Canadian government archives have primarily shaped scholars’ analysis of the File Hills farm colony on the Peepeekisis Reserve in south eastern Saskatchewan. While these colonial archives are valuable for research, they emphasise particular points in the government’s telling of the colony story. They focus on the construction, management, and intentions of the colony, but neglect the experiences and perspectives of Peepeekisis community members affected by the colony scheme. My thesis makes use of government archives, and is also based on Aboriginal oral histories about the colony and its long-term consequences. My central argument is that a more critical interpretation of archives and oral histories will enrich the historical and geographical record about the colony. I demonstrate how oral histories and archive documents can converge and diverge, but combining the two is particularly important to nuance the colony narrative. A critical viewing of texts and oral histories from the nineteenth and twentieth centuries also reveals that colonialism in the prairie west was highly spatalised and grounded in “betterment” sciences that sought to control and discipline Aboriginal peoples through the manipulation of space, heredity, and environments. Betterment sciences shaped Indian Affairs policy and the farm colony is a remarkable example of how betterment was applied on the ground. Finally, oral histories offer powerful insight into Aboriginal identities that survive in spite of colonial constructs and strategies. Oral histories of Peepeekisis community members are particularly important for highlighting peoples’ everyday geographies and lives only hinted at in colonial archive documents. Part of what makes this thesis original is that it is based on collaborative research. I sought Peepeekisis band permission to conduct this project, and Peepeekisis community members’ oral histories form an important part of this thesis and they have provided guidance on the documenting of their oral histories in this thesis. / Thesis (Ph.D, Geography) -- Queen's University, 2009-10-30 14:31:21.58

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Oral history’s purposes have metamorphosed from a record of lifeways and stories of the elite to a means of healing for minority communities oppressed by trauma. This dissertation focuses on the power of oral history to catalyze the restorative justice process of moral repair for victims—in this case the Mexican Americans of Texas—who were traumatized by the Jim Crow laws and practices prior to 1965. I researched the racial, socio-cultural history of Texas from its colonial days up to the Jim Crow historical era of 1876-1965 and utilized archival, legal, and historical sources for my study. Additionally, I explore theories and frameworks of trauma, structural violence, and restorative justice, and analyze twenty-eight oral histories from the Voces Oral History Collection (University of Texas, Austin). Lastly, I apply oral history methodology to collect seventeen oral histories for my own project, Project Aztlan. My findings reveal a community suffering from structural violence—a theory that argues unjust laws harm individuals as much as physical violence. The oral histories unearth several issues: first, both groups of narrators were victims of structural violence as a result of traumatic racism. I anticipated finding traumatic racism, but not on such a broad scale. The results reveal it occurred in all four corners of Texas. Second, these Jim Crow laws and practices targeted members individually and collectively through racially restrictive housing covenants, segregation of schools/public facilities, job discrimination, and disfranchisement or poll taxes. Thirdly, the oral histories demonstrate and legitimize the fact that the Mexican American community deserves atonement, apology and reparation from historically guilty institutions. The State of Texas battered them with mass lynchings, disfranchisement, racially restrictive housing covenants, school segregation, and discrimination, oppressing them for over 100 years. My dissertation concludes that the oral history process helps victims attain moral repair because, similar to moral repair, it also allows them the space to voice their stories of injustice. In turn, the oral historian validates their claims and reconciliation occurs when narrators received vindication through this reparatory process. This acknowledgment fuses broken moral bonds by equalizing members of society. / Includes bibliography. / Dissertation (Ph.D.)--Florida Atlantic University, 2018. / FAU Electronic Theses and Dissertations Collection

This second volume, Southern Paiute History and Place Names, draws upon historical accounts, diaries, and oral histories to document Southern Paiute occupation and use of the Arizona Strip from the time of European and Euro-American contact until the middle of the twentieth century. It also includes Paiute names for 148 places on and in the vicinity of the Arizona Strip. These names were culled from written sources, matched where possible with a current official name (recorded in the United States Geological Survey Place Names database), and translated. All names were reviewed by a team of Paiute elders in the presence of a linguist and two ethnographers. Also included are stories related to some of the named places. The stories were taken from both archival sources and oral history interviews.

