La representación de las mujeres políticas en los medios de comunicación influye en la percepción de la sociedad sobre el rol y las capacidades de estas para ejercer funciones públicas. La presente investigación tiene como objetivo contribuir al análisis de esta representación en un medio de comunicación periodístico peruano. Para ello, se ha seleccionado a dos mujeres que asumieron un rol protagónico en dos periodos distintos de la historia del Perú: María Elena Moyano Delgado (1991 - 1992) y Verónika Mendoza Frisch (2016). Bajo las teorías del discurso (Foucault, 1970); análisis crítico del discurso (Van Dijk, 1999); representación (Hall, 1997); liderazgo (Morales y Cuadrado, 2011); estereotipos de género (Sau, 1993); y desarrollo de la planificación de género (Moser, 1995), se ha pretendido indagar cómo es que la coyuntura política, el género y la ideología política influyen en la representación que se hace en el medio de comunicación “La República” sobre dos mujeres con roles políticos protagónicos. Este análisis se realiza de forma comparativa entre ambos sujetos de estudio. Se ha implementado una metodología mixta secuencial que permite identificar los elementos principales en torno a la representación (cuantitativo) para seguidamente profundizar en torno a estos (cualitativo). En conclusión, los resultados evidencian que los perfiles de liderazgo de ambas mujeres se construyen asumiendo roles más masculinos hasta cierto punto, frente a la necesidad de destacar entre los demás para hacerse escuchar. Al mismo tiempo, estos perfiles se ven influenciados por puntos de partida distintos: una desde un espacio barrial de la mano de organizaciones de mujeres y la otra como representante de una coalición política que aspira a llegar al sillón presidencial. / The representation of women politicians in the media influences the perception of society about their role and capacities to exercise public functions. The present research aims to contribute to the analysis of this representation in a journalistic communication medium. Two women have been selected who assumed a leading role in two different periods of Peruvian history: María Elena Moyano Delgado (1991 - 1992) and Verónika Mendoza Frisch (2016). Under the theories of discourse (Foucault, 1970); critical discourse analysis (Van Dijk, 1999); representation (Hall, 1997); leadership (Morales and Cuadrado, 2011); gender stereotypes (Sau, 1993); and development of gender planning (Moser, 1995), it has been tried to investigate how the political context, gender and political ideology influence the representation that is made in the media "La República" about two women with political leading roles. This analysis is carried out in a comparative way between both study subjects. A mixed sequential methodology has been implemented that makes it possible to identify the main elements around representation (quantitative) and then delve into these (qualitative). In conclusion, The results show that the leadership profiles of both women are built assuming more masculine roles to a certain extent, faced with the need to stand out from others to make themselves heard. At the same time, these profiles are influenced by different starting points: one from a neighborhood space in the hands of women's organizations and the other as a representative of a political coalition that aspires to reach the presidential seat.

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In 1976 Joan Kelly released her influential article “Did Women have a Renaissance?” Kelly argued that women did not enjoy any of the benefits of the period. Rather, she claimed, the lives of women were actually worse after the 1400s than they had been before. Since 1976, new primary documents authored by women have been discovered. Moreover, new access to relevant writings by authors like Francesco Barbaro, Pier Vergerio, Leonardo Bruni, Juan Luis Vives, and Erasmus make revisiting Kelly’s arguments possible. This thesis uses a sample of these texts to explore women’s experiences and create innovative avenues to explore in gender history. Towards those ends, it combines recent scholarship with primary documents to reveal an incongruence between the expectations placed on women and their self-identified lived experiences. It offers, thus, a more complicated world than that presented in Kelly’s paradigmatic study.

This thesis is an intimate exploration. A personal journey between here and there: what I left behind, what I always kept close to me and all the new things that I learned and experience during the last four years. I just tried to put myself together as a person as well as an architect; taking from my personal experiences the inspiration and the tools to create a building. The building is orientated to American and foreign students coming to the metropolitan area of Washington DC to study at the Center and willing to take advantage of the opportunities of the city. The idea was to create a building for civic adaptation, to educate and inspire students not only in architecture but also in civic life and prepare them to be responsible citizens. The dormitory was inspired by the friendly spirit of the WAAC with the intention of supporting the Center in its varied goals and enhancing its academic perspectives. / Master of Architecture

