The typical approach for finding audio recordings, such as music and sound effects, in a database is to enter some textual information into a search field. The results appear summarized in a list of textual descriptions of the audio files along with a function for playing back the recordings. Exploring such a list sequentially is a time-consuming and tedious way to search for sounds. This research evaluates whether searching for audio information can become more effective with a user interface capable of presenting multiple audio streams simultaneously. A prototype audio player was developed with a user interface suitable for both search and browsing of a hierarchically organized audio collection. The audio recordings are presented either serially (serial output mode) or simultaneously (parallel output mode), spatially distributed in both vertical and horizontal planes. Users select individual recordings by simply pointing at its source location with a remote control. Two within-subjects experiments were conducted to compare the performance of the audio player's output modes in audio search tasks. The experiments differ in the maximum number of audio recordings played simultaneously - either four or six. In both experiments, search tasks were performed about 25% faster using parallel audio output than using serial output. Over 80% of participants preferred searching parallel output. The results indicate that using parallel output can be a valuable improvement to the current methods of audio search, which typically use only serial output.

Perceptual features are qualitative features used to describe music properties in relation to human perception instead of typical musical theory concepts such as pitches and chords. This report describes a music discovery platform which uses three different methods of music playlist generation to investigate if and how perceptual features work when used for music discovery. One method abstracts away the complexity of perceptual features and the other two lets users use them directly. Two user testing sessions were performed to evaluate the browser and compare the different methods. Test participants found the playlist generation to work well in general, and especially found the method which uses emotions as an interface to be intuitive, enjoyable and something they would use to find new music. The other two methods which let users directly interact with perceptual features were less popular, especially among users without musical education. Overall, using perceptual features for music discovery was successful, although methods should be chosen with the intended audience in mind. / Perceptuella särdrag är kvalitativt framtagna särdrag som beskriver musik med fokus på mänsklig perception snarare än musikteoribegrepp som tonhöjd och ackord. Den här rapporten beskriver en musikhemsida som använder tre olika metoder för att generera spellistor med avsikt att undersöka om och hur perceptuella särdrag fungerar för att hitta ny musik. En metod abstraherar bort perceptuella särdragens komplexitet och de andra två metoderna låter testare använda dem utan abstraktion. Två användbarhetstest utfördes för att utvärdera musikhemsidan och jämföra de olika metoderna. Testanvändare tyckte överlag att genereringen av spellistor fungerade bra och att speciellt metoden som använde känslor som gränssnitt var intuitiv, rolig att använda och en metod de skulle använda för att hitta ny musik. De andra två metoderna som tillät användare att direkt använda perceptuella särdrag var mindre populära, speciellt bland användare utan musikutbildning. Överlag var användandet av perceptuella särdrag för att hitta musik en framgång, dock bör metoderna väljas utifrån användarnas kunskap.