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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
31

Innovation in Clustern - Cluster durch Innovation? : HipHop und Hamburger Schule ; Innovation und Clusterrevolution in der Popmusikwirtschaft am Beispiel Hamburgs /

Grimm, Alexander. January 2005 (has links) (PDF)
Univ., Diss.--Jena, 2005.
32

Merkmale von Geschäftsmodellen in der digitalen Ökonomie /

Stahler, Patrick. January 2001 (has links)
Thesis (doctoral)--Universität St. Gallen, 2001.
33

Copies and originals in a horizontally and vertically differentiated market with habit and quality differences /

Grgeta, Edi. January 2005 (has links) (PDF)
Ill., Univ. of Chicago, Dep. of Economics, Diss.--Chicago, 2005. / Kopie, ersch. im Verl. UMI, Ann Arbor, Mich.
34

Cultural Dynamics - zur langfristigen Existenzsicherung von Kulturorchestern in Deutschland und der Schweiz /

Hamann, Thomas Klaus. January 2005 (has links) (PDF)
Univ., Diss.--St. Gallen, 2004.
35

Käuferverhalten bei legalen Musikdownloads : Auswahlverhalten, Qualitätsbeurteilung und Kundenbindung /

Schwenkert, Ferdinand Emanuel. January 2006 (has links) (PDF)
Wirtschaftsuniv., Diss.--Wien, 2006.
36

Unternehmergewinn in der Musikindustrie : Wertschöpfungspotentiale und Veränderungen der Branchenstruktur durch die Digitalisierung /

Emes, Jutta. January 2004 (has links) (PDF)
Univ., Habil.-Schr.--Würzburg, 2003.
37

"Knowing about music" Trendsetting im Marketing : Ethnographische Untersuchung eines Musikgeschäftes /

Woermann, Niklas. January 2006 (has links) (PDF)
Master-Arbeit Univ. St. Gallen, 2006.
38

Zur privaten Musikproduktion im Metal

Lux, Marian 24 May 2024 (has links)
This Master’s thesis explores a relatively under-researched area within (popular) musicology, the art of record production, and metal music studies: the phenomenon of private music production in metal music. The thesis is coherently structured: it begins with a brief overview of the history of record production and discussions of the terms heavy metal and home production (chapter 1); states the research questions and objectives (chapter 2); presents a literature review of phono-musicology, rock and metal music studies, and music industries research (chapter 3); the theoretical framework, consisting of the Frankfurt School and French sociology, amongst others (chapter 4); the study’s methodology (triangulation of theoretical research, qualitative interviews, participant observation, autoethnography) (chapter 5); then the three main parts of the investigation. The empirical study deals with the interrelationship between digital production practices, sound and aesthetics, and economics, which is examined in three extensive chapters (6 to 8). These chapters are followed by a detailed discussion with further theoretical considerations, which discuss the differences between private and commercial (metal) music production as well as the hypothesis/observation of music production as a product and reflection of society as a whole.
39

Demand and supply responses of digital goods protected by intellectual property rights to advances in digital technologies /

Zentner, Alejandro. January 2005 (has links) (PDF)
Ill., Univ. of Chicago, Dep. of Economics, Diss.--Chicago, 2005. / Kopie, ersch. im Verl. UMI, Ann Arbor, Mich. - Enth. 3 Beitr.
40

Der Schutz digitaler Musik- und Filmwerke vor privater Vervielfältigung nach den zwei Gesetzen zur Regelung des Urheberrechts in der Informationsgesellschaft.

Meschede, Thomas, January 2007 (has links)
Thesis (doctoral)--Universiẗat Köln, 2006. / Includes bibliographical references (p. 243-265).

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