My major work, ‘The Hum of Concrete’, is a novel that takes the form of a series of stand-alone stories or meditations. It has five main characters, all women, and is set in Malmö, Sweden. The city itself plays a part in the narrative. The characters include Nassrin, a Muslim cleaner; Rhyme, a troubled street kid; Bodil, a middle-aged doctor; Estella, a black postie and Susanna, a lesbian teacher for immigrants. Each main character is presented in three stories, initially as a young woman and later as a partner and then mother. Nassrin walks into the sea fully clothed with her new baby in her arms because she cannot cope with the fact that the child is of indeterminate sex. Rhyme spends the lead up to Christmas on a park bench and is offered ten dollars for a blow job. Bodil arranges her mother’s last birthday party while coming to terms with being pregnant with her first child in her forties. Estella tries in vain to write a sexy story stumbling into new realms of her own sexuality as she does her research. Susanna is thick-skinned and stands between the violent boys and a fight. The stories in ‘The Hum of Concrete’ are stories of loss and lust, of grief, happiness, love and despair. They represent the diversity of life for women and mothers in the city today. The minor component of the thesis, an exegetical essay, is a reflection on writings about motherhood: my own as well as others. Motherhood is an aspect of life that most women (and many men) take very seriously. However, motherhood must be balanced against work and other family commitments, relationships outside the family and other fulfilling personal activities. The exegetical essay argues for the diversity and complexity of mothering by focusing on fictional mothers who struggle with some part of motherhood, whether it be pregnancy, labour, bonding with infants or coping with children as they grow older. To what extent is a mother defined by her motherhood? Is a mother only a mother? The essay discusses a selection of texts that have influenced my own novel in one way or another. My interest in working mothers includes mothers who are writers. I discuss the concept of maternal feminism and draw on my Swedish background to explore the complex relationship between childrearing and work, showing how this relationship can differ between cultures in the Western world, depending on the support structures available to mothers. The essay explores the process of writing as a mother as a specific case of the challenges that face working mothers. Finally, I suggest that love between mother and child as well as realistic expectations might be key components when successfully balancing mothering. / Thesis (Ph.D.) -- University of Adelaide, School of Humanities, 2007

The object of this essay is to map the discourses of good versus bad mothering in four selected novels by Marian Keyes, and to analyze how they relate to hegemonic Western discourses of motherhood.  The analytical approach is based on Ernesto Laclau and Chantal Mouffe’s discourse theory. In the essay I identify six central discursive structures in Keyes’ fictive representation of good and bad mothering. The explored structures deal with the proper social conditions for mothering, the mother’s unique role and function, mothering and professional pursuits, the rejection of children, depression and aggression in the mother, and mothering and substance abuse. They are described and contextualized with the aid of Laclau and Mouffe’s terminology and perspective on discursive struggle. The conclusion is that Keyes’ literary discourse connects good mothering with sustained maturing and individuality in the mother, while suggesting that bad mothering is related to relinquished integrity and personal potential.