Thesis (Ph. D.)--Uuniversity of California, Los Angeles, 1993. / Vita. Includes bibliographical references (leaves 271-281.).

Thesis (Ph. D.)--University of Wisconsin--Madison, 1959. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 679-685).

Abhandlung-Zürich. / Lebenslauf. Bibliography: p. 85-91.

This thesis is an attempt to bring forth a novel and philosophically appealing reading of Nietzsche, especially as it pertains to his theory of value. I define philosophically appealing as the view with the least amount of inconsistencies that still reaches a simple and logical conclusion. I explore questions regarding Nietzsche’s nihilism, his normative and metaphysical claims, as well as his view on human nature. I aim to satisfy sophisticated readers by investigating complex philosophical issues related to my interpretation of Nietzsche. I also aim to satisfy less sophisticated readers by explaining how my view is applicable, and beneficial, to one’s life. Given that there’s no widespread agreement as to what reading of Nietzsche is correct, the goal of my thesis is to contribute meaningfully to this ongoing debate.

Addressing the meaning of Martin Heidegger's much-discussed concept of 'authenticity',this study challenges the view, put forward by Charles Guignon and others, that that concept chiefly concerns the significance that an individual life can acquire. Emphasizing the crucial distinction between relational and transcendant meaning, the study sees that distinction as critical to Heidegger's treatment of authenticity, and, more broadly, to the manner in which authenticity figures in the situating of Being and Time in the general context of nihilism and belief Drawing on arguments put forward by Hubert Dreyfus, and especially attuned to Kierkegaard's influence on Heidegger, the study repositions the concept at the point where Heidegger's existential analytic and the all too human desire for deeper meaning meet. The result serves at once to clarify the concept and refine understanding of its place in larger histories. / Arts, Faculty of / History, Department of / Graduate

Nihilism is often associated with feelings of despair, hopelessness and meaningless. It is certainly true that once the implications of this philosophy become apparent that these feelings are valid. However, this reaction is merely the first stage of dealing with nihilism and stopping here fails to examine the various types of nihilism that deal specifically with knowledge, ethics, metaphysics, truth, and art. Nihilism at its base is a philosophy that recognizes the history of human thought and what it means to be and to think. My focus is the way in which a completed nihilism is in fact an emancipatory act and the implications it has for art and the artist in the 21st century.

No description available.

This study focuses on the concept or phenomenon of nihilism, given the regularity with which it manifests itself (to anyone who is aware of it in more or less theoretical or philosophical terms) in all kinds of cultural artifacts such as films, television shows or series, books such as novels or philosophical texts, and magazines. Most of these artifacts can be grouped together under the heading of the media in the present era. The objective of the study is to use the concept of nihilism to identify and analyse selected cases in contemporary media -- in the form of films and television series – to answer the question, with what kinds of nihilism people would come face to face if they knew how to recognize them. The study begins with an outline of a theoretical framework concerning the concept of nihilism. A number of thinkers’ work is used to come to grips with the complex phenomenon, but mostly it is Nietzsche whose thought seems to be valuable for present purposes. In the second chapter the spotlight falls on what is called (in this study) ‘capitalist nihilism’, which seems to belong with what Nietzsche called ‘passive nihilism’, but also seems to exhibit some aspects of ‘active nihilism’. The third chapter is an examination of nihilism in a foreign (Japanese) culture by concentrating on Japanese anime, to test the differences between Western (historically Christian) culture and one with a different cultural and religious history. The last chapter consists of the analysis of a specific (Western) film, I ‘heart’ Huckabees, which was selected because of the variety of ‘nihilisms’ found in it. The study seems to confirm that nihilism is indeed widespread in contemporary, postmodern culture.

Thesis (Ph. D.)--Florida State University, 2004. / Advisor: Dr. S.E. Gontarski, Florida State University, College of Arts and Sciences, Program in the Humanities. Title and description from dissertation home page (viewed June 16, 2004). Includes bibliographical references.

Thesis (M.A.)--Denver Seminary, 2000. / Includes bibliographical references (leaves 123-124).