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Good Time Park is a novel.

This project is an episodic novel that revolves around the misadventures and exploits of Povi McDougal, head diversity consultant for G & K. She is responsible for the aggressive sensitivity training of new hires in the company’s bid to avoid future lawsuits. She is a nervy, disenfranchised, high-functioning alcoholic. When you think Povi,think binaries: she’s a bighearted misanthrope. She is furious yet wistful, knowing yet obtuse, and so forth. The episodes are all narrated by Povi and are very voice-driven. As a series of connected stories, the action is not in service to one primary plotline. There is, however, a narrative arc that follows Povi’s efforts to come to grips with her personal and ethnic identity, her troubled past and her self-imposed isolation. Central to these stories is a synthetic folklore. As a child, Povi’s father enrolled her in the Indian Princesses youth group at the YMCA in a misguided attempt to help her connect more fully with her Native American heritage. Figuring prominently in the girls’ mythology was the tale of Falling Rock, the highly sought after Indian princess who wanders into the woods to escape the fray of young braves who seek her hand in marriage. “Legend has it that Falling Rock becomes lost and is never heard from again. The group’s participants are told to be on the lookout for her whenever they see a yellow road sign bearing her name. In short, Povi is my Princess Falling Rock. Given her sense of disinheritance, it seems fitting that her folklore is synthetic, invented. Basically, I’ve gotten her to wander off into the woods for a bit of solitude, and I’ve kept her there for a while, as she tries to find her way back to her tribe – or some such suitable substitute for tribal affiliation, community, love, what have you.

Out of Season is a novel by Aaron Frigard

Hidden Variable is a novel that blends linear storytelling with the novel-in-stories form. It poses questions about the nature of identity as well as the feasibility of personal power, particularly with respect to disorders of the mind. Darla Pierson, the novel’s protagonist, is a woman in crisis. She is steeped in selfloathing brought on by the knowledge that she has, in effect, become her dead father—a genius with an epic libido, habitually using and discarding people. Her father has another habit that Darla doesn’t share: being struck by lightning. After the second strike kills him, Darla makes a conscious attempt to recreate herself. But soon the new Darla sinks into depression, and her act begins to crumble, damaging her and those around her. Throughout the years, she and her family members experience periodic clashes with nature, never fully realizing that sometimes the most powerful, most devastating opponent comes not from without, but within.

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The thesis presented here is a novel, which attempts to blend the genres of fantasy and noir with a colonial narrative. It interacts with themes of capitalism, systemic violence, identity, and free will. It draws inspiration from the writings of Maxine Hong Kingston, Eleanor Catton, Thomas De Quincy, Kiran Desai, Dashiell Hammett, and Sir Arthur Conan Doyle, as well as films such as John Ford’s The Searchers and Henry Hathaway’s True Grit. The thesis here constitutes a draft which will be further developed with the goal of publication.

Full is a novel.