Global ETD Search

1	Painting and Fear: The Creation of Death's Visage Felbinger, Mark A 01 January 2023 (has links) (PDF) Death's Visage is a feature film that was created from an idea developed due to a personal relationship with an artist, who was a professional illustrator and painter. The film follows a young woman who becomes entrapped in a demonic sphere and time zone where her fear is the demon's gratification. She questions the events that are unfolding, which creates herpsychological turmoil, while taking place in the family home that is in an older established middle-class neighborhood. Death's Visage was a micro-budgeted film produced for $20,778. The capital needed for this film meets the University of Central Florida Feature Film Production program's microbudget requirements. This document will explore the utilization of space, diverse components, equipment, cross-trainable talent, and a detailed financial distribution. micro-budget feature film horror psychological thriller Death Visage Film and Media Studies Film Production
2	The Art And Business Of Documentary Filmmaking: Insights From “La Buena Cosecha” And Its Role In Highlighting Latino Contributions To The United States Cedeno-Lopez, Melanie 01 January 2024 (has links) (PDF) La Buena Cosecha is a feature-length documentary that explores the remarkable contributions of Latino business owners in Orlando and the United States. The film delves into the journeys of two families of entrepreneurs from Colombia and Puerto Rico, as they navigate the competitive U.S. food market. Faced with numerous obstacles, they must persevere to fulfill their dreams, honor their Latino heritage, secure a legacy for their children, and make lasting contributions to the U.S. economy. La Buena Cosecha not only celebrates their positive impact but also challenges stereotypes about the Latino community, underscoring their incredible potential to shape the nation for the better. Directed by Melanie Cedeño-Lopez, La Buena Cosecha, has been produced as part of the requirements for earning a Master of Fine Arts in Feature Film Production from the University of Central Florida.
3	Finding Treasure: The Story of a Micro-budget Digital Film Williamson, Christopher 01 January 2015 (has links) Treasure is a feature-length narrative fictional film directed by Chris Williamson as part of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the School of Visual Arts and Design at the University of Central Florida. This thesis is a documentary record of the film production from concept to completion. In this thesis the concerns of authorship are explored from the perspective of the author as the executive producer, writer, and director of the film. Film production independent film digital cinema micro budget film micro budget microbudget ucf film film mfa film edc mfa authorship film authorship auteur theory thesis etd cinema treasure chris williamson Film and Media Studies
4	Interior: A Micro-Budget Horror Feature Beckler, Zachary 01 January 2014 (has links) INTERIOR is a feature-length film written, directed, and produced by Zachary Beckler as part of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The project aims to challenge existing conventions of the horror film on multiple levels - aesthetic, narrative, technical, and industrial - while also examining growing importance of workflow throughout all aspects of production. These challenges were both facilitated and necessitated by the limited resources available to the production team and the academic context of the production. This thesis is a record of the film, from concept to completion and preparation for delivery to an audience. Film digital movie beckler narrative horror feature micro budget micro budget interior binaural workflow Film and Media Studies
5	Pembroke Circle: A Portrayal Of Social Themes Using Micro-budget Cinema Rousseau, Max 01 January 2013 (has links) Pembroke Circle is a feature-length, micro-budget, digital motion picture, written, produced and directed by Max Rousseau as a part of the University of Central Florida’s Masters in Fine Arts program in Digital Entrepreneurial Cinema. The filmmaker engaged some very difficult material in the micro-budget paradigm and grew personally and professionally in the process. This thesis documents the writing process, pre-production, fund-raising, production and post-production; all leading to the completion of a festival-ready feature film. It is the hope that this thesis will create an understanding of what it takes to make a micro-budget film and offer some help to future filmmakers embarking on a similar path. Film cinema entrepreneurship digital motion picture micro budget pre production post production fundraising filmmaker human trafficking Film and Media Studies
6	Ode to Amiel: A Micro-budget Experimental Essay Film Redman, Phyllis 01 January 2015 (has links) Ode to Amiel is a feature-length experimental essay film by Phyllis Redman, made as part of the requirements for earning a Master of Fine Arts in Film in the Entrepreneurial Digital Cinema track from the University of Central Florida. The film explores one woman's reaction to trauma and depersonalization disorder through the journal entries of 19th Century Swiss philosopher, Henri Frederic Amiel. Passages from Amiel's Journal Intime provide the narrative and voice over for the lead character, a grieving mother who finds herself locked behind an inescapable, invisible and immaterial barrier that separates her from the outside world. Following the guidelines of the film program, the film was produced on a micro-budget (under $50,000) level. The goal was to create a film that was effectively a no-budget film, one similar in process to that of Tarnation, an award-winning experimental film created for $200. With an actual shooting cost of under $1,000, Ode to Amiel met this challenge. This is the record of the film's progression from development to picture lock, in preparation for distribution. Experimental film essay film personal filmmaking micro budget film no budget film henri frederic amiel depersonalization disorder trauma Film and Media Studies

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