Octavia E. Butler (1947-2006), the first major African-American woman science fiction writer and the only science-fiction author to win the MacArthur "genius" grant, died from an accidental fall in February 2006. She is remembered for her work, which clearly fits into the science-fiction tradition, with imagined near- and far-future technologies, telepathy, aliens, space travel, and time travel. Yet Butler's stories are not clichéd space operas featuring white men in spaceship battles. Whatever the near- or far-future setting, the challenging themes that form the substance of Butler's writing are always power, dominance, slavery, and the complexity of human relationships. Butler's best-known works include the Parable novels (Parable of the Sower and Parable of the Talents), in which the main character Lauren Olamina writes a series of verses that become a new religion in an imagined near-future dystopian version of the United States. This dissertation is a composition for SATB chorus, orchestra, and speaker based on these verses and on quotations from Butler herself describing how she became a writer and the genesis of the Parable series. The musical setting of these quotations highlights parallels between Butler's novels and her own life. In the accompanying paper I analyze my process of extrapolating selected themes from Butler's life and work. My intent is to demonstrate how these themes are interwoven into the musical setting at many levels, and to show how the particular quotations and themes I chose to set musically reveal Butler's insights about present-day human experience on a larger scale. / text

This thesis approaches the ways George MacDonald viewed and represented Victorian society in his novels by analysing select social issues which he felt compelled to address. Chapter One introduces the thesis. It contains a review of critical commentary on MacDonald’s work, as well as discussions on his non-fictional texts and essays, industrialism, and the great rural-urban divide of the nineteenth century. Chapter Two concentrates on MacDonald’s representations of the city in Robert Falconer (1868), The Vicar’s Daughter (1872), and Weighed and Wanting (1882) by underscoring parallels between Octavia Hill’s housing and environmental schemes and situations which he experienced firsthand. Chapter Three examines the influence of Nature on MacDonald’s theology and social views. Special emphasis is placed on Wordsworth and the development of MacDonald’s unique pantheism in his texts, such as the short story, ‘A Journey Rejourneyed’ (1865-6), Guild Court (1868), Wilfrid Cumbermede (1872), What’s Mine’s Mine (1886), and Home Again (1887). Chapter Four uncovers MacDonald’s involvement with the animal welfare movement during the latter part of the nineteenth century. Discussions on vivisection, vegetarianism, hunting, animal abuse, evolution, and degeneration are provided with a wide range of MacDonald’s texts, such as Alec Forbes of Howglen (1865), Paul Faber, Surgeon (1879), The Marquis of Lossie (1877), A Rough Shaking (1890), and Heather and Snow (1893). Chapter Five offers a short summation of the thesis. It affirms that MacDonald was deeply troubled by certain social issues that were raised within his society and would use his fiction to express his concerns. The conclusion also offers a few suggestive topics for ongoing research in the field of this thesis.

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The thesis is focused on the analysis of the acoustic properties of the interior of the passenger car by using the finite element method. Part of the work is an analysis of the excitation effects of individual vibration sources and the evaluation of the response in the interior of the cabin with a focus on the passengers of the vehicle and also solving the problem of the design of structural modifications in order to reduce the noise inside the cabin.

This diploma thesis is focused on conversion of Skoda Octavia RS mark I brake system. This vehicle will be used for race use. The aim of the thesis is to design adequate components of the brake system to achieve good brake deceleration and so that the design will be correspond to hard conditions on the race track. Thesis contains complete design of hydraulic system including control and brake forces, pressures, options of brake forces management and evaluate of brake stability. Followed by the design of brake caliper adapters and the static structural analysis by FEM. The thesis contains picture and assembly drawing attachment too.

The thesis contains complete design of complex system for acquisition of data from bus of a vehicle. It resolves problems of connection of a new node to CAN bus of a vehicle, communication protocol NMEA 0183 of GPS receivers, logging of caught CAN frames into database system MySQL, and proposes algorithms of application for operation of the system. It includes also process of complete installation based on established concept and test results of the system in real situations.

This dissertation seeks to contribute to recent scholarship by demonstrating that an African-American utopian tradition persists in the twentieth and twenty-first centuries, particularly in the works of African-American women writers. If liberation remains a fundamental theme in African-American literature – a definitive stance espoused by W. E. B. Du Bois and a host of other prominent African-American scholars, but also upheld by this dissertation – then such a consistently recurring goal has only been marginally completed, at best, in the United States. Despite proclamations of a universally attainable American Dream, African Americans remain disenfranchised by prison, education, and court systems as well as other integral institutions found within the United States.With this dilemma in mind and given the potentially subversive power of literature, this dissertation argues that the African-American utopian tradition in particular functions as a useful critical lens through which one can examine the often-elusive goal of revolutionary change. This lens raises the pertinent questions that one must answer in order to strive towards one’s utopia, and also exposes the systemic and thus conventional parameters latent in the too-familiar antithetical dystopias about which so many African-American narratives admonish their audiences to confront or, if they are lucky enough, avoid altogether. By focusing on a thematic continuum represented by the utopian small towns found in Zora Neale Hurston’s Their Eyes Were Watching God (1937), Gloria Naylor’s Mama Day (1988), Octavia Butler’s Parable of the Sower (1993) and Parable of the Talents (1998), and Toni Morrison’s Paradise (1997), this dissertation encapsulates a utopian tradition that inscribes race, gender, and sexuality, onto the African-American literary tradition. / English

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In her book In Search of Our Mothers' Gardens Alice Walker addresses black American women's lack of opportunities to write their experiences for later generations. Walker points out that because black women historically were not allowed to write and often were unable to share their creative thoughts or experiences, black women's literary history has been less available. Walker suggests that women of color look back to their mothers and the oral traditions of their ancestors to recreate that lost history and thus create a more complete historical account that has been absent from white canonical representations of African American history. This undergraduate thesis examines three contemporary African American women's novels and demonstrates that they employ maternal genealogical experiences to reclaim and retell Afro-American women's history. Toni Morrison's Beloved, Octavia Butler's Kindred, and Gayl Jones' Corregidora are postmodern, postcolonial slave narratives ( often called "neo-slave narratives") that trace a broad historical memory of slavery through maternal genealogy. While scholars have addressed the presence of the mother in these texts, they have overlooked the importance of the matrilineal tradition of inherited memory as a tool to revisit and reclaim history.