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Note: Sheet music available upon request.

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The purpose of this thesis is to show through the presentation and analysis of authoritative information, together with opinions drawn from the information and analyses, how the clarinet grew in its function as a member of the symphony orchestra.

Ho Pak-Kei. / Thesis (M.M.)--Chinese University of Hong Kong, 2000. / Abstracts in English and Chinese. / English Horn Quintet --- p.1 / River and Land --- p.15

Quartet -- Bagatelle-Kyrie eleison -- Déploration. / Wu Ming-yiu. / Thesis (M.Mus.)--Chinese University of Hong Kong, 2002. / Abstracts in English and Chinese. / Abstract --- p.i / Table of Contents --- p.ii / Acknowledgements --- p.iii / Compositions / Chapter 1. --- Quartet --- p.1 / Chapter 2. --- Bagatelle - Kyrie eleison --- p.34 / Chapter 3. --- Deploration --- p.47

String quartet -- Eternal light : for orchestra -- The Lord's prayer : for baritone, clarinet and piano. / Wong Yat Wai Joseph. / Thesis (M.Mus.)--Chinese University of Hong Kong, 2006. / Abstracts in English and Chinese. / Chapter 1. --- String Quartet --- p.1 / Chapter 2. --- Eternal Light for Orchestra --- p.21 / Chapter 3. --- "The Lord's Prayer for Baritone, Clarinet and Piano" --- p.58

Remembrance -- Suite -- Symphonic prelude. / Ng Wah-hei. / Thesis (M.Mus.)--Chinese University of Hong Kong, 2005. / Abstracts in English and Chinese. / Abstract --- p.i / Table of Contents --- p.ii / Acknowledgements --- p.iii / Chapter 1. --- Remembrance for Orchestra --- p.1 / Chapter 2. --- "Suite for Flute, Clarinet, Cello, and Percussion" --- p.58 / Chapter 3. --- Symphonic Prelude for Orchestra --- p.100

Alrededor de una musica ausente is an 18-minutes long composition, written for three Instrumental Groups (Group I: two trombones; Group II: four flutes; Group III: strings [6 0 3 2 1]) and three computer-based Digital Signal Processing Stations, positioned in the performance space so as to form a circle around the audience. / Instrumental Groups and DSP Stations establish a relationship of outputs to inputs with respect to each other. Throughout the composition, sound material is gradually transformed as it flows from one Instrumental Group or Digital Signal Processing Station to another. Transformation of the sound material is accomplished by means of digital signal processing and, in the instrumental parts, by way of compositional techniques modeled after specific electroacoustic sound processing techniques. / The organization of musical structures and formal processes was informed by certain characteristics associated with devices that handle information represented digitally, by techniques of electroacoustic sound production and transformation, and by particular extended instrumental techniques. / Volume 1 of this dissertation is a written text articulated in two parts. The first part gives a historical and aesthetical context for my composition. The second part is an analysis of materials and formal processes used in the piece. Volume 2 is the music score of the composition. A CD containing the patches and soundfiles utilized in the electronic part supplements both volumes.* / *This dissertation is a compound document (contains both a paper copy and a CD as part of the dissertation). The CD requires the following system requirements: Windows MediaPlayer or RealPlayer.

No description available.