This dissertation will demonstrate that, by considering Treaty One (1871) from the perspective of the Anishinabe, especially Anishinabe laws or Anishinabe inaakonigwein and normative expectations, one can obtain a better understanding of why there is a discrepancy in interpretations of the treaty. The research draws on practices of treaty making prior to Treaty One and shows that the parties relied extensively on Anishinabe protocols and procedural laws in the context of the Treaty One negotiations. In addition, kinship relationships, the obligations derived from them, and a sense of the sacred obligations involved in treaty-making, informed the agreement that was made between the parties. In particular, the kinship between a mother and child was invoked by the parties; the Crown negotiators relying on it primarily to secure good terms with the Anishinabe and the Anishinabe advocating for a commitment to ensuring a good life while respecting and preserving their autonomy. The exploration of the historical records of the negotiations and the oral history surrounding the treaty help draw out the differing and sometimes competing understandings of the treaty, many of which continue to this day, and in particular in relation to the effect of the treaty agreement on legal relationships to land. They help illuminate questions regarding the interpretation of the Treaty, including what would be necessary in order to implement it in accordance with its signatories’ understandings. / Graduate / 0398, 0740

Univ., Diss.--Aarhus, 2007. / Enth. 3 Beitr. - Literaturangaben. - Zsfassung in dän. Sprache.

Univ., Diss.--Aarhus, 2007. / Enth. 3 Beitr. - Literaturangaben. - Zsfassung in dän. Sprache.

Univ., Diss.--Helsinki, 2008. / Enth. 4 Beitr.

Thesis (MPhil(R))--University of Glasgow, 2009. / MPhil(R) thesis submitted to the Faculty of Arts, Department of Theatre, Film and Television Studies, University of Glasgow, 2009. Includes bibliographical references. Print version also available.

Thesis (M.F.A.)--West Virginia University, 2008. / Title from document title page. Document formatted into pages; contains v, 31 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 29-31).

Proefschrift--Eindhoven. / "Stellingen": [6] p. inserted. Summary in Dutch. Bibliography: p. 77-78.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1973. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Complying with a security policy often requires users to create long and complex passwords to protect their accounts. However, remembering such passwords appears difficult for many and may lead to insecure practices, such as choosing weak passwords or writing them down. One-Time Passwords (OTPs) aim to overcome such problems; however, most implemented OTP techniques require special hardware, which not only adds costs, but also raises issues regarding availability. This type of authentication mechanism is mostly adopted by online banking systems to secure their clients’ accounts. However, carrying around authentication tokens was found to be an inconvenient experience for many customers. Not only the inconvenience, but if the token was unavailable, for any reason, this would prevent customers from accessing their accounts securely. In contrast, there is the potential to use graphical passwords as an alternative authentication mechanism designed to aid memorability and ease of use. The idea of this research is to combine the usability of recognition-based and draw-based graphical passwords with the security of OTP. A new multi-level user-authentication solution known as: Graphical One-Time Password (GOTPass) was proposed and empirically evaluated in terms of usability and security aspects. The usability experiment was conducted during three separate sessions, which took place over five weeks, to assess the efficiency, effectiveness, memorability and user satisfaction of the new scheme. The results showed that users were able to easily create and enter their credentials as well as remember them over time. Eighty-one participants carried out a total of 1,302 login attempts with a 93% success rate and an average login time of 24.5 seconds. With regard to the security evaluation, the research simulated three common types of graphical password attacks (guessing, intersection, and shoulder-surfing). The participants’ task was to act as attackers to try to break into the system. The GOTPass scheme showed a high resistance capability against the attacks, as only 3.3% of the 690 total attempts succeeded in compromising the system.

This paper examines the creative process behind the “2001 Nights”narrative film project. The filmmaker (Author) chose the ancient book TheThousand and One Nights, as a foundation and structure to tell a number ofcontemporary stories. Through these stories the author is hoping to explorea number of themes.The film mixes elements of magical realism with dramatic fiction toexplore the concepts of alienation, displacement and diaspora, trying tounderstand the concept of the “other”. Under the politicized, stressfulclimate of current world events, the film also examines identity. This piece ispersonal, in that the author is trying to take his own search for identity to amore global level.