melbourne, both of which had achieved metropolitan status and global significance by the end of the nineteenth century. The new urban ethos, dramatically triggered by Sydney 1879, combined with and strengthened the national aspirations and sentiments of the Federation movement. Thus the exhibitions created an immediate connection between colonial pride in urban development and European and American ideals of nation building. They also created an increasing cultural sophistication and a growing involvement in social movements and political associations at the national level. The international exhibitions, more than any other single event, convinced the colonials that they were all Australians together and that their destiny was to be united as one nation. At that time, Australians began to think about national objectives. The exhibitions not only promulgated national sentiment and a new ethos, but also provided opportunities for independent colonial initiatives, inter-colonial cooperation and a more equal position in the imperial alliance. Thus they became a powerful impetus, hitherto unrecognised, for the complex of social, political and economic developments that made Federation possible.

This thesis examines the history of the performance and dissemination of chamber music in Melbourne during the period 1877 to 1901. It explores the role and development of chamber music in concerts held by Melbourne’s leading musical societies and public subscription series, and various concerts featuring local and touring performers. Discussion is placed within an international context and the thesis asks whether local musicians were influenced by contemporary developments in Europe and if so, was the primary influence English or German? / The bulk of the thesis explores the history of some of Melbourne’s musical societies and public concerts and focuses in particular on the repertoire that was performed, methods of program construction, the perceived ‘educational’ value of chamber music and performances within educational institutions. It demonstrates that performances of chamber music flourished during Melbourne’s economic boom of the 1880s, and that although performances declined during the following depression of the 1890s, standards of performance had improved, audiences were better educated and informed about chamber music, and Melbourne was relatively quick to introduce contemporary chamber repertoire. The first chamber works by local musicians and composers were also composed and performed in Melbourne during this period. / The availability of competent musicians was a significant factor and played a role in determining the type of repertoire that was performed. With large numbers of competent pianists and string players, and very few wind players, present in Melbourne during this period, for example, the repertory tended to focus on works for piano and/or strings. The contribution of local and international performers, particularly English and German-born and/or trained instrumentalists, is also considered. English and German musicians not only had an impact on the shaping of the repertory, but also influenced the way that concerts were organized. These influences, however, often overlapped and were not always clearly defined.

This thesis examines the Grainger Museum at the University of Melbourne in the context of the history of museums, particularly those in Europe, the United States and Australia, during the lifetime of its creator, Percy Aldridge Grainger (1882–1961).Drawing on the collection of the Grainger Museum itself, and on both primary and secondary sources relating to museum development in the late nineteenth and first half of the twentieth centuries, the thesis demonstrates that the Grainger Museum reflects many of the concerns of museums of Grainger’s day, especially of the years prior to his relocation to the United States in 1914. Many of those concerns were products of the nationalistic endeavours arising from political upheavals and redefinitions in nineteenth-century Europe, the imperialism which reached its zenith by the First World War, and the racialist beliefs, hierarchies and anxieties accompanying that imperialism. In particular, Grainger’s lifelong concern with racial identity manifested in hierarchical and evolutionary museum interpretations typical of his earlier years. I explore the paradox of Grainger’s admiration for the musical and material culture of the racial ‘other’ and his racially supremacist views, and the way he presented these two apparently conflicting ideologies in his Museum.

It is important to the future of Melbourne that its development should take the direction of the most benefit to those who live in the city and those who may live here in the future. The current patterns of urban development, which are based on use of previously undeveloped land on the fringes of the suburban area, are now being criticised as being uneconomic in terms of cost of providing infrastructure, the use of natural resources and the waste of time for residents who must travel for long distances. (For complete abstract open document)

G.W.L. Marshall-Hall began work as first Ormond Professor of Music at Melbourne University in 1891. In July and August 1898 he published a book of poems and gave a public address, which, together, led to demands for his dismissal. The outcry against him came largely from a section of the community which Matthew Arnold, some thirty years earlier in England, had identified as Hebraic. The radical contrast between, on the one hand, the underlying assumptions of this group, particularly its epistemology and axiology and, on the other, the Hellenic, Existentialist axioms that informed Marshall-Hall’s thinking, created a situation which was structurally conducive to the hostile outbreak of collective action that occurred. This structural conductiveness was reinforced by a number of elements of strain - a belief in the debased character of the times; a pervasive Manicheanism; various misunderstandings in regard to Marshall-Hall’s views, deriving from the unsystematic and frequently allegorical manner of their exposition; and contemporary perceptions of his role as a university teacher, and of the tone in which his outbursts were couched (itself the outcome of a blend of conscious beliefs and unconscious motivation). (For complete abstract open document)

The men and women who appear in this thesis are partof the first generation in the history of Europe to debatewidely and to reject religious belief. In Victoria theywere isolated from the main scenes of the struggle, theirnumbers were relatively insignificant, they made no originalor very influential contributions to the arguments,yet for them, a part of Europe on this tiny colonial stage,the drama was no less demanding on their consciences. Butbecause the stage was smaller, the central issues of thedebate emerge more clearly and simply than they do inEngland and America. By studying a microcosm of the controversyover "Religion and Science" in Victoria, we cangain some idea of the causes, and the magnitude of thegreat disturbance of belief that swept through the Christianworld in the later part of the Nineteenth Century.