Orientador: Miriam Viviana Gárate / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-26T02:58:40Z (GMT). No. of bitstreams: 1 Alves_FernandaAndradedoNascimento_D.pdf: 3070692 bytes, checksum: 507a0ac805dbc5e0b114974427b8d3d6 (MD5) Previous issue date: 2014 / Resumo: O presente trabalho propõe a leitura de três textos literários latino-americanos: O invasor, do brasileiro Marçal Aquino, Rosario Tijeras, do colombiano Jorge Franco, e Un asesino solitario, do mexicano Élmer Mendoza, elegendo como eixo de análise a figuração de um personagem emblemático, o pistoleiro/sicário. Nas três obras, é possível destacar aspectos semelhantes: o delineamento de um outro social, o bandido, ao qual se opõe ou com o qual se relaciona organicamente um representante da classe média/alta; a construção de uma voz narrativa que, em diferentes medidas, coloca em tensão essa relação; a configuração de cidades atravessadas pelo crime e de discursos sobre a violência; a recuperação de um personagem, o bandido, presente na tradição literária anterior de cada país; a adesão a gêneros populares, como o melodrama e o romance policial. Considerando esses aspectos, a tese divide-se em duas partes. Centrando-se no espaço e na voz narrativa, os dois capítulos da primeira parte buscam mostrar como os romances constituem a relação com a alteridade no território urbano e como constroem, ao mesmo tempo, um discurso sobre a cidade e sobre o delinquente. A segunda parte dedica-se ao imaginário cultural em torno do bandido e da figuração da violência. Assim, o terceiro capítulo aborda marcas do romance noir em O invasor, traços melodramáticos em Rosario Tijeras e elementos de tramas policiais em Un asesino solitario. O quarto capítulo propõe um estudo da elaboração da figura do marginal nas literaturas brasileira, colombiana e mexicana, passando, respectivamente, por tipos como o malandro e o cangaceiro, o pájaro e o bandolero. Por fim, o último capítulo dedica-se ao diálogo desses textos literários com os presentes em outros meios, como a televisão, o cinema e a música / Abstract: This study proposes the reading of three Latin American literary texts: O Invasor, written by Brazilian Marçal Aquino, Rosario Tijeras, written by Colombian Jorge Franco and Un asesino solitario, written by Mexican Élmer Mendoza. Elected analysis axis was the emblematic character figuration, the gunman/assassin. In all three texts, it is possible to highlight similar aspects: the design of a social other, the gangster, opposed by or to which organically relates a representative of the middle/upper class; the construction of a narrative voice that, in different measures, puts strain on that relationship; the configuration of cities crossed by the crime and discourses about violence; recovery of a character, the bandit, present in the earlier literary tradition of each country; the adherence to popular genres such as melodrama and detective novel. Considering these aspects, this thesis is divided in two parts. Focusing on space and narrative voice, the two chapters of the first part aim to show how the novels constitute the relationship with otherness in the urban area and how they build up, at the same time, a speech about the city and the delinquent. The second part is devoted to the cultural imaginary around the bandit and the violence figuration. Thus, the third chapter approaches marks of the novel noir in O Invasor, melodramatic traits in Rosario Tijeras and police plots elements in Un asesino solitario. The fourth chapter proposes a study of the development of the marginal figure in Brazilian, Colombian and Mexican literature, through, respectively, types like the trickster and the outlaw, the pájaro and the bandolero. Finally, the last chapter is devoted to dialogue these literary texts with the stories present in other media, such as TV, cinema and music / Doutorado / Teoria e Critica Literaria / Doutora em Teoria e História Literária

Esta investigación contrasta la estrategia de campaña que se elaboró en torno a la imagen de Verónika Mendoza, candidata del Frente Amplio a las elecciones presidenciales peruanas del 2016, con los contenidos periodísticos que elaboraron en torno a ella dos de los principales diarios peruanos, El Comercio y La República, con el objetivo de determinar hasta qué punto se logró plasmar esta estrategia en ambos diarios. Este estudio tiene un carácter empírico descriptivo y utiliza las entrevistas a profundidad a los jefes del equipo de campaña del Frente Amplio para establecer los atributos que quisieron resaltar de Mendoza; así como el análisis de contenido a la luz de la teoría del encuadre o framing en los medios seleccionados. El análisis muestra que se logró posicionar estas cualidades de forma parcial en el diario La República y contribuyó a atenuar la posición contraria de El Comercio a Mendoza, a través de una mayor presencia de notas de carácter positivo que balanceó el contenido adverso hacía la candidata / Tesis

This document represents an initial endeavor in a long-lasting aspiration to pursue the study and collection of Latin American choral literature. This essay compiles the most complete and current catalogue possible of choral works written by nine Venezuelan composers born in the twentieth century and presents it in a simple and accessible format so it can be used by a variety of school teachers, choral conductors, church musicians, college directors, and professional musicians. Each composer entry presents a brief biographical note and a list of works organized in alphabetical order. The annotation for each composition includes information in eighteen categories. It also includes an extensive list of biographical resources. In addition, a list of terms and definitions of folkloric and traditional genres will help the reader understand the diversity of Venezuelan musical styles and dances; there is some additional information with regard to performance practice.

This dissertation investigates how a network of Venetian and Spanish scholars placed ancient texts and new geographic information about the Americas in dialogue to create new histories of the modern world, from the 1510s to the 1550s. I focus in particular on the print production and manuscript exchanges of Venetian state officials Giovanni Battista Ramusio, Pietro Bembo, and Andrea Navagero, and Spanish state officials Gonzalo Fernández de Oviedo and Diego Hurtado de Mendoza. Under the custodianship of Navagero, Bembo, and Ramusio, the Library of St. Mark, donated to the Republic of Venice by the Greek cardinal Bessarion in 1468, functioned as a site of knowledge production. The gatekeeping and information management practices that these men carried out as caretakers of this politically charged library of Greek and Latin books informed their manuscript exchanges and print production. Geographic news from the Americas in the form of letters, accounts, maps, and printed works posed a particular challenge to classical understandings of the globe, and the Spanish and Venetian intellectuals examined here together faced the challenge of apprehending the new and determining the role and relevance of ancient texts such as those of Ptolemy, Plato, Pliny, and Strabo in the contemporary world. Through their histories, summaries, anthologies, and commentaries, they made news into history, curating the presentation of the Americas for their reading publics. Their published works fixed in print the fluid correspondence networks and manuscript exchanges that enabled their creation, making the private public with a great deal of mediation, selection, and suppression or selective acknowledgment of sources and dialogues. By reading the printed works together with the manuscript backstory, I reveal how these scholars pushed at the boundaries of what was expected of them as Spanish or Venetian state agents. Their curated presentation of information about the Americas obscured the porosity of intellectual exchange among Spanish and Venetian intellectuals at the time, and the extent to which the production of Americana in Venice is not just a Venetian story, but also a Spanish one.

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