No description available.

<p>Doktorska teza pod naslovom<br />Regionalit&aacute;s &eacute;s intertextualit&aacute;s az elm&uacute;lt k&eacute;t<br />&eacute;vtized vajdas&aacute;gi magyar novell&aacute;iban<br />(Regionalizam i intertekstualnost novela<br />poslednje dve decenije mađarske književnosti u<br />Vojvodini) proučava regionalne aspekte i<br />intertekstualne veze novela izabranih autora<br />maĎarske knjiţevnosti u Vojvodini. (Nandor<br />Gion, Oto Tolnai, Ildiko Lova&scaron;, &Scaron;andor<br />Mesaro&scaron;, I&scaron;tvan Satmari, Aaron Blumm)<br />Teorijske dimenzije disertacije su:<br />- detaljan pregled teorijskih aspekata rada,<br />uzimajući u obzir regionalne i lokalne<br />aspekte- istraţivanje veze intertekstualnosti i<br />novele, metamorfozu savremene novele<br />u Vojvodini- intertekstualno čitanje i interpretacija<br />izabranih tekstova, od novele do kratke<br />proze- virtualni svet i digitalizacija dana&scaron;njice u<br />savremenoj knjiţevnosti<br />Disertacija pored detaljnog pregleda teorijske<br />definicije regionalzma (od strane raznih naučnih<br />oblasti) sadrţi analize i tumačenja savremene<br />novele izabranih autora.<br />Prvo poglavlje rada prikazuje definisanje<br />teorijske osnove regionalizma iz aspekta istorije<br />knjiţevnosti i iz aspekta drugih naučnjih<br />disciplina, kratak retrospektivni pregled značaja<br />regionalizma u istoriji maĎarske knjiţevnosti u<br />Vojvodini (istorija kulture, kulturna<br />antropologija, sociologija, politologija).<br />Drugo poglavlje rada obuhvata interpretaciju<br />problematike mitologije grada i kulturnog<br />pamćenja u maĎarskoj knjiţevnosti u Vojvodini,<br />kulturno-istorijske aspekte savremenih novela.<br />Treće poglavlje prikazuje kako se promenjuje<br />jezik kratke proze pisanih u inostranstvu za<br />vreme balkanskih ratova devedesetih godina, ali<br />teme su vezane za ovaj region.<br />Četvrto poglavlje sadrţi proučavanje<br />interkulturalnih veza i etnokulturalnih stereotipa<br />u novelama izabranih autora.<br />U petom poglavlju prikazuje se virtualni svet i<br />digitalizacija dana&scaron;njice u novelama.<br />Sadrţaj &scaron;estog poglavlja je sinteza, rezime gore<br />navedenih tema.<br />Cilj istraţivanja i očekivani rezultati su da<br />čitanje i interpretacija novela iz novih<br />intertekstualnih aspekta dove&scaron;će nas do<br />otvaranja novih interdisciplinarnih dimenzija u<br />analizi savremene kratke proze.</p>

N/A

Wolf at the Door concerns a thirteen year old boy, Wilmer, during the summer of his sexual awakening, where he explores the boundaries of his sexuality and his attraction to violence and danger, primarily through an older teenage boy, Bricktone, all while young women from his working class community are being kidnapped, abused, and murdered by a human predator. Wilmer considers what kind of man he will become and whether can escape the influence of the wolf.

In the “Introduction,” I discuss how the works presented in this “creative” thesis draw upon traditions of both experimental fiction and realism. The novella makes up Volume I of a longer work. The episodes in the life of the protagonist are depicted in chronological order, but not as chapters in a seamless narrative. In constructing the novella in this way, I attempted to convey how an individual might, for reasons peculiar to himself, choose to view certain moments of his life as turning points. But I do not rely upon the first-person point of view. By using a third-person limited, a third-person omniscient and “second-person” narrative voice in several of the chapters, I hoped, in part, to give to the representation of the “the life of Donovan Jewell” the quality of the “case study.” Each of the “two stories” following the novella is meant to stand alone. Written in the present tense, they both offer intimations of a coming family crisis—or perhaps of a crisis that will be forever postponed.

The novella, Aus dem Leben eines Taugenichts was published in 1826 by Joseph von Eichendorff and was heralded at that time and for many years thereafter by critics as the epitome of the German romantic novel, and the hero, the Taugenichts himself, was the ultimate German romantic hero as well. In the recent past critics have questioned this orientation and research has been initiated that contradicts the assertion that Eichendorff crafted the ideal romantic novella and hero. This Thesis will examine the validity of this claim.

In the “Introduction,” I discuss how the works presented in this “creative” thesis draw upon traditions of both experimental fiction and realism. The novella makes up Volume I of a longer work. The episodes in the life of the protagonist are depicted in chronological order, but not as chapters in a seamless narrative. In constructing the novella in this way, I attempted to convey how an individual might, for reasons peculiar to himself, choose to view certain moments of his life as turning points. But I do not rely upon the first-person point of view. By using a third-person limited, a third-person omniscient and “second-person” narrative voice in several of the chapters, I hoped, in part, to give to the representation of the “the life of Donovan Jewell” the quality of the “case study.” Each of the “two stories” following the novella is meant to stand alone. Written in the present tense, they both offer intimations of a coming family crisis—or perhaps of a crisis that will be forever postponed.

This thesis is a monograph on the facade of the church of Santa Maria Novella in Florence, Italy. The present appearance of the facade is the result of three building campaigns effected over the period of two centuries (c1300--c1500), and two restorative campaigns conducted in the twentieth century. Each of the three major campaigns is considered in isolation, with attention to reconstructions, formal and comparative analyses, and extensive contextualization and discussion of patronage networks. The twentieth-century interventions are cursorily presented in an epilogue. Major themes developed and continued through the five chapters of the dissertation are: architecture and its projected meanings in late medieval and Renaissance Florence, urban organization, political structures, the Dominican order and the position of the Florentine chapter within local and international ecclesiastical, social and political structures.

No description available.

The Future of Memory: A Collection, is a novella and nineteen short stories.