Magister Artium - MA / Through a grant from the Atlantic Philanthropies Foundation the District Six Museum Foundation Trust purchased the Sacks Futeran buildings in 2002 with a view to creating new spaces of engagement that worked with exhibitions, issues of social justice and District Six returnees. The Futeran family, as a gesture of philanthropic donation, sold the building below market value thus enabling the museum to take ownership. This related directly to civic public giving that the work of the District Six Museum entails and was consistent with an understanding of community museums. Acquiring, transforming and museumising the set of five interconnected Sacks Futeran buildings to create the District Six Homecoming Centre has influenced and extended the notion of civic public giving in the museum work of the District Six Museum in relation to District Six returnees and the public. The examination of a history in and through buildings and more specifically the transformation in use, design, purpose and naming in this complex of buildings associated with a family business, E. Sacks Futeran & Co., is the purpose of this research. The oral histories of Martin and Gordon Futeran reveal the origins of their family wholesale clothing and fabric business established in 1906 by their great grandfather Elias Sacks and by extension the Jewish histories of District Six. The apartheid denial of ‘home’ within the Cape Town city bowl, resulting in forced removals of the inhabitants of District Six and the formation of the District Six Museum as a transactive community museum model on the heritage landscape of post-apartheid South Africa is examined. With reference to architectural materiality, the set of buildings as transitional space is ‘mapped’ as it has become the Homecoming Centre of the District Six Museum.Rennie Scurr Adendorff Architects blended older histories of the site with architectural aesthetic and technical expertise, and the Museum’s visions, philosophies and concepts were an integral part of the redevelopment. Over a number of years the Sacks Futeran buildings were restored and internally reconfigured and have been developed to dovetail with existing methodologies supporting the broader land restitution process. Through its spaces, a museum community is being nurtured by means of activism, notions of citizenship transforming District Six, the city and community museum practice in the process. The Fugard Theatre is an integral part of the Homecoming Centre and these buildings are experienced as a multi-functional cultural landmark within the District Six Cultural Heritage Precinct. By harnessing memory and materiality this study is relevant as a means of constituting historical urban fabric and a sensitivity of reconstructing a sense of place.

This study was a year-long longitudinal qualitative research project using the case study of Mayfield, KY after the catastrophic tornado event that impacted their community on December 10, 2021. Oral histories were collected from 18 participants who lived in or were closely connected to Mayfield at the six month and 1.5 year marks after the disaster. Later, after the oral histories were archived and made available to the public, the transcripts were used to extract the crisis narratives from the oral histories and the data was thematically analyzed using the existing theory and theoretical framework of Narratives of Crisis: Telling Stories of Ruin and Renewal by Seeger and Sellnow (2016). The themes were analyzed to better understand how crisis narratives change over time and to determine if there were differences between the leadership of Mayfield and their stakeholders, the public. A major finding in this area was the intertwining of one of more themes within the same passage of narrative, including the intertwining of traditionally competing themes. This extends the theory of Narratives of Crisis. The Discourse of Renewal by Ulmer and Sellnow (2002) was also used to analyze how narratives may differ between those in the community who are considered leaders, and those who represent a general cross-section of the community. The major finding in this analysis was the lack of up-to-date information between leaders and the public. By not creating a bridge of communication, many of the successful steps taken by leaders may not have reached their intended audience. One of the components of the Discourse of Renewal, organizational learning, was specifically used to find lessons learned discussed by community leaders in Mayfield, and to explore how these learned lessons can be applied for practitioners to better understand disaster recovery and renewal in the future.

The site analysis and mapping methods in the design and planning professions follow a standardized quantitative and qualitative analyis of place that favors a design process which can limit creativity and render it difficult to do anything with the normative. This work is an exploration of the development of a design approach and method that uses voice mapping as a basis for design. The voice maps contain oral histories and personal accounts of landscape experiences. Voice mapping is employed not only as a method or for site analysis but also as a generator or ideas. Voice Map Trekking is explored through a trek in the Canadian Arctic and across the Canadian Prairies. Two specific landscapes were chosen as bases for testing concepts - one near St. Gertrude SK and the other near Morinville AB. / February 2008

The site analysis and mapping methods in the design and planning professions follow a standardized quantitative and qualitative analyis of place that favors a design process which can limit creativity and render it difficult to do anything with the normative. This work is an exploration of the development of a design approach and method that uses voice mapping as a basis for design. The voice maps contain oral histories and personal accounts of landscape experiences. Voice mapping is employed not only as a method or for site analysis but also as a generator or ideas. Voice Map Trekking is explored through a trek in the Canadian Arctic and across the Canadian Prairies. Two specific landscapes were chosen as bases for testing concepts - one near St. Gertrude SK and the other near Morinville AB. / February 2008

The site analysis and mapping methods in the design and planning professions follow a standardized quantitative and qualitative analyis of place that favors a design process which can limit creativity and render it difficult to do anything with the normative. This work is an exploration of the development of a design approach and method that uses voice mapping as a basis for design. The voice maps contain oral histories and personal accounts of landscape experiences. Voice mapping is employed not only as a method or for site analysis but also as a generator or ideas. Voice Map Trekking is explored through a trek in the Canadian Arctic and across the Canadian Prairies. Two specific landscapes were chosen as bases for testing concepts - one near St. Gertrude SK and the other near Morinville AB.