Made available in DSpace on 2014-12-17T14:36:27Z (GMT). No. of bitstreams: 1 SandraCXC_TESE.pdf: 3000928 bytes, checksum: a9f68ad10c5796bf9c1f915f6214bb79 (MD5) Previous issue date: 2012-03-30 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / The thesis has as object of study the autobiographical memmorials. The general objective is to describe the history of the memmorial as an academic tradition of higher education in Brazil. Considered a hybrid genre, memmorials are known for focusing on life stories from a scientific perspective. The investigation revolves around three intertwined branches: History of Education, educational practices and language usages, which allow us to conduct a dialogue with multiple theoretical-methodological references with a view to supporting our analyses. The corpus used for the analysis was made up of 40 autobiographical memmorials, distributed as follows: 16 academic memmorials, dated from 1935 to 1970; 07 academic memmorials, dated from 1980 to 2007; and 17 formation memmorials, dated from 1995 to 2000. In this corpus, we also included official documents, which relate to legislation contained in edicts, resolutions, ordinances, regulations, which we used with a view to: 1) getting to know and understanding the big picture of higher education regulation in Brazil and the aspects related to the higher education teaching career; 2) investigating the text of memmorials in the light of the injunctive discourse characteristic of the edicts and resolutions in which they were based. The analysis of the memmorial supported by the legislation which regulates it allowed us to reconstitute the image of the professor throughout 80 years in the Brazilian public university. For this purpose, the study was conducted in the theoretical-methodological perspective of the (auto)biographical research in Education and of the sociolinguistic studies on discourse genres and discursive traditions. The investigations reveal the memmorial as an academic genre in which the professor's academic-professional history and the history of the higher education teaching career in Brazil intertwine. Anchored in the Bakhtinian perspective on discourse genres, according to which the memmorials evolve and become more complex as their contexts of usage also evolve and become more complex themselves, the results of our analyses allowed us to correlate genre changes to the sociohistorical context and to its usage as an educational practice in the university, in the decades under study. Therefore, the analyses showed that these self-writings: go from latent subjectivity to pure objectivity from the 1930s to 1960s; they show total annulment of the subject from the 1960s to the 1970s; they reappear in the 1980s, having Professor Magda Soares' memmorial as perspective; they expand and diversify from the 1990s onwards, taking on a formative role and a perspective of future as well. So far as language usages are concerned, we investigated the relationship of the subject with the language, especifically the manifestation of alterity on the discursive tissue of the memmorials. In this branch, the analyses pointed to the influence of the authoritative discourse on the formation of the professor and of the injunction and reinventing discourses on the authorship process. Therefore, the autobiographical memmorial reveals itself as a specific expression of the Brazilian academy's cultural sphere and allows us to confirm the hypothesis that each memorial tackles a singular-plural situation, by presenting a dialectical articulation between private and public, according to the institutional structures, in which and with which the professor has already formed him/herself and with which he/she dialogues / A tese tem como objeto de estudo os memoriais autobiogr?ficos. O objetivo geral ? descrever o percurso hist?rico do memorial como uma tradi??o acad?mica do ensino superior no Brasil. Considerados um g?nero h?brido, os memoriais trazem a peculiaridade de focalizar cientificamente trajet?rias de vida. A investiga??o situa-se em tr?s vertentes que se articulam: Hist?ria da Educa??o, pr?ticas educativas e usos da Linguagem, as quais nos permitem dialogar com m?ltiplas refer?ncias te?rico-metodol?gicas na sustenta??o de nossas an?lises. O corpus utilizado para a an?lise constituiu-se por 40 memoriais autobiogr?ficos, assim distribu?dos: 16 memoriais acad?micos, datados de 1935 a 1970; 07 memoriais acad?micos, datados de 1980 a 2007; e 17 memoriais de forma??o, datados de 1995 a 2000. Nesse corpus reunimos, ainda, documentos oficiais, que dizem respeito ? legisla??o disposta em editais, resolu??es, portarias, regimentos, com os quais tivemos como prop?sitos: 1) conhecer e compreender o contexto maior de regulamenta??o do ensino superior no Brasil e seus aspectos concernentes ? carreira do magist?rio superior; 2) investigar a escrita dos memoriais ? luz do discurso injuntivo caracter?stico dos editais e resolu??es nos quais se pautavam. A an?lise do memorial respaldada na legisla??o que o regulamenta permitiu reconstituir a imagem do professor ao longo de 80 anos na universidade p?blica brasileira. Para tanto, o trabalho foi desenvolvido no marco te?rico-metodol?gico da pesquisa (auto)biogr?fica em Educa??o e dos estudos sociolingu?sticos sobre os g?neros do discurso e as tradi??es discursivas. As investiga??es revelam o memorial como um g?nero acad?mico no qual se entrela?a a hist?ria acad?mico-profissional do professor com a hist?ria da carreira do magist?rio superior no Brasil. Ancorados na perspectiva bakhtiniana sobre os g?neros do discurso, segundo a qual os g?neros evoluem e se complexificam ? medida que seus contextos de uso tamb?m evoluem e se tornam mais complexos, os resultados de nossas an?lises permitiram correlacionar, nas d?cadas estudadas, as altera??es dos memoriais ao contexto sociohist?rico e ao seu uso como uma pr?tica educativa no ?mbito da universidade. Desse modo, as an?lises evidenciaram que essas escritas de si: passam da subjetividade latente para a pura objetividade entre as d?cadas de 1930 e 1960; apresentam total apagamento do sujeito entre as d?cadas de 1960 a 1970; ressurgem na d?cada de 1980, tendo como marco o memorial da professora Magda Soares; expandem-se e diversificam-se a partir dos anos 1990, tornando-se tamb?m um dispositivo de forma??o e de proje??o profissional. No que concerne aos usos da linguagem, investigamos a rela??o do sujeito com a linguagem, especificamente a manifesta??o da alteridade no tecido discursivo dos memoriais. Nessa vertente, as an?lises apontaram a influ?ncia do discurso de autoridade na forma??o do professor; dos discursos de injun??o no processo de inser??o profissional e de reinven??o de si no processo de autoria. Nesse sentido, o memorial autobiogr?fico revela-se como express?o espec?fica da esfera cultural da academia brasileira e nos permite confirmar a hip?tese de que cada memorial trata de uma situa??o singular-plural, ao apresentar uma articula??o dial?tica entre o privado e o p?blico, segundo as estruturas institucionais, nas quais e com as quais o professor|a se formou e com as quais dialoga