A law proposal was passed by the Danish parliament in 2018 prohibiting the wear of niqab and burqa in all public spaces. This study aims to analyse the discourse of the debate in the parliament leading up to the passing of the law by using Fairclough’s method of critical discourse analysis. The analysis focusses on the construction of Muslim women in the Danish parliament’s debate regarding the ban on niqab/burqa in public spaces, thereby centering the gendered role of islamophobia. Fairclough’s method of critical discourse analysis is used in the analysis in conjunction with perspectives from postcolonial theorists such as Said, Spivak, Yeğenoğlu and Mohanty. The study concludes that the discourse of the debate can be understood as a form of cultural violence. By drawing on orientalist and white feminist discourse it reproduces a cultural hegemonic relation between Western societies and their “Others”. Culture and religion are used as explanations for gender oppression, placing the fault on the “Other”. This not only stigmatizes anyone who is understood as an “Other” but also obscures gender oppression among the majority Danish population making it harder to address.