- About
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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 721 to 730 of 8760 (0.044 seconds)Spelling suggestions: "subject:"nonmodern"" "subject:"enmodern""
| 721 |
A critical reading of Eisenman's "The end of the classical"Stubbs, Jerome D. 08 1900 (has links)
No description available.
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| 722 |
Notes on the esthetics of criticismSpangler, Benjamin Dick 08 1900 (has links)
No description available.
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| 723 |
In an other sense : architectural order and building narrative in three museumsPence, Tara Leigh 12 1900 (has links)
No description available.
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| 724 |
Bricolage : a mode of thought in transitional architectureRuiz, Nelson Luis 08 1900 (has links)
No description available.
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| 725 |
Architectural color expression: a cross-cultural studyRibas, Jose ́Enrique 05 1900 (has links)
No description available.
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| 726 |
Seven apologiesNicholson, Brian D. 12 1900 (has links)
No description available.
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| 727 |
Architectural displacements : the supplemental condition of site and architectureMarchman, Granger Hansell 1962- 08 1900 (has links)
No description available.
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| 728 |
Speculative Ontologies and Cautionary Horrors| The Literary Zombie's Answer to What We Are and Where We're GoingStone, Tracy 07 April 2015 (has links)
<p> On a metaphoric level, the zombie is an extremely malleable and dynamic figure because it can act as a template for exploring the hazy definitions of humanity. The trope of the zombie I trace in this dissertation is the performance of an absence: the zombie as fragmented and incomplete human. I examine examples of the zombie in American literature across the last century that reify the absence of something crucial in the ontological makeup of a complete human, a component I term `the absent quale.' In the first two chapters, I establish the trope of the zombie as a figure that lacks a particular quale essential to humanity. Chapter One examines H. P. Lovecraft's zombies in "Herbert West: Reanimator" (1921–22) in the context of scientific materialism, which denies the existence of the soul. By 1959, when Robert Heinlein wrote his time travel classic "All You Zombies—," the figure of the zombie as an embodied absence was so established in popular culture that Heinlein's narrator uses the word "zombies" as a metaphor; Chapter Two reads the figurative zombie as a characterization of the fragmented along the temporal dimension. In Chapter Three, I consider Harlan Ellison and Robert Silverberg's "The Song the Zombie Sang" (1970) alongside Walter Benjamin's influential essay, "The Work of Art in the Age of Mechanical Reproduction," using the latter's concept of the aura to denote a sort of material analogue to the human soul. I argue in Chapter Four that the bricolage of popular culture motifs that Robin Becker's zombie rehearses throughout <i>Brains: A Zombie Memoir</i> (2010) enacts the postmodern estrangement from an authentic dimension of being. Expanding on this theme, Chapter Five explores the ways in which popular culture dictates reality for the living and the undead members of the pre- and post-apocalyptic American society Colson Whitehead describes in <i>Zone One</i> (2011). </p>
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| 729 |
The work of Marcel Mauss : An interpretationDiaz Estevez, J. January 1979 (has links)
No description available.
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| 730 |
Foreign words in modern literary Arabic : Some problems of assimilation and resistanceSaleh, A. January 1984 (has links)
No description available.
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