Univ., Magisterarbeit u.d.T.: Graf, Matthias: Zinzendorf und die Herrnhuter Brüdergemeinde in der Grafschaft Büdingen--Mainz, 2005.

Zugl.: Hamburg, Univ., Diss., 2007

Zugl.: Trier, Univ., Diss., 2007

Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished

Reiseberichte gelten als „Urszenarien der abendländischen Literatur“ (Brenner, Peter J.: Artikel „Reiseliteratur“, in: Enzyklopädie der Neuzeit, Bd. 10, Sp. 1019–1926, hier Sp. 1019). Sie waren und sind Ausdruck des menschlichen Bedürfnisses, sich Erfahrungswissen über die Außen - welt und die Menschen, die in ihr leben, anzueignen. Doch nicht nur Gesandte und Gelehrte, Pilger oder Missionare wussten von fremden Welten jenseits des christlichen Europas zu berichten. Fernab elitärer Kreise waren es mitunter Männer aus dem „gemeinen Volk“, die als Söldner in Gefangenschaft gerieten und nach geglückter Heimkehr eine Beschreibung ihrer Beobachtungen und Erlebnisse anfertigen ließen.

This thesis investigates the appropriateness and the accuracy of Mbhele's artistry in writing his one-act plays from Izivunguvungu Zempilo, Ishashalazi and Ezemihla Nayizolo. It considers the formal literary elements which include characterisation, themes, setting, plot, dialogue and style of the writer inclusive of the language that has been used. It also involves different kinds of themes that are revealed by this dramatist in his work. His themes cover all the aspects of life. This includes the exploration of the previous political situation and its effect on the lives of the people, the effect of the Western influences on black South Africans and the people's perspectives on education and religion. The theoretical framework that has been used in this study is the historical-biographical approach. The interview with the author has been very helpful in this regard. The purpose of the interview has been to develop some kind of understanding of the author's own ideas, his early life experiences, his educational background, and the sense of the situation the author writes about. This study consists of six chapters; the first chapter serves as the general introduction for the whole thesis. The author's biographical notes, the identification and the discussion of the research methodology and the definition of some important terms, form part of chapter one. In each chapter, there is an explicit explanation of each formal literary element in relation to Mbhele's one-act plays. Chapter two deals with both characterisation and plot, because plot deals with all the events in a story and the way in which these events are connected. All the events in a story involve the characters. Chapter three investigates the themes that are found in Mbhele's one-act plays, and the ways in which they are revealed. Chapter four consists of the dialogue and style of the writer, which includes his use of the language and the form of address used by the characters to address each other. Chapter five discusses the social background of the characters in relation to what they do in the plays. This includes their given social circumstances, the time and the place which the writer has created for them. Chapter six is the general conclusion for the whole study. It includes the summary, observation and some implications for further research. / Thesis (M.A.)-University of Natal, Pietermaritzburg, 2001.

Thesis (M.A.)--Denver Conservative Baptist Seminary, 1988. / Includes bibliographical references (leaves 176-180).

Abstrakt_anglicky The PhD thesis is focused on canon procedural law in Prague at the end of 14th century. The purpose is to prepare a critical edition and summary of the treatise Processus iudiciarius secundum stilum Pragensem and to contextualize it to iuridical and administrative connections in the period at the end of the 14th and beginning of the 15th centuries. The researched treatise was a very useful theoretical and practical vademecum of procedural law and was used not only by students of law at The University of Prague as a manual but also by archiepiscopal clerks, as well as plaintiffs and defendants in the single cases. The thesis consists of the biography of the author Nicolaus Puchnik, canon law analysis and commentary incl., local customs, manuscript analysis based on paleography and codicology, European context analysis based on the juristic style and, last but not least, the edition. The edition is composed of four manuscripts (Munich 677 as the basic text version and other three manuscripts originated in the 14th century).

Vetandets gräns är en epistemologisk fråga om vilken kunskap människan kan få och ha om allt runt omkring oss. Alla dessa ting som finns omkring oss, men även se på självet1 som objekt. Immanuel Kant skriver om kunskapens gräns i sin bok Kritik av det rena förnuftet och den 1400-tals Juris doktorn Nicolaus Cusanus2 skriver även han om vår vetandets gräns i sin bok ”Gudsseendet”.Det uppsatsen vill söka efter hos Kant och Cusanus är om människans tänkande har någon gräns. Det studiet söker är en större kunskap om vårt egna tänkande, vilket visar på en större kunskap om vår inre värld. ”Den primära världen” som påverkar allt handlande som människan gör i ”den sekundära världen”. Relevansen med detta studium är att människan kan få en mer detaljerad och fördjupad syn på människans tänkandes gränser.Under hela mitt vuxna liv har jag burit på frågan ”varför gör jag det jag gör?”. Under mitt första år som teologistuderande fick jag höra att Immanuel Kant anser att människan inte kan tänka utan tid och rum. Min naturliga reaktion blev att fråga, ”varför inte det?” och fick till svar att ”Det går men det är svårt”. Sedan den dagen har denna tanke varit ämne för reflektion.Detta studium vill se om det kan finna den bortre gräns som människans tänkande har, sin egna förståelse om sig själv och i slutändan kanske få en större kunskap om vad det är att vara en människa i denna tid och rum.